Ron Carter

Carter came to fame via the second Miles Davis Quintet in the mid 1960s, which also included Herbie Hancock, Wayne Shorter and drummer Tony Williams. Carter joined Davis's group in 1963, appearing on the album Seven Steps to Heaven and the follow-up E.S.P., the latter being the first album to feature only the full quintet. It also featured three of Carter's compositions (the only time he contributed compositions to Davis's group). He stayed with Davis until 1968 (when he was replaced by Dave Holland), and participated in a couple of studio sessions with Davis in 1969 and 1970. Although he played electric bass occasionally during this era of early jazz-rock fusion, he has subsequently stopped playing that instrument, and in the 2000s plays only double bass.

Carter also performed on some of Hancock, Williams and Shorter's recordings during the sixties for Blue Note Records. He was a sideman on many Blue Note recordings of the era, playing with Sam Rivers, Freddie Hubbard, Duke Pearson, Lee Morgan, McCoy Tyner, Andrew Hill, Horace Silver, and others. He also played on soul-pop star Roberta Flack's album First Take.[6]

After leaving Davis, Carter was for several years a mainstay of CTI Records, making albums under his own name and also appearing on many of the label's records with a diverse range of other musicians. Notable musical partnerships in the 1970s and 1980s included Joe Henderson, Houston Person, Hank Jones, Gabor Szabo and Cedar Walton. During the 1970s he was a member of the New York Jazz Quartet. In 1986, Carter played double bass on "Big Man on Mulberry Street" on Billy Joel's album The Bridge.

Carter performing at the European Jazz Expò 2007

In 1987, Carter won a Grammy for "an instrumental composition for the film" Round Midnight.[3] In 1994, he won another Grammy Award for Best Jazz Instrumental Group for a tribute album to Miles Davis.[7] He appears on the alternative hip hop group A Tribe Called Quest's influential album The Low End Theory on a track called "Verses from the Abstract".[8] He appeared as a member of the jazz combo the Classical Jazz Quartet.[9] In 1994, Carter appeared on the Red Hot Organization's compilation album, Stolen Moments: Red Hot + Cool.[10] The album, meant to raise awareness and funds in support of the AIDS epidemic in relation to the African-American community, was heralded as "Album of the Year" by TIME.[11] In 2001, Carter collaborated with Black Star and John Patton to record "Money Jungle" for the Red Hot Organization's compilation album, Red Hot + Indigo, a tribute to Duke Ellington.[12]

Carter is a Distinguished Professor Emeritus of the Music Department of City College of New York, having taught there for 20 years,[13] and received an honorary Doctorate from the Berklee College of Music in Spring 2005.[14] He joined the faculty of the Juilliard School in New York City in 2008, teaching bass in the school's Jazz Studies program.[15] Carter made an appearance in Robert Altman's 1996 film, Kansas City. The end credits feature him and fellow bassist Christian McBride duetting on "Solitude".[16]

Carter sits on the Advisory Committee of the Board of Directors of The Jazz Foundation of America and on the Honorary Founder's Committee.[17] Carter has worked with the Jazz Foundation since its inception to save the homes and the lives of America's elderly jazz and blues musicians including musicians that survived Hurricane Katrina.[18]

Carter appeared as himself in an episode of the HBO series Treme entitled "What Is New Orleans".[8] His authorized biography, Ron Carter: Finding the Right Notes, (ISBN 978-0989982511) by Dan Ouellette, was published by ArtistShare in 2008.[19]

In 2010 Carter was honored with France's premier cultural award, the medallion and title of Commander of the Ordre des Arts et des Lettres.[20] Carter was elected to the Down Beat Jazz Hall of Fame in 2012.[21]