Gary Friedrich

By this time Friedrich had already begun writing Westerns for Marvel, including issues of Kid Colt, Outlaw; Two-Gun Kid; Rawhide Kid; and his first regular series, the Western Ghost Rider – launched with debut-issue co-plotter Thomas, and running six issues, mostly co-scripted by Friedrich and series penciler Dick Ayers. Friedrich also contributed to the parody series Not Brand Echh. He began on Sgt. Fury and his Howling Commandos with #42 (May 1967) – co-scripted, as was the next issue, by Friedrich's Western partner, Sgt. Fury penciler Ayers. The next issue, a flashback to the Howlers' first mission, was co-scripted by Friedrich and Thomas.[7]

Following this inauspicious beginning came the first of several Friedrich "The" stories, "The War Lover" (#45, Aug. 1967) – a shaded exploration of a trigger-happy soldier and the line drawn, even in war, between killing and murder. Daring for the time, when majority public sentiment still supported the undeclared Vietnam War, the story balanced present-day issues while demonstrating that even in what is referred to as "a just war", a larger morality prevails.[8] His story for issue #72 (Nov. 1969) was heavily rewritten and partially redrawn due to concerns about possible copyright infringement of the film Casablanca.[9] Friedrich continued through #83 (Jan. 1971), with the late part of this run having reprint issues between new stories, and again for the even-numbered issues from #94–114 (Jan. 1972 – Nov. 1973). Issue #100 (July 1972) featured a present-day, fictional reunion gala.[7]

Friedrich also launched the 19-issue World War II United States Marines series Capt. Savage and his Leatherneck Raiders (Jan. 1968 – March 1970; changed to Captain Savage and his Battlefield Raiders with #9);[10] and the nine-issue World War II U.S. Army series Combat Kelly and the Deadly Dozen ( June 1972 – Sept. 1973).[7]

Friedrich settled into the niche of utility writer. His first regular superhero series for Marvel was The Incredible Hulk vol. 2, for which he wrote a handful of issues starting with #102 (April 1968; the premiere issue, following the Hulk feature in the "split book" Tales to Astonish), as well as the 1968 annual The Incredible Hulk Special #1.[11] The series would not, however, launch him as Thomas' natural successor on Marvel's flagship titles, which went to such later hires as Gerry Conway, Steve Englehart, Len Wein and Marv Wolfman. Friedrich mostly would be assigned titles in transition or facing cancellation, including, variously, [Uncanny] X-Men; Captain America; Captain Marvel; Daredevil; Nick Fury, Agent of S.H.I.E.L.D.; and the "Black Widow" feature in Amazing Adventures.[12] He was also given many non-superhero features, including such Westerns as The Gunhawks[7] and co-created the Phantom Eagle with Herb Trimpe.[13]

Friedrich was the co-creator and initial writer of Marvel's motorcycle-demon Ghost Rider,[14] and later teamed with that character's first artist, Mike Ploog, on Marvel's Monster of Frankenstein – the first five issues of which (Jan.-Oct. 1973) contained a relatively faithful adaptation of Mary Shelley's novel.[15] As one critic wrote of issue #4: "Unmatched by anything else he'd written at Marvel, Friedrich's script ... had reached a point that perfectly captured the 19th-century cadences of Shelley's prose and lifted the strip far above any past or, so far, future attempt to adapt the character to comics."[16] Friedrich co-created the supernatural hero the Son of Satan in Ghost Rider vol. 2, #1 (Sept. 1973).[note 1] Friedrich recalled in 2009 that Marvel editor-in-chief Stan Lee "had some idea that he wanted a character called Son of Satan. I have no idea why or where it came from. All he really had was the name and he wanted us to create a character based around that. I guess it just popped in his mind. He said "I want a title called Son of Satan. Do it!"[18]

In the mid-1970s, he also wrote the majority of the seven-page Captain Britain stories in the character's namesake Marvel UK weekly comic book following the departure of original writer Chris Claremont.[7]

Friedrich's work for other publishers includes writing for the Skywald line of black-and-white horror-comics magazines. For that company he created Hell-Rider – a Vietnam-vet vigilante motorcyclist with a flame-thrower-equipped bike – in a namesake two-issue series (July–Aug. to Sept.-Oct. 1971).[7][19] The following year, Friedrich worked with Thomas on the similarly motorcycle-mounted Ghost Rider.[2]

Additionally, Friedrich freelanced for the short-lived Atlas/Seaboard Comics, where he wrote the crime comic Police Action #2-3 (April and June 1975) and the feature "Son of Dracula" in Fright #1 (June 1975), and scripted the sole story of the character Man-Monster, co-plotted by Tony Isabella and penciller Rich Buckler, in Tales of Evil #3 (July 1975).[7] He also wrote the second and final issue of The Cougar, the third and final issue of Morlock 2001, with the rare art team of Steve Ditko and Bernie Wrightson; the third and final issue of The Brute; and the fourth and final issue of IronJaw (all July 1975).[7]

