Ilsa, She Wolf of the SS

Europe, 1945. Ilsa (Dyanne Thorne) is Kommandant of a Nazi prison camp, who conducts sadistic scientific experiments designed to demonstrate that women are more capable of enduring pain than men are, and therefore should be allowed to fight in the ever-depleting German armed forces. A sadistic authoritarian, Ilsa has a voracious sexual appetite for men, choosing a new male prisoner each night to copulate with. However, owing to her hypersexuality, she is disappointed when her victims inevitably ejaculate, and promptly has them castrated and put to death.

After dispatching her latest conquest, Ilsa oversees the arrival of a new batch of both male and female prisoners. Though largely dismissive and dehumanizing of the majority of her wards, she becomes enamoured by the presence of Wolfe (Gregory Knoph); a blond-haired and blue-eyed prisoner who, unlike his compatriots, resembles the Nazi Aryan ideal. Wolfe, a German-American student who had been studying in Berlin before the war broke out, tells his cellmate Mario (Tony Mumolo), one of Ilsa's former victims, that he has the ability to ejaculate at will, allowing him to have sex with incredible endurance and skill. Wolfe demonstrates this when, called to Ilsa's bedroom at night, he manages to bring her to orgasm, becoming her first repeat partner whom she willingly spares.

Having entered into Ilsa's confidence, Wolfe begins plotting revolt with Mario and a group of female prisoners who have borne the brunt of Ilsa's tortures. Meanwhile, Ilsa becomes gradually more and more anxious by news of Allied forces breaking through German defenses and ever-encroaching. Believing that the enlistment of women into the German military will help stem the tide, Ilsa attempts to convince a visiting General of her theories of female supremacy by showing him the various inhumane experiments she has subjected her female prisoners to. The General is roundly impressed and awards Ilsa the Iron Cross for her efforts, while forcing her to fulfill his nascent urolagnia by giving him a golden shower.

With the Germans in retreat, the prisoners finally revolt, managing to kill most of the guards and rounding up the surviving staff. Ilsa is tied to her bed with her stockings by Wolfe during a sex game, before he steals her gun and helps his comrades. Wolfe pleads with the other prisoners to leave the Nazis to be captured and tried by the Allies, but they insist that they'll escape punishment, and summarily execute them. With retreating Nazi forces fast approaching, Wolfe and a lone female prisoner escape into the nearby hills as the remaining prisoners, including Mario, resolve to fight to the death. They're quickly outgunned by a Waffen-SS tank troupe, who promptly wipes out the small resistance.

The Commander disembarks and begins investigating the camp. Upon finding Ilsa tied up helplessly, he coldly shoots her in the head and kills her, before ordering the razing of the camp to destroy any evidence of their atrocities. As he brags that the Allies will never know what happened, Wolfe and his fellow escapee watch from atop a nearby hill, the sole survivors of Ilsa's death camp.

Ilsa is Nazisploitation film, a sub-genre of exploitation and sexploitation film that emphasizes Nazis committing sex crimes, often as camp or prison overseers during World War II. Like many of its counterparts, Ilsa follows a women-in-prison formula, but subverts it by having a female authority figure dominating male submissives.

Ilsa was rejected by the British Board of Film Censors in 1975 and remains unreleased in the country.[6] It was banned in Australia, Germany, and Norway. In the United States, the film was released mostly to urban and grindhouse theatres, as was standard practice for many exploitation films of the time.[7]

Ilsa, She Wolf of the SS has received primarily negative reviews, and holds a rating of 36% on Rotten Tomatoes based on 11 reviews.[8]

The Independent Film Journal wrote, "Only the most dangerously sadistic mentalities will manage to sit voluntarily through more than ten minutes of Ilsa, She Wolf of the SS, a graphic, stomach-churning catalogue of Nazi medical atrocities that makes Texas Chainsaw Massacre look like a Sunday picnic ... Theatres catering to the lowest possible grade of audience could make a bundle of dirty money. Others would be wise to forget it."[9]

