Hudson Hawk

Hudson Hawk is a 1991 American action comedy film directed by Michael Lehmann.[2] Bruce Willis stars in the title role and also co-wrote both the story and the theme song. Danny Aiello, Andie MacDowell, James Coburn, David Caruso, Lorraine Toussaint, Frank Stallone, Sandra Bernhard and Richard E. Grant are also featured.[3]

Hudson Hawk
Theatrical release poster
Directed byMichael Lehmann
Produced byJoel Silver
Screenplay by
Story by
Starring
Music by
CinematographyDante Spinotti
Edited by
Production
company
Distributed byTriStar Pictures
Release date
  • May 24, 1991 (1991-05-24)
Running time
100 minutes
CountryUnited States
LanguageEnglish
Budget$65 million[1]
Box office$97 million

The live action film employs cartoon-style slapstick heavily, including sound effects, which enhances the film's signature surreal humour. The plot combines material based on conspiracy theories, secret societies, and historic mysteries, as well as outlandish "clockpunk" technology à la Coburn's Our Man Flint films of the 1960s.[4]

A recurring plot device in the film has Hudson and his partner Tommy "Five-Tone" (Aiello) singing songs concurrently but separately, to time and synchronize their exploits. Willis-Aiello duets of Bing Crosby's "Swinging on a Star" and Paul Anka's "Side by Side" are featured on the film's soundtrack.

The film was a huge critical and commercial failure in the United States, only grossing $17 million and earning three Razzies (including Worst Picture), but overseas it was better received and grossed $80 million for a worldwide total of $97 million.

Plot

Eddie "Hudson Hawk" Hawkins (Bruce Willis)—"Hudson Hawk" is a nickname for the bracing winds off the Hudson River—is a master catburglar and safe-cracker, attempting to celebrate his first day of parole from prison with a cappuccino. Before he can get it, he is blackmailed by various entities, including his own parole officer, a minor Mafia family headed by the Mario Brothers (not to be confused with the video game characters), and the CIA into doing several dangerous art heists with his singing partner in crime, Tommy "Five-Tone" Messina (Danny Aiello).

The holders of the puppet strings turn out to be a "psychotic American corporation", Mayflower Industries, run by husband and wife Darwin (Richard E. Grant) and Minerva Mayflower (Sandra Bernhard) and their blade-slinging butler, Alfred (Donald Burton), who kills Hawk's parole officer. The company, headquartered in the Esposizione Universale Roma, seeks to take over the world by reconstructing La Macchina dell'Oro, a machine purportedly invented by Leonardo da Vinci (Stefano Molinari) that converts lead into gold. A special assembly of crystals needed for the machine to function are hidden in a variety of Leonardo's artworks: the maquette of the Sforza, the Da Vinci Codex, and a scale model of DaVinci's helicopter design. Sister Anna Baragli (Andie MacDowell) is an operative for a secretive Vatican counter-espionage agency, which has arranged with the CIA to assist in the Roman portion of Hawk's mission, though apparently intending all along to foil the robbery at St. Peter's Basilica.

Throughout the adventure, Hudson is foiled in attempts to drink a cappuccino. After blowing up an auctioneer to cover up the theft of the Sforza, the Mario Bros. take Hawk away in an ambulance. Hawk sticks syringes into Antony Mario's (Carmine Zozzara) face and falls out of the ambulance on a gurney, and the Marios try to run him down with the ambulance as his gurney speeds along the highway. The brothers are killed when their driver, startled by the array of syringes in Antony's face, crashes the ambulance. Immediately afterwards, Hawk meets CIA head George Kaplan (James Coburn) and his CIA agents—Snickers (Don Harvey), Kit Kat (David Caruso), Almond Joy (Lorraine Toussaint), and Butterfinger (Andrew Bryniarski)—who take him to Darwin and Minerva Mayflower. Hawk successfully steals the Da Vinci Codex from another museum, but later refuses to steal the helicopter design. Tommy Five-Tone fakes his death so they can escape. They are discovered and attacked by the CIA Agents, and Kaplan reveals that he and his agents stole the piece, and unlike Tommy and Hudson, had no problem killing the guards. Hawk and Tommy escape when Snickers and Almond Joy are killed—Snickers by a misfired explosive, Almond Joy in the ensuing blast after being incapacitated by a backfired paralysis dart—and pursue the remaining agents. Kit Kat and Butterfinger take Anna to the castle where the Macchina dell'Oro is being reconstructed.

