Hit n Run Phase Two

Professional ratings

Aggregate scores
Source	Rating
Metacritic	63/100[7]
Review scores
Source	Rating
AllMusic	[8]
Consequence of Sound	C–[9]
The Independent	[10]
musicOMH	[11]
NME	4/5[12]
The Observer	[13]
Paste	8.8/10[14]
Pitchfork	4.7/10[15]
Q	[16]
Rolling Stone	[17]

Hit n Run Phase Two received generally positive reviews from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 63, based on 13 reviews.[7] Reviewing for Rolling Stone, Kory Grow hailed it as Prince's "most consistently engaging album in years, blending in echoes of the ghosts of Prince past (à la “Sexy MF” and “Come”) while still sounding refreshingly modern."[17] Holly Gleason praised the record's brand of funk in her review for Paste. "Undulating, fizzy, and almost light-headed," Gleason wrote, "this is music to induce a euphoria that lifts skirts and spirits.[14] Matthew Horton, writing for NME, also comments on Prince's return to a familiar sound: stating that Hit n Run Phase Two is "reconnecting him with the funkiest (and occasionally crunkiest) essentials, if not always his superior sense of melody."[12] Andy Gill of The Independent believed it was perhaps Prince's best record in "a decade or two, and certainly the most confident and agreeable confirmation of his qualities for many a year."[10] Stephen Thomas Erlewine wrote in AllMusic that Prince abandoned his previous record's contemporary influences, such as electronics or flashy guitar playing, in favor of "a streamlined, even subdued, soul album" and casually "good groove record".[8]

In a less enthusiastic review, John Murphy from musicOMH deemed Phase Two "wildly inconsistent" with some flashes of Prince's brilliance.[11] David Drake from Pitchfork was more critical, writing that the album sounded "underwhelming ... From beginning to end, Prince seems more interested in establishing his proficiency with pop forms, demonstrating his facility with the materials to craft, as it were, a sturdy wooden table. Rather than an artist's interpretation, we get a craftman's tracing."[15] Writing for Consequence of Sound, Geoff Nelson said songs such as "Xtraloveable", "Screwdriver", and "When She Comes" were failed expressions of sexuality and came across as "Prince doing Prince, a cut-rate version of his once iconic fecundity."[9]

The album debuted at No. 23 on the Top R&B Albums chart on its release,[18] selling 2,000 copies in its first week. It re-entered the chart at No. 13 when Prince died four months later, and peaked at No. 3 on chart dated May 21, 2016.[19] It also peaked at 5 on the Top R&B/Hip-Hop Albums chart,.[20] and No. 40 on Billboard 200.[21] The album has sold 57,000 copies as of November 2016.[22]

All tracks are written by Prince.

Notes

• "Baltimore" was originally released on Prince's SoundCloud account in early May 2015; it was then re-released as an official single with additional horn and orchestra overdubs later in the month, which is presented on this album.
• "RocknRoll Love Affair", originally called "Rock and Roll Love Affair" was originally released as a single in November 2012. The version presented on this album has added horn overdubs.
• "Stare" was originally released as a Spotify exclusive track in September 2015.
• "Xtraloveable", originally called "Extraloveable" was originally written for Vanity 6 and demoed in early April 1982 before being scrapped. It was then re-recorded featuring a rap segment by Andy Allo and released in November 2011 exclusively for iTunes to promote Prince's Welcome 2 Canada tour. The version presented on this album is the "Extralovable Reloaded" version with the rap omitted and horn overdubs added that was released on Prince's 3rdeyegirl.com website in June 2013.[23]
• "Groovy Potential" was originally released through Prince's 3rdeyetunes.com website in August 2013.
• "Screwdriver" was originally released as a single in February 2013.
• The track listing was originally set as a continuation of Hit n Run Phase One,[24] with "Baltimore" as track 12; the album, as it exists on the Tidal website, is now split into a two-volume bundle.

• Handy, Bruce (2016). "Why Prince's Overlooked Final Album Is Worth Your Time". Vanity Fair.
• Murphy, Keith (2016). "'HitnRUN Phase Two': An Oral History Of Prince's Last Studio Album". Vibe.

• Hit n Run Phase Two at Discogs (list of releases)