Jake Eberts

With no apparent prior interest in film, about 1977 he turned to film financing, and joined David Puttnam in founding Goldcrest Films, an independent film production company, for which he served as president and CEO. His first venture was the animated movie Watership Down.

While with the company in 1979, he made a disastrous personal investment of US$750,000 in Zulu Dawn, which took him almost a decade to recover from. He learned a great deal from this setback, as the output of the company was for the most part exceptional and financially rewarding, with such other films to its credit as The Howling, Chariots of Fire, Local Hero, Gandhi, The Killing Fields and The Dresser. Chariots of Fire and Gandhi won back-to-back Oscars in 1981 and 1982 respectively, and in the period from 1977 to 1983 the company's films received 30 Oscar nominations and won 15. He developed a reputation as an astute and shrewd financier. Rather than seek new talent, he chose to support established directors such as Sir Richard Attenborough, Roland Joffé, Jean-Jacques Annaud, John Boorman, many