Franck Amsallem

Amsallem started learning the piano at age 7 and also took up the classical saxophone at the local conservatory. Early in his studies he was able to hear such artists as Thad Jones, Count Basie, Charles Mingus, Bill Evans, Sonny Stitt and Stan Getz live at the Nice Jazz Festival. Amsallem started gigging in 1976 at the age of fourteen in Nice, and by high school was playing in dance bands throughout the Cote d'Azur and featured in the INA documentary La Leçon de Musique as a student of John Lewis. He was then awarded a full scholarship to attend the Berklee College of Music[2] in 1981-84, to study composition and arranging with Herb Pomeroy and Michael Gibbs.

After Boston, Amsallem moved to New York City in 1986 to earn a Masters in Jazz composition at the Manhattan School of Music. He went on to study with Bob Brookmeyer from 1986 to 1990, all the while continuing his classical piano studies with Phillip Kawin. Amsallem has augmented his formal education by participating in the BMI Jazz Composers' Workshop under the direction of Manny Albam & Bob Brookmeyer. He then played or collaborated with Gerry Mulligan, Joe Chambers, Gary Peacock, Bill Stewart, Joshua Redman, Maria Schneider, Jerry Bergonzi, Charles Lloyd, Bobby Watson, Roy Hargrove, Kevin Mahogany, Ravi Coltrane, Bob Brookmeyer, Bob Belden, Sonny Fortune, Tim Ries, Gary Bartz, Rick Margitza, Joe Roccisano, Blood, Sweat & Tears, and Harry Belafonte.

In 1987, Amsallem played a weeklong duo session with bassist Jay Leonhart at the Knickerbocker Saloon, New York. In 1989, Amsallem's composition "Obstinated" was performed by the Mel Lewis Jazz Orchestra, now known as the Vanguard Jazz Orchestra. His 1990 recording debut, "Out a Day", featuring Gary Peacock on bass and Bill Stewart on drums, was recorded at the famed Clinton Recording Studios in Manhattan. The album was very well received by the international jazz press and highly praised by the Penguin Guide to Jazz Recordings, which gave it its maximum rating (four stars).[3] He has since written, conducted and recorded big band music for the Köln Radio Jazz Orchestra (WDR), the Orchestre National de jazz (France), chamber cross-over music for the Prism Saxophone Quartet, Chicago's chamber ensemble Fulcrum Point, and cross-over symphonic pieces as well as big band music for the Mancini Institute. He has taught or given workshops at Roosevelt University, New York's 92Y, Paris' CNSM, CRR, the Royal conservatory in Den Haag, and in many other countries. To date, he has recorded 11 albums as a leader.

Amsallem has received several awards, including a 1989 Composition Fellowship from the National Endowment for the Arts, the 1989 Fondation de la Vocation Award from France, the 1991 ASCAP award for Young composers, the second prize at the 1992 Jacksonville Jazz Piano Competition, and the 2010 FAJE Award (French American Jazz Exchange). Touring with his group and as a sideman launched him into the major jazz music scene, and he has played at the North Sea Jazz Festival, Pori, Molde, Paris, Antibes Juan-les-Pins, Nice Jazz festival, etc.

Amsallem returned to France in 2001, settling in Paris, where he has collaborated or recorded with local greats Stephane Belmondo, Elisabeth Kontomanou, and Sara Lazarus.

In 2009 he released his first solo piano album, "Amsallem Sings" featuring himself on vocals.[3]

He was invited to conduct and write for the WDR Big Band in 2011.

He has performed all around the world (United States, the Netherlands, Israel, Algeria, China, South Africa, Portugal, South and Central America, Vietnam, Indonesia, Sénégal). He toured throughout 2011 in South America, Europe and Asia, and performed at the Java Jazz Festival, on its way to solo concerts in Vietnam and in The Emirates.

In 2019, his new quartet, featuring Cuban saxophonist Irving Acao, released "Gotham Goodbye" for the jazz&people label, to unanimous critical acclaim.

An asterisk (*) indicates that the year is that of release.

• 1981-1983: Full scholarship from Ministere des Affaires Etrangeres (France) to attend the Berklee College of Music
• 1983: Count Basie Award, Berklee College of Music.
• 1983-1984: Full scholarship from Ministere de la Culture (France) to attend the Berklee College of Music
• 1984: Oscar Peterson Award, Berklee College of Music.
• 1986-87: Scholarship award to attend the Manhattan School of Music
• 1989: Fondation Bleustein-Blanchet pour la Vocation Award (France)
• 1989: National Endowment for the Arts Fellowship to compose works for string orchestra.
• 1990: ASCAP Award For Young Composer.
• 1992: Great American Jazz Piano Competition (2nd prize)
• 2010: FAJE Award (French American Jazz Exchange)

• Official site

• Richard Cook & Brian Morton. The Penguin Guide to Jazz Recordings, 8th Edition, London, Penguin, 2006 ISBN 0-14-102327-9
• John Swenson. Rolling Stone Jazz Record Guide, 1999