A showdown takes place at the castle between the remaining CIA agents, the Mayflowers, and the team of Hudson, Five-Tone, and Baragli. Kit Kat and Butterfinger are betrayed and killed by Minerva, although Kit Kat frees Baragli before he dies. Tommy fights Darwin and Alfred inside Darwin's speeding limo, and Hudson fights George Kaplan on the roof of the castle. Kaplan topples from the castle and lands on the roof of the limo. Alfred plants a bomb in the limo and escapes with Darwin; Tommy is trapped inside and Kaplan is hanging onto the hood. The bomb detonates as the limo speeds over a cliff. Darwin and Minerva force Hawk to put together the crystal powering the machine, but Hawk intentionally leaves out one small piece. When the Mayflowers activate the machine, it malfunctions and explodes, killing Minerva and Darwin. Hawk battles Alfred, using Alfred's own blades to decapitate him. Hawk and Baragli escape the castle using a da Vinci flying machine and discover Tommy waiting for them at a cafe, having miraculously escaped death through an improbable combination of airbags and a sprinkler system in the limo. With the world saved and the secrets of Da Vinci protected, Hawk finally gets to enjoy a cappuccino.

Cast

Soundtrack

The soundtrack album was released by Varèse Sarabande in 1991, there are eleven tracks in all. The film's score (represented by tracks 4-9) was composed and conducted by Michael Kamen with Robert Kraft; Kraft also wrote "Hawk Swing" and co-wrote the film's theme with star Bruce Willis.

  1. "Hudson Hawk Theme" - Dr. John (05:38)
  2. "Swinging on a Star" - Bruce Willis and Danny Aiello (02:53) - Sung in incorrect order of verses (the plot device in the movie refers to the original track length as 5:32)
  3. "Side by Side" - Bruce Willis and Danny Aiello (02:18) (the plot device in the film refers to the original track length as 6:00)
  4. "Leonardo" (04:55)
  5. "Welcome to Rome" (01:46)
  6. "Stealing the Codex" (01:58)
  7. "Igg and Ook" (02:22)
  8. "Cartoon Fight" (02:54)
  9. "The Gold Room" (05:57)
  10. "Hawk Swing" (03:41)
  11. "Hudson Hawk Theme" (instrumental) (05:18)

The song "The Power" by Snap! is featured, although not included on the soundtrack, when Hudson Hawk is taken for the first time to the headquarters of the Mayflowers. Minerva Mayflower, played by Sandra Bernhard, is sitting on a desk singing the song while it plays on her headphones.

Reception

Critical response

On Rotten Tomatoes, the film had a rating of 30%, based on 37 reviews, as of September 2020. Its consensusreads: "Hudson Hawk's kitchen-sink approach to its blend of action and slapstick results in a surreal, baffling misfire."[5] On Metacritic, the film has a score of 17 out of 100, based on 15 critics, indicating "overwhelming dislike".[6] Audiences polled by CinemaScore gave the film an average grade of "C+" on an A+ to F scale.[7]

In the Chicago Tribune, Terry Clifford observed that: "The end result is being thrown up on selected screens this weekend, and the suspicion that this was a pooch turns out to be undeniably correct. Boring and banal, overwrought and undercooked, Hudson Hawk is beyond bad."[8]

As Kenneth Turan wrote in the Los Angeles Times:

The saddest thing about Hudson Hawk is that director Lehmann and co-screenwriter Waters were previously responsible for the clever, audacious Heathers, a film that represented all that is most promising about American film, while this one represents all that is most moribund and retrograde. Perhaps they both earned enough money here so that they won't be tempted to indulge themselves in similar big-budget fiascoes. Here's hoping.[9]

