Fred Åkerström

Fred Åkerström (27 January 1937 – 9 August 1985) was a Swedish folk guitarist and singer particularly noted for his interpretations of Carl Michael Bellman's music, and his own work of the typically Swedish song segment named visa. These songs, visor, are traditionally very narrative and the performance is "acted" to some degree. The singer is in context a vissångare, a troubadour character. Åkerström was also known for his actor's interpretations of Bellman's 18th century material, and his unusual ability to reach deep bass notes (especially on his interpretation of Bellman's song Glimmande nymf).

Fred Åkerström
Cornelis Vreeswijk, Åkerström, and Gösta Cervin in a protest march against Vietnam war in Stockholm, 1965
Background information
Birth nameBo Gunnar Åkerström
Also known asFred Åkerström
Born(1937-01-27)27 January 1937
Stockholm, Sweden
Died9 August 1985(1985-08-09) (aged 48)
Karlskrona, Sweden
Occupation(s)Musician
singer
songwriter
InstrumentsVocals
guitar
Years active1963–1985
Associated actsCornelis Vreeswijk
Ann-Louise Hanson
CajsaStina Åkerström

Life

Åkerström was born in Stockholm to a family of meager circumstances, which would later influence the social, economic, and political criticisms found in many of his works and public appearances. He may have aspired at an early age to become a vissångare, being a devoted listener to Ruben Nilson. After performances at the famous vispråmen "Storken," he released his first record in 1963, Fred Åkerström sjunger Ruben Nilson. He was a contemporary of Cornelis Vreeswijk, and the two were at times very close, touring together and releasing a joint record, early in their careers.[1] He became an alcoholic in later life. His daughter CajsaStina Åkerström is also a singer.[2]

Bellman interpreter
Further information: Carl Michael Bellman

Åkerström believed that Bellman had been misinterpreted by an earlier generation of artists: far from being a jolly and romantic person, Bellman was, Åkerström thought, an accurate social reporter of poverty, sickness, death and suffering.[3] Like Vreeswijk, Åkerström was a major interpreter of Carl Michael Bellman's songs, giving them "a new and more powerful expression" than they had had before, starting with his live performance of one of Fredman's Epistles, "Nå skruva fiolen" in 1964. He published ten albums containing Bellman songs, of which three were dedicated to that subject: Fred sjunger Bellman in 1969; Glimmande nymf in 1974; and Vila vid denna källa in 1977. His performances increased in intensity until it seemed to audience and critics that Åkerström was identifying himself with Bellman.[4][5] In his book Ingenstans fri som en fågel,[6] Peter Mosskin wrote of Åkerström that no-one in two hundred years had succeeded better at bringing Bellman to life, making the story of his music an important element in Swedish cultural history.[5] His later Bellman recordings combined his guitar with cello and flute.[7]

Discography

References
  1. "Krokig väg mot debut för Fred Åkerström". Svenska Dagbladet (in Swedish). Retrieved 26 May 2019.
  2. "CajsaStina Åkerström om att växa upp med en alkoholiserad pappa – Malou Efter tio". TV4. Retrieved 16 March 2016.
  3. Wilehag, Leif (2014). "En helt igenom nordisk vissångare" [A through and through Nordic visa-singer]. Alba.nu (in Swedish). Retrieved 26 May 2019.
  4. Nilsson, Hans. "BELLMAN PÅ SPÅREN" [Bellman Recordings] (in Swedish). Bellman.net. Retrieved 26 May 2019.
  5. Holmqvist, Kalle (20 June 2014). "Visor och revolution". Aftonbladet (in Swedish). Fred Åkerström lämnade snart KFML(r) och återvände till nöjets estrader där han gjorde succé med sånger av Bellman.
  6. Mosskin, Peter (2014). Fred Åkerström : ingenstans fri som en fågel : en biografi [Nowhere free as a bird] (in Swedish). ISBN 978-9113055930.
  7. Lind, Kalle (2 June 2014). "Böcker | Fred på jorden". Sydsvenskan (in Swedish).
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