Friedrich left comics in 1978 and returned to Missouri, where he eventually spent many years as a driver/courier in the St. Louis area.[1][20] In 1993, Friedrich scripted Topps Comics' Jack Kirby-created Bombast #1 (April 1993), where he teamed once more with plotter Roy Thomas and Sgt. Fury artists Dick Ayers and John Severin.[7]

In the 2000s, Friedrich expressed public disagreement about the genesis of the supernatural Ghost Rider. In 2001, Roy Thomas claimed that:

I had made up a character as a villain in Daredevil – a very lackluster character – called Stunt-Master ... a motorcyclist. Anyway, when Gary Friedrich started writing Daredevil, he said, 'Instead of Stunt-Master, I'd like to make the villain a really weird motorcycle-riding character called Ghost Rider.' He didn't describe him. I said, 'Yeah, Gary, there's only one thing wrong with it,' and he kind of looked at me weird, because we were old friends from Missouri, and I said, 'That's too good an idea to be just a villain in Daredevil. He should start out right away in his own book.' When Gary wasn't there the day we were going to design it, Mike Ploog, who was going to be the artist, and I designed the character. I had this idea for the skull-head, something like Elvis' 1968 special jumpsuit, and so forth, and Ploog put the fire on the head, just because he thought it looked nice. Gary liked it, so they went off and did it.[21]

Friedrich responded:

Well, there's some disagreement between Roy, Mike and I over that. I threatened on more than one occasion that if Marvel gets in a position where they are gonna make a movie or make a lot of money off of it, I'm gonna sue them, and I probably will. ... It was my idea. It was always my idea from the first time we talked about it; it turned out to be a guy with a flaming skull and [who] rode a motorcycle. Ploog seems to think the flaming skull was his idea. But, to tell you the truth, it was my idea.[22]

Ploog recalled, in a 2008 interview:

Now, there's been all kinds of dialog about who was the creator of Ghost Rider. Gary Friedrich was the writer on it. ... The flaming skull: That was the big area of dispute. Who thought of the flaming skull? To be honest with you I can't remember. What else were you going to do with him? You couldn't put a helmet on him, so it had to be a flaming skull. As far as his costume went, it was part of the old [Western] Ghost Rider's costume, with the Western panel front. The stripes down the arms and the legs were there merely so I could make the character['s costume] as black as I possibly could and still keep track of his body. It was the easiest way to design him.[23]

On April 4, 2007, Friedrich filed a lawsuit in the U.S. District Court for the Southern District of Illinois against Marvel Enterprises, Sony Pictures, Columbia TriStar Motion Pictures, Relativity Media, Crystal Sky Pictures, Michael DeLuca Productions, Hasbro and Take-Two Interactive, alleging his copyrights to the Ghost Rider character have been exploited and utilized in a "joint venture and conspiracy". The lawsuit states that the film rights and merchandising reverted from Marvel to him in 2001.[24] The case was transferred to the United States District Court for the Southern District of New York on February 14, 2008,[25] and Friedrich amended the complaint on March 25, 2011.[26]

The suit concluded on December 28, 2011, with Marvel prevailing on all but one count.[27] U.S. District Judge Katherine B. Forrest ruled that Marvel Entertainment owned the character, saying Friedrich gave up any ownership claim when he signed checks containing language relinquishing all rights. She said Friedrich had also signed a 1978 agreement with Marvel relinquishing rights.[28] Marvel countersued[29][30] with the parties reaching a settlement in which Marvel dropped the suit in exchange for Friedrich paying $17,000 in damages, ceasing to sell Ghost Rider-related items of his own creation and ceasing to promote himself as the creator of the character for financial gain. Friedrich was allowed to sell his autograph on officially licensed Ghost Rider merchandise.[31]

On June 11, 2013, Second Circuit Court of Appeals Judge Denny Chin overturned the original decision, calling the contract language "ambiguous" and sending the case back to trial.[32] set for November.[33] On September 6, Friedrich's attorney told the court both parties "have amicably agreed to resolve all claims."[33]

• Brown, Len, and Gary Friedrich, Encyclopedia of Rock & Roll (Tower Publications, 1970)
• Brown, Len, and Gary Friedrich, Encyclopedia of Country and Western Music (Tower Publications, 1971)
• Brown, Len, and Gary Friedrich, So You Think You Know About Rock and Roll (Tower Publications, 1972)

• Nashville Breakdown (Manor Books, 1977)

• Butch Cassidy #2–3 (1971)
• Hell Rider #1–2 (1971)
• Nightmare #4 (1971)

• Bombast #1 (1993)