Roger Ebert and Gene Siskel gave the film a "two thumbs down" review on their At the Movies TV show. Ebert described the film as a complete disaster: "every line starts from zero and gets nowhere". Siskel's review was marginally more positive saying that Willis had a few funny moments and furthermore that the film might have been salvaged if Willis and Aiello had been the only zany characters against a cast of straight men as opposed to a cast full of overacting where everyone tried too hard to make each line funny.[10]

Variety called the film "a relentlessly annoying clay duck that crash-lands in a sea of wretched excess and silliness. Those willing to check their brains at the door may find sparse amusement."[11] Peter Travers of Rolling Stone said of the film, "A movie this unspeakably awful can make an audience a little crazy. You want to throw things, yell at the actors, beg them to stop."[12] James Brundage of AMC filmcritic said the film was "so implausible and so over the top that it lets inconsistency roll off like water on a duck's back."[13] Janet Maslin in the New York Times called the film "a colossally sour and ill-conceived misfire" and denounced the film for "smirky, mean-spirited cynicism."[14] Writing in The Washington Post, Joe Brown said, "To say this megamillion Bruce Willis vehicle doesn't fly is understatement in the extreme... Hudson Hawk offers a klutzy, charmless hero, and wallows dully in limp slapstick and lowest common denominator crudeness."[15] Chris Hicks wrote in the Salt Lake City Deseret News, "What is most amazing is the pervasive silliness that has the cast acting like fools without ever getting a laugh from the audience. It's hard to imagine a major, big-budget movie that could come along this year and be worse than Hudson Hawk, a solid contender for the longest 95 minutes in movie history.[16] Owen Gleiberman in Entertainment Weekly called the film "a fiasco sealed with a smirk."[17]

Jo Berry from Empire gave it three out of five stars noting that it "reached UK screens with the added burden of having been slaughtered by US critics who likened it to famous big budget turkeys like Raise The Titanic and Ishtar. True, the film has its flaws, but the positives do outweigh the negatives, with Bruce Willis at his wisecracking best in the title role."[18]

Jane Lamacraft reassessed the film as one of the "Forgotten Pleasures of the Multiplex" for Sight & Sound's June 2011 magazine.

In his autobiography, With Nails, Richard E. Grant diarises the production of the film in detail, noting the ad hoc nature of the production and extensive rewriting and replotting during the actual filming. Willis went on to become one of the leading box-office stars of the 1990s, but has not made any further forays into scriptwriting.

Box office

The film performed poorly in the United States, partly because the film was intended as an absurd comedy, yet was marketed as an action film one year after the success of Die Hard 2.[19] It grossed only $17 million in the United States and Canada.[20] Overseas it performed much better, grossing $80 million[21] for a worldwide total of $97 million. The film performed well on home video[22] and by 1995 started to pay out to profit participants, including Bruce Willis.[23]

Accolades

It received three 1991 Golden Raspberry Awards for Director (Lehmann), Screenplay and Picture with additional nominations for Actor (Willis), Supporting Actor (Grant) and Supporting Actress (Bernhard). It was also nominated for Worst Picture at the 1991 Stinkers Bad Movie Awards.[24]

Home media

The film was released on VHS in late 1991. Upon its home video release, the tagline "Catch the Excitement, Catch the Adventure, Catch the Hawk" was changed to "Catch the Adventure, Catch The Laughter, Catch the Hawk".[25] Despite the film's failure at the US box office, the film was successful on home video.[22]

It was released twice on DVD, first in 1999 and again in 2007 with new extras. In 2013, Mill Creek Entertainment released Hudson Hawk on Blu-ray for the first time; it was included in as a set with Hollywood Homicide. All extras were dropped for the latter release.[26]

