Blake Snyder

The title Save the Cat! was coined by Snyder to describe a decisive moment when the protagonist demonstrates that they are worth rooting for. Snyder writes, "It's the scene where we [first] meet the hero", in order to gain audience favor and support for the main character right from the start. In the opening scene of the movie Frequency, for example, Frank Sullivan, played by Dennis Quaid, is a veteran firefighter who jumps into a manhole to save two workers from a gas explosion. Prior to his death-defying rescue, his chief warns, "Frank, you're not going to make it. There's not enough time." Frank, a true hero, does not seem overly alarmed. This is what he does. His concern is primarily for the men below as he confidently jokes, "What, miss the World Series? Not a chance." From this moment on, the audience is fully invested in Frank's well-being and rooting for him to succeed.

According to Snyder, this crucial element is missing from many of today's movies. He referenced Lara Croft: Tomb Raider – The Cradle of Life (2003) as being a film that focused on making the character Lara Croft "cool" and sexy (via a "new latex body suit for Angelina Jolie") instead of likable. An estimated $95 million was spent on this film, and it only grossed $156.5 million worldwide ($65.6 million in the U.S.).[12] This sequel did not lose money, but it earned considerably less than the original Lara Croft: Tomb Raider (2001), which grossed $274.7 million worldwide ($131.1 million in the U.S.).[13]

In his book, Snyder gave greatest emphasis on the importance of structure through his Blake Snyder Beat Sheet or the "BS2" which includes the 15 essential "beats" or plot points that all stories should contain.

Snyder's method expanded the 15 beats further into 40 beats, which are laid out on "The Board." The Board is divided into 4 rows, with each row representing a quarter of the story, namely the 1st Act, the 1st half of the 2nd Act, the 2nd half of the 2nd Act, and the 3rd Act.

Snyder also introduced 10 genres in his book that distinguished how stories are structured. According to Snyder, standard genre types such as Romantic Comedy, Epic or Biography did not say much about the story, only the type of movie it is. Snyder's system explored genre more fully, with categories such as "Monster in the House", "Golden Fleece", "Buddy Love" and others.

In 2007, Snyder wrote Save the Cat! Goes to the Movies. The second book took 50 landmark movies, identified their specific genres, and broke them down into the 15 beats of the BS2.

The third book of Snyder's series, Save the Cat! Strikes Back: More Trouble for Screenwriters to Get Into... and Out Of, was published in November, 2009.[14] This was the last book in the series to be authored by Snyder himself.

The fourth book was a compilation of Blake's blogs and other writings on the subject of screenwriting, titled Save the Cat! Blake's Blogs: More Information and Inspiration for Writers, (published in 2016).

The fifth book was written by his student, Spanish screenwriter and novelist Salva Rubio. It is titled Save the Cat! Goes to the Indies, was published in April 2017, and features the analysis of 50 independent, European, auteur and cult films.[15]

The sixth is the first non-screenwriting book, Save the Cat! Writes a Novel: The Last Book on Novel Writing That You'll Ever Need, written by student and YA novelist Jessica Brody (published on October 9, 2018).

As a companion to his books, Snyder developed a story structure software product called Save the Cat! The Last Story Structure Software You'll Ever Need.[16] The software places Snyder's Beat Sheet and Board on an end user's desktop, phone, or tablet. In 2008, Snyder and the software company Final Draft, Inc. specializing in script formatting, became partners in building import/export functions between the two programs.[17] Snyder's company, Blake Snyder Enterprises, LLC, released an iPhone app of the software in November, 2009 and an Android app in 2016. Version 4 of the software and apps, which includes new templates for novelists and television writers, will be released in the fourth quarter of 2018.

Snyder developed two weekend workshops for writers, filmmakers and executives. The introductory class, The Beat Sheet Workshop, helped participants come up with the solid structure of the 15 beats, before they embark on the actual writing of the script. In addition, The Beat Sheet Workshop was expanded to be led internationally.

The second workshop, a continuation of the first, called The Board Workshop, had participants take their 15 beats and expand them into 40 cards for a more detailed story structure. Snyder held his workshops all over the United States, Europe and Asia. The workshops were run year round. Snyder also taught his method in such universities as UCLA, Chapman University, Vanderbilt University and the Beijing Film Academy.

The in-person Beat Sheet Workshops continue, taught by "Master Cats" who were mentored by Snyder. The Beat Sheet Workshops expanded with online courses in 2017.

Following the release of his first book, Snyder provided script analysis to studios such as Disney, DreamWorks, Laika and Nelvana.[18]