George A. Romero

After graduating from college in 1960,[13][14] Romero began his career shooting short films and TV commercials.[15][16] One of his early commercial films was a segment for Mister Rogers' Neighborhood in which Fred Rogers underwent a tonsillectomy.[17] With nine friends, including screenwriter John A. Russo, Romero formed Image Ten Productions in the late 1960s.[18] This is the production company that produced Night of the Living Dead (1968). Directed by Romero and co-written with John A. Russo,[19] the movie became a cult classic and a defining moment for modern horror cinema.[20]

Among the inspiration for Romero's filmmaking, as told to Robert K. Elder in an interview for The Film That Changed My Life,[21] was the British film, The Tales of Hoffmann (1951), from the Powell and Pressburger team.

It was the filmmaking, the fantasy, the fact that it was a fantasy and it had a few frightening, sort of bizarre things in it. It was everything. It was really a movie for me, and it gave me an early appreciation for the power of visual media—the fact that you could experiment with it. He was doing all his tricks in-camera, and they were sort of obvious. That made me feel that, gee, maybe I could figure this medium out. It was transparent, but it worked.[22]

Romero on the set of Knightriders

The three films that Romero created that followed Night of the Living Dead: There's Always Vanilla (1971), Jack's Wife / Season of the Witch (1972) and The Crazies (1973) were not as well received as Night of the Living Dead or some of his later work.[23] The Crazies, dealing with a bio spill that induces an epidemic of homicidal madness, and the critically acclaimed arthouse success Martin (1978), a film that deals with the vampire myth, were the two well-known films from this period.[24][25]

Romero returned to the zombie genre in 1978 with Dawn of the Dead. Shot on a budget of $1.5 million, the film earned over $55 million internationally and was later named one of the top cult films by Entertainment Weekly in 2003.[26] He made the third entry in his "Dead Series" with Day of the Dead in 1985.

Between these two films, Romero shot Knightriders (1981), another festival favorite about a group of modern-day jousters who reenact tournaments on motorcycles;[27] and Creepshow (1982), written by Stephen King, an anthology of tongue-in-cheek tales modeled after 1950s horror comics.[28] The cult-classic success of Creepshow led to the creation of Romero's Tales from the Darkside, a horror anthology television series that aired from 1983 to 1988.[29]

From the latter half of the 1980s and into the 1990s came Monkey Shines (1988), about a killer helper monkey; Two Evil Eyes (a.k.a. "Due occhi Diabolici", 1990), an Edgar Allan Poe adaptation in collaboration with Dario Argento; The Dark Half (1993) from a novel written by Stephen King; and Bruiser (2000), about a man whose face becomes a blank mask.[30]

Romero updated his original screenplay and executive-produced the 1990 remake of Night of the Living Dead directed by Tom Savini for Columbia/TriStar. Savini is also responsible for the makeup and special effects in many of Romero's films including Dawn of the Dead, Day of the Dead, Creepshow, and Monkey Shines. Romero had a cameo appearance in Jonathan Demme's Academy Award-winning The Silence of the Lambs (1991) as one of Hannibal Lecter's jailers.[30]

In 1998, he directed a live-action commercial promoting the videogame Resident Evil 2 in Los Angeles. The 30-second advertisement featured the game's two main characters, Leon S. Kennedy (portrayed by actor Brad Renfro) and Claire Redfield (Adrienne Frantz), fighting a horde of zombies while in Raccoon City's police station.[31] The project was obvious territory for Romero; the Resident Evil series has been heavily influenced by the "Dead Series". The commercial was popular and was shown in the weeks before the game's actual release, although a contract dispute prevented it from being shown outside Japan. Capcom was so impressed with Romero's work, it was strongly indicated that Romero would direct the first Resident Evil film. He declined at first — "I don't wanna make another film with zombies in it, and I couldn't make a movie based on something that ain't mine"[32] — although in later years, he reconsidered and wrote a script for the first movie. It was eventually rejected in favor of Paul W. S. Anderson's version.[31]

Romero attending a horror convention, 2005

Universal Studios produced and released a 2004 remake of Dawn of the Dead, with which Romero was not involved. Later that year, Romero kicked off the DC Comics title Toe Tags with a six-issue miniseries titled The Death of Death. Based on an unused script that Romero had previously written for his "Dead Series", the comic miniseries concerns Damien, an intelligent zombie who remembers his former life, struggling to find his identity as he battles armies of both the living and the dead. Typical of a Romero zombie tale, the miniseries includes ample supply of both gore and social commentary (dealing particularly here with corporate greed and terrorism — ideas he would also explore in his next film in the series, Land of the Dead). Romero has stated that the miniseries is set in the same kind of world as his Dead films, but featured other locales besides Pittsburgh, where the majority of his films take place.[33]

Romero, who lived in Toronto, directed a fourth Dead movie in that city, Land of the Dead, released in 2005. The movie's working title was "Dead Reckoning". Actors Simon Baker, Dennis Hopper, Asia Argento, and John Leguizamo starred, and the film was released by Universal Pictures (who released the Dawn of the Dead remake the year before). The film received generally positive reviews.[34]

Some critics have seen social commentary in much of Romero's work. They view Night of the Living Dead as a film made in reaction to the turbulent 1960s, Dawn of the Dead as a satire on consumerism, Day of the Dead as a study of the conflict between science and the military, and Land of the Dead as an examination of class conflict.[35]

Romero collaborated with the game company Hip Interactive to create a game called City of the Dead, but the project was canceled midway due to the company's financial problems.[36][37]

In June 2006, Romero began his next project, called Zombisodes. Broadcast on the Internet, it is a combination of a series of "Making of" shorts and story expansion detailing the work behind the 2007 film George A. Romero's Diary of the Dead. Shooting began in Toronto in July 2006.