Gene Siskel of the Chicago Tribune gave the film zero stars out of four and called it "the most degenerate picture I have seen to play downtown ... Ilsa plays like a textbook for rapists and mutilation freaks." He identified the distributors of the film and advised them to "see it, because I'm certain they would then remove it."[10] Vincent Canby of The New York Times reported walking out on the film and wrote that it "could possibly be the worst soft-core sex-and-violence film of the decade—and the funniest. It's set in a World War II Nazi concentration camp built in a meadow that looks very southern California. You can almost hear the freeway traffic on the other side of the hill."[11] Dave Kehr of the Chicago Reader described the film as "self-conscious Canadian-made camp", which "wasn't notorious until it was fiercely denounced in the high-profile media".[12]

The A.V. Club gave the film a scathing review, noting that it "has absolutely no sense of humor that might go where the obvious lack of moral purpose is".[1]

The film's director Don Edmonds described the screenplay as "the worst piece of shit I ever read".[1]

Ilsa, She Wolf of the SS won Best Alternative Release at the 1985 AVN awards, ten years after its initial release.[13]

Despite being almost-universally critically derided, the film has gained a significant cult following, in large part due to the endurance of the lead character and Thorne's camp performance. Film scholar Rikki Schubert appraises the character as feminist, writing in her book Super Bitches and Action Babes: The Female Hero in Popular Cinema, 1970–2006 “she is not a female hero in any ordinary sense, yet she is a strong, active and aggressive protagonist who has become mythical in Western culture.”

The character is considered a quintessential pop cultural depiction of sadomasochism and hypersexuality, with Schubert writing that “The uniform, the beautiful and harsh appearance, the fierce pride and the cold cruelty are all features of the dominatrix, who is here, quite literally, a ‘castrating bitch.’ She is a hypersexual creature, fully devoted to her job, and always in search of satisfaction.”

Ilsa, She Wolf of the SS was followed by three sequels, all variations on the sexploitation women in prison theme:[4]

• Ilsa, Harem Keeper of the Oil Sheiks (1976) - the only sequel to be directed by Don Edmonds. The film is set in an unnamed Middle Eastern kingdom in modern times, with Ilsa as the overseer of a wealthy Sheikh’s harem.
• Ilsa, the Wicked Warden (1977) - directed by Jesús Franco. Wicked Warden was not originally an official entry in the series, instead being an unrelated European film starring Dyanne Thorne as a similar warden character named ‘Wanda’. When released in North America, the rights were purchased by the official Ilsa rights holders, who redubbed the film to rename the main character Ilsa and incorporate it as an official entry in the series. It is the only entry in the series to be produced in Germany.
• Ilsa, the Tigress of Siberia (also 1977) - directed by Jean LaFleur. It is the fourth and final entry, and the only entry to be shot on-location in Canada. It is unique among the series for its “two-act” structure, the first half depicting Ilsa as the commandant of a Siberian gulag in the Soviet Union, while the second half flashes-forward 20 years later to modern-day Montreal, where Ilsa is now the proprietor of a brothel on the run from Soviet authorities. This entry was produced by Ivan Reitman and Roger Corman under the shared alias “Julius Parnell”.

Despite her character being killed off at the end of the first film, Thorne reprised her role in three follow-ups, continuing to depict Ilsa as a sadomasochistic authority figure with an exaggerated German accent. None of these sequels have any story continuity with one another, depicting Ilsa in wildly differing locations and time period and often ending in her death or incapacitation.

• In Jörg Buttgereit's 1989 horror film Der Todesking, a character rents a Nazisploitation movie called Vera - Todesengel der Gestapo (Vera, the Death-Angel of the Gestapo), which depicts a concentration camp prisoner being castrated by an Ilsa-like prison guard.
• The 2007 film Grindhouse features a faux-trailer for a film called Werewolf Women of the S.S. by Rob Zombie, whose characters have been referred to as resembling Ilsa. The lead female officer, Eva Krupp (played by Zombie's wife, Sheri Moon), can also be seen as an Ilsa-like character.[14]
• The New York hardcore band Murphy's Law wrote the song "Ilsa" which was inspired by the movie.
• Rob Zombie also used audio clips in the track "House of 1000 Corpses" in his second solo album The Sinister Urge.

• Ilsa, She Wolf of the SS at IMDb
• Ilsa, She Wolf of the SS at Rotten Tomatoes