References
  1. Greenberg, James (May 26, 1991). "FILM; Why the 'Hudson Hawk' Budget Soared So High". The New York Times. Retrieved October 29, 2010.
  2. "Hudson Hawk". Washington Post. May 24, 1991. Archived from the original on November 11, 2012. Retrieved October 28, 2010.
  3. "`Hawk` Better Fly". Chicago Tribune. June 2, 1991. Archived from the original on June 14, 2012. Retrieved October 29, 2010.
  4. Plaskin, Glenn (May 19, 1991). "Real 'Hudson Hawk'". Chicago Tribune. Archived from the original on June 16, 2012. Retrieved October 29, 2010.
  5. "Hudson Hawk". Rotten Tomatoes. Archived from the original on May 30, 2016. Retrieved August 30, 2016.
  6. "Hudson Hawk". Metacritic. Archived from the original on May 17, 2016. Retrieved August 30, 2016.
  7. "Cinemascore". CinemaScore. Archived from the original on December 20, 2018. Retrieved August 30, 2019.
  8. Terry, Clifford (May 24, 1991). "Smug `Hudson Hawk` Looks Like A Turkey". Chicago Tribune. Archived from the original on June 10, 2015. Retrieved October 29, 2010.
  9. Turan, Kenneth (May 24, 1991). "Bruce Willis' 'Hudson Hawk' Fails to Fly as Comedy Caper". Los Angeles Times. Archived from the original on November 3, 2012. Retrieved October 28, 2010.
  10. Siskel and Ebert review Hudson Hawk – via YouTube.
  11. "Hudson Hawk". Variety.com. December 31, 1990. Archived from the original on August 9, 2017. Retrieved December 11, 2017.
  12. Travers, Peter. "Hudson Hawk". Rolling Stone. Archived from the original on June 16, 2008.
  13. Brundage, James. "Hudson Hawk". Filmcritic. Archived from the original on November 6, 2007.
  14. Maslin, Janet (May 24, 1991). "Review/Film Bruce Willis as a Hip Cat Burglar". The New York Times. Archived from the original on September 13, 2016. Retrieved August 30, 2016.
  15. Brown, Joe (May 24, 1991). "Hudson Hawk". Washington Post. Archived from the original on March 4, 2016. Retrieved August 30, 2016.
  16. Hicks, Chris (May 27, 1991). "Film review: Hudson Hawk". Deseret News. Archived from the original on October 7, 2016. Retrieved August 30, 2016.
  17. "Hudson Hawk". Entertainment Weekly. May 31, 1991. Archived from the original on June 6, 2016. Retrieved August 30, 2016.
  18. "Hudson Hawk Review". Empire. July 1991. Archived from the original on January 12, 2020. Retrieved January 1, 2020.
  19. Fox, David J. (May 28, 1991). "No Blockbusters Among This Crop of Memorial Day Movies". The Los Angeles Times. Archived from the original on November 4, 2012. Retrieved December 20, 2010.
  20. "Hudson Hawk". Box Office Mojo. Archived from the original on June 30, 2009. Retrieved August 3, 2009.
  21. Archerd, Army (October 24, 1991). "Just For Variety". Daily Variety. p. 2.
  22. Putzer, Gerald (January 6, 1992). "'Terminator 2' Takes Ring In $200 Million Year". Variety. p. 5.
  23. Archerd, Army (October 19, 1995). "Just For Variety". Daily Variety. p. 2.
  24. "Past Winners Database". The Envelope at LA Times. Archived from the original on January 6, 2007. Retrieved September 25, 2019.
  25. Fox, David J. (May 29, 1991). "'Backdraft' Burns 'Hawk's' Wings at the Box Office". The Los Angeles Times. Archived from the original on November 2, 2012. Retrieved October 3, 2010.
  26. "Double Feature - Blu-ray: Hollywood Homicide, Hudson Hawk". millcreekent.com. Mill Creek Entertainment. Archived from the original on July 14, 2017. Retrieved August 8, 2017.
Awards
Preceded by
Ghosts Can't Do It and The Adventures of Ford Fairlane		 Razzie Award for Worst Picture
12th Golden Raspberry Awards		 Succeeded by
Shining Through
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