In August 2006, The Hollywood Reporter made two announcements about Romero, the first being that he would write and direct a film based on a short story by Koji Suzuki, author of Ring and Dark Water, called Solitary Isle[38][39] and the second announcement pertaining to his signing on to write and direct George A. Romero's Diary of the Dead, which follows a group of college students filming a horror movie who proceed to film the events that follow when the dead rise.[40][41]

After a limited theatrical release, Diary of the Dead was released on DVD by Dimension Extreme on May 20, 2008, and later to Blu-ray on October 21, 2008.[42] Shooting began in Toronto in September 2008 on Romero's Survival of the Dead (2009). The film was initially reported to be a direct sequel to Diary of the Dead, but the film features only Alan van Sprang, who appeared briefly as a rogue National Guard officer, reprising his role from the previous film, and did not retain the first-person camerawork of Diary of the Dead.[43] The film centers on two feuding families taking very different approaches in dealing with the living dead on a small coastal island. The film premiered at the 2009 Toronto International Film Festival. Prior to the May 28, 2010, theatrical release in the United States, Survival of the Dead was made available to video on demand and was aired as a special one-night showing on May 26, 2010, on HDNet.[44]

Romero in May 2016

In 2010, Romero was contacted by Claudio Argento to direct a 3D remake of his younger brother Dario Argento's film, Deep Red (1975). Claudio was expected to write the screenplay and told Romero that his brother would also be involved. Romero, who showed interest in the project, decided to contact his longtime friend Dario only to find out that Dario was unaware of a remake and Romero ended up declining Claudio's offer. Romero stated that he had plans for two more "Dead" movies which would be connected to Diary of the Dead and they would be made depending on how successful Survival of the Dead was. Romero, however, said that his next project would not involve zombies and he was going for the scare factor, but offered no further details.[45]

Romero made an appearance in the second downloadable map pack called "Escalation" for the video game Call of Duty: Black Ops. He appears as himself in the zombies map "Call of the Dead" as a non-playable enemy character.[46] Romero is featured alongside actors Sarah Michelle Gellar, Danny Trejo, Michael Rooker, and Robert Englund, all of the four being playable characters. He is portrayed as a powerful "boss" zombie armed with a movie studio light.

In 2012, Romero returned to video games recording his voice for "Zombie Squash" as the lead villain, Dr. B. E. Vil. "Zombie Squash HD Free" game was released by ACW Games for the iPad in November 2012.[47]

In 2014, Marvel Comics began releasing Empire of the Dead, a 15-issue miniseries written by Romero. The series is broken up into three acts, five issues each, and features not only zombies but also vampires.[48] In May 2015, it was announced at Cannes that the production company Demarest was developing the comic series into a TV series. The series will be written and executive-produced by Romero and Peter Grunwald.[49]

In May 2017, Romero announced plans for George A. Romero Presents: Road of the Dead, a film that he co-wrote with Matt Birman, who would direct the film making it Romero's second zombie-themed film that he did not direct himself. Romero and Birman along with Matt Manjourides and Justin Martell will produce the film. Birman was the second unit director on Land of the Dead, Diary of the Dead and Survival of the Dead. Birman pitched the idea to Romero ten years earlier, saying the movie is like The Road Warrior meets Rollerball at a NASCAR race, with significant inspiration from Ben-Hur and that "the story is set on an island where zombie prisoners race cars in a modern-day Coliseum for the entertainment of wealthy humans".[50]

On July 13, 2017, Romero released the first poster for Road of the Dead and discussed the plot for the movie saying "it's set in a sanctuary city where this fat cat runs a haven for rich folks, and one of the things that he does is stage drag races to entertain them," Romero told Rue Morgue. "There's a scientist there doing genetic experiments, trying to make the zombies stop eating us, and he has discovered that with a little tampering, they can recall certain memory skills that enable them to drive in these races. It's really The Fast and the Furious with zombies". Romero died three days later leading to reports questioning if the film will ever be made.[51] A prequel comic book series based on Romero's Road of the Dead was announced by IDW in July 2018.[52][53] The 3-part mini-series was released in December 2018.[53]

The George A. Romero Foundation is a nonprofit organization dedicated to preserving and promoting Romero's legacy. Founded in 2018 by Romero's wife Suzanne Desrocher-Romero, the Foundation's mission is to advance the causes for which George Romero was a champion – creativity within the horror genre and independent filmmaking in general – as well as preserving and documenting the history of the genre in all forms and contributing to its future by encouraging new generations of filmmakers, artists, and creators.

1. Bizarro! by Tom Savini (foreword), 1984. ISBN 0-517-55319-8
2. Book of the Dead edited by John Skipp and Craig Spector (foreword), 1989.[79]
3. ZOMBIES! An Illustrated History of the Undead Foreword by George A. Romero.[80]
4. The Extraordinary Adventures of Dog Mendonça and Pizzaboy II – Apocalipse by Filipe Melo and Juan Cavia (foreword), 2011.[81]