Robert Kanigher

Kanigher's career as a writer started early, with his short stories and poetry being published in magazines. He won The New York Times Collegiate Short Story Contest in 1932. In the late 1930s and early 1940s, Kanigher also wrote for radio, film, and authored several plays.[2]

In 1943 Kanigher wrote How to Make Money Writing, which included a section on comics, making it one of the earliest works on the subject.[7]

Kanigher's earliest comics work was in such titles as Fox Feature Syndicate's Blue Beetle[8] (where he created the Bouncer), MLJ/Archie Comics's Steel Sterling and The Web, and Fawcett Comics Captain Marvel Adventures.

Kanigher joined All-American Comics, a precursor of the future DC Comics, as a scripter in 1945, and was quickly promoted to editor. He wrote the "Justice Society of America" feature in All Star Comics, the "Hawkman" feature in Flash Comics, and Green Lantern. Kanigher edited Wonder Woman starting in 1948 [9] to issue #176 (May–June 1968).[10][11] A year after Wonder Woman creator William Moulton Marston died in 1947, Kanigher became the title's writer as well. Kanigher wrote "The Black Canary", a six-page Johnny Thunder story which introduced the Black Canary character in Flash Comics #86 (August 1947). This was also artist Carmine Infantino's first published work for DC.[12] Other new characters created by Kanigher during this time included the Rose and Thorn and the Harlequin.

Starting in 1952, Kanigher began editing and writing the "big five" DC Comics' war titles: G.I. Combat, Our Army at War, Our Fighting Forces, All-American Men of War, and Star Spangled War Stories.[13][14] His creation of Sgt. Rock with Joe Kubert is considered one of his most memorable contributions to the medium.[7][15][16] Comics historian Bill Schelly noted that "Kanigher's scripts were built on well-orchestrated dramatic sequences, with the story's objects not war-time danger and violence, but the impact these events had on the men of Easy Company."[17]

In 1956, DC editor Julius Schwartz assigned Kanigher and Infantino to the company's first attempt at reviving superheroes: an updated version of the Flash that would appear in issue #4 (Oct. 1956) of the try-out series Showcase. The eventual success of the new, science-fiction oriented Flash heralded the wholesale return of superheroes, and the beginning of what fans and historians call the Silver Age of comics.[18]

Artist Ross Andru began a nine-year run on Wonder Woman, starting with issue #98 (May 1958), where he and Kanigher reinvented the character, introducing the Silver Age version and her supporting cast.[19][20]

Kanigher and Andru had several other notable collaborations. The "Gunner and Sarge" feature introduced in All-American Men of War #67 (March 1959) was one of the first war comics to feature recurring characters.[21] Andru drew an early appearance of Kanigher's Sgt. Rock character in Our Army at War #81 (April 1959)[22] The creative team co-created the original version of the Suicide Squad in The Brave and the Bold #25 (September 1959).[23] Another innovation was the melding of war comics with science-fiction in "The War that Time Forgot", a feature created by Kanigher and Andru in Star Spangled War Stories #90 (May 1960).[24] The Kanigher-Andru pairing co-created the Metal Men in Showcase #37 (March–April 1962).[25][26]

Kanigher also created other popular action series features, such as "Enemy Ace",[27] "The Losers", and The Unknown Soldier. He and artist Russ Heath created the "Haunted Tank" feature,[28][29] and the Sea Devils series.[30] Several of Kanigher's characters were combined into a single feature titled "The Losers". Their first appearance as a group was with the Haunted Tank crew in G.I. Combat #138 (Oct.–Nov. 1969).[31] In the late 1950s and 1960s, Kanigher had a hand in creating many other characters, including the Viking Prince, Balloon Buster, and the Batman villain Poison Ivy.[32]

Among fellow comic creators, Kanigher was as well known for his unstable personality and violent temper as he was for his brilliance as a writer, and collaborators such as Gene Colan and John Romita Sr. have commented on the difficulty of working with him.[33] Romita recounted:

I worked on a series with Kanigher - he wrote two series for me in the romance dept. One about an airline stewardess, and one about a nurse. He used to compliment me whenever he'd see me in the bullpen. "Like the stuff ... like the stuff ..." That was about the amount of conversation we had. Then one day we were in the elevator together, and he said, "Like the stuff." I, like an innocent fool ... I used to do some adjustments to his pages. If he had a heavy-copy panel, I might take a balloon from one panel and put it in the next. Just because I was distributing space. I was so stupid and naive, I said to him, "It doesn't bother you, does it, that I sometimes switch some of the panels around and move some of the balloons from one panel to another?" He started to chew me out in the elevator! "Who the hell do you think you are, changing my stuff? Where do you come off changing my stuff? You don't know anything about this business!"[33]

Reuniting with Andru, Kanigher co-created the "Rose & The Thorn" back up feature in Superman's Girl Friend, Lois Lane #105 (October 1970).[34][35] Kanigher wrote two stories for Marvel Comics: "Weep for a Lost Nightmare" in Iron Man #44 (Jan. 1972) and "Running for Love" in Our Love Story #19 (Oct. 1972).[36] Kanigher returned as writer-editor of the Wonder Woman title with issue #204 (Jan.–Feb. 1973)[10] and restored the character's powers and traditional costume.[37] In 1974, drawing on a classic novel, he introduced Rima the Jungle Girl to the DC Universe in her own title. Kanigher and Kubert created Ragman in the first issue (Aug.–Sept. 1976) of that character's short-lived ongoing series.[38] Around 1977, Kanigher taught for a year at the Joe Kubert School of Cartoon and Graphic Art.[2]