Ilan Kapoor

Kapoor first came to prominence in the early 2000s through a series of influential journal articles on participatory development (the practice of involving beneficiaries of international development programs in decision-making).[4][3] Kapoor is critical of such a practice, arguing that while it looks noble and promising (when adopted by the World Bank or any other international agency), it is often an excuse to further neoliberal policies, and can even result in authoritarian and exclusionary practices.[5] In 2004, Kapoor's critique helped frame an issue of Current Issues in Comparative Education (published at Columbia University).[6]

Kapoor's 2008 book, The Postcolonial Politics of Development, is a collection of essays written between 2002-2007.[7][8] The book is one of the first to analyze development issues from a postcolonial perspective. It has received many positive reviews.[7] Kapoor examines recent international development policy areas (governance, human/gender rights, participation), carrying out a cultural and political economy critique of them. He argues that development practitioners and westernized elites are often complicit in perpetuating contemporary forms of imperialism. The book concludes by arguing for the need for a radical self-reflexivity on the part of development workers, institutions and academics; while at the same time emphasizing the political strategies of marginalized groups that can lead to greater democratic dialogue.[7]

Ilan Kapoor is the brother of artist Anish Kapoor.[9] The latter designed the book cover for Kapoor's 2008 book, The Postcolonial Politics of Development.[10]

In September 2017, Kapoor resigned as editorial board member of the journal Third World Quarterly (along with roughly half of the journal's editorial board members) in protest against the journal publishing an article making a "case for colonialism."[11][12]

Kapoor's book, Celebrity Humanitarianism: The Ideology of Global Charity (2012),[13][14] is one of the first to critically assess the relatively new phenomenon of global celebrity philanthropy (by the likes of Bono, Geldof, Angelina Jolie, Madonna, Bill Gates, George Soros). The author carries out a stinging critique of celebrity charity work and corporate philanthropy.[15] He shows how this charity is not just self-promoting, but also helps justify and worsen the global inequality brought about by capitalism. Kapoor also draws attention to what he sees as a new phenomenon of "spectacular NGOs," not-for-profit development organizations such as Save Darfur or Medecins Sans Frontieres (Doctors Without Borders) that don’t just get celebrity endorsements but seek out celebrity status themselves. He takes them to task for being more interested in branding, spectacle and short-term results than addressing broader and long-term problems of social inequality and political inclusion.[16]

Kapoor's most recent books, Confronting Desire: Psychoanalysis and International Development (2020)[17][18] and Psychoanalysis and the GlObal (2018),[19][20] investigate how the unconscious "speaks out" in various guises: from obsessions about growth and poverty to the perverse seductions of racism and over-consumption, from disavowal of the climate crisis to the social and cultural traumas engendered by globalization. For Kapoor, the unpredictability and excess of unconscious desire are not only the source of "irrationality" but also a political resource for breaking out of the global capitalist status quo. He examines, for example, the political and psychoanalytic bases of revolutionary movements such as the Arab Spring.

• Personal Website
• Faculty Profile at York University
• Academia.edu Profile
• Kapoor-Wheeler debate, "Should celebrities promote charities?" in New Internationalist 1 September 2012