Frank Sinatra Sings for Only the Lonely

Sinatra had planned to record the album with arranger Gordon Jenkins, with whom he had worked on Where Are You?. Since Jenkins was unavailable at the time, Sinatra chose to work with his frequent collaborator, Nelson Riddle. The three tracks conducted by Riddle at the would-be first session (May 5, 1958) were not used, and the subsequent May 29 session was conducted by Felix Slatkin,[5] uncredited, after Riddle went on a pre-arranged tour with Nat King Cole.[6][7]

At the time of the recording, Sinatra's divorce from Ava Gardner had been finalized, and Nelson Riddle (who wrote the album's arrangements) had recently suffered the deaths of his mother and daughter.[6] Of these events, Riddle remarked: "If I can attach events like that to music...perhaps Only the Lonely was the result."[6]

Frank Sinatra Sings for Only the Lonely was recorded during the time when mass-produced stereo musical recordings were just entering the marketplace. The album was Sinatra's third full-length album to be recorded in both mono and stereo versions, after Where Are You? and Come Fly with Me. According to audio engineer Steve Hoffman, who produced a number of reissues of Capitol Records albums originally recorded in the 1950s, Capitol was during this time continuing to record sessions in mono using their by-then standard microphone placement techniques (including the use of eight separate microphones on the orchestra), and making separate recordings of the session on a 3-track tape recorder using two or three microphones. This method of recording soon gave way to a method where the same set of microphones was used to record sessions to a single multi-track tape, which then served as the source for both mono and stereo mixes (for albums that were issued in both formats).

Capitol's 3-track session tapes (which used fewer microphones) were used as the source for the original stereo album release and for subsequent stereo reissues. Differences in the number of microphones and their proximity to the orchestra's instruments contributed to some of the differences in the sound of the mono and stereo versions. "[F]or me, the mono version kills the stereo mix," Hoffman wrote of the two versions of the album.[8] Frank Sinatra Sings for Only the Lonely was the final Sinatra Capitol album to be recorded using separate equipment for the mono and stereo versions.

The original mono album had 12 tracks, while the original stereo version had only 10 tracks. The original stereo version did not include "It’s a Lonesome Old Town" and "Spring is Here", though subsequent stereo reissues of the album used all 12 original tracks.

In 2000 it was voted number 125 in Colin Larkin's All Time Top 1000 Albums.[9] Q Magazine placed Only the Lonely at #1 on the "15 Greatest Stoner Albums of All Time".[10] The album also peaked at #1 on Billboard′s pop album chart during a 120-week chart-run, and was certified Gold on June 21, 1962, nearly four years after its release.[11] As noted by biographer Peter J. Levinson, "Nelson chose several instrumental soloists to communicate the essence of the music on the album. Harry Edison showed the somber side of his playing on 'Willow Weep for Me.' The late, great trombonist, Ray Sims, the unsung soloist with Les Brown and Harry James and brother of jazz tenor saxophonist stalwart 'Zoot' Sims, delivered the finest recording work of his long career with a brace of meaningful solos. Bill Miller contributed several beautifully conceived piano solos."[7]

Sinatra was nominated for five Grammy Awards at the inaugural Grammy Awards in 1959. Frank Sinatra Sings for Only the Lonely and Sinatra's other album released in 1958, Come Fly with Me, were nominated for the Album of the Year, and Frank Sinatra Sings for Only the Lonely won the Grammy Award for Best Album Cover.

Professional ratings

Review scores
Source	Rating
Allmusic	[1]
Encyclopedia of Popular Music	[12]

1. "Only the Lonely" (Sammy Cahn, Jimmy Van Heusen) – 4:10
2. "Angel Eyes" (Matt Dennis, Earl Brent) – 3:46
3. "What's New?" (Bob Haggart, Johnny Burke) – 5:13
4. "It's a Lonesome Old Town" (Harry Tobias, Charles Kisco) – 4:18
5. "Willow Weep for Me" (Ann Ronell) – 4:49
6. "Goodbye" (Gordon Jenkins) – 5:45
7. "Blues in the Night" (Harold Arlen, Johnny Mercer) – 4:44
8. "Guess I'll Hang My Tears Out to Dry" (Cahn, Jule Styne) – 4:00
9. "Ebb Tide" (Robert Maxwell, Carl Sigman) – 3:18
10. "Spring is Here" (Richard Rodgers, Lorenz Hart) – 4:47
11. "Gone with the Wind" (Allie Wrubel, Herb Magidson) – 5:15
12. "One for My Baby (and One More for the Road)" (Arlen, Mercer) – 4:23

    Bonus tracks included on the 1987 CD release:

13. "Sleep Warm" (Lew Spence, Marilyn Keith, Alan Bergman) – 2:45
14. "Where or When" (Rodgers, Hart) – 2:25

• Frank Sinatra – vocals
• Nelson Riddle – arranger, conductor
• Dave Cavanaugh – producer
• Felix Slatkin – conductor
• Pete Condoli – trumpet
• Milt Berhardt – trombone
• Vince deRosa – french horn
• Gus Bivona – woodwinds
• Harry Klee – woodwinds
• Bill Miller – piano
• Al Viola – guitar
• Joe Comfort – bass

• On May 29, 1958, Sinatra unsuccessfully attempted to record Billy Strayhorn's ballad "Lush Life".[5] A bootleg recording of Sinatra's attempt at "Lush life" exists; this was the only time Sinatra sang the song in his career.[14] The session material of "Lush Life" was included as part of the 60th anniversary deluxe edition of Only The Lonely, released in October 2018, and in the 1958 Mono Mix / Expanded Edition of Only The Lonely, also released in October 2018.

• Ingham, Chris, The Rough Guide to Frank Sinatra, Rough Guides Ltd, June 30, 2005. ISBN 1-84353-414-2
• Summers, Anton, and Robbyn Swan, Sinatra: The Life, Doubleday, 2005. ISBN 0-552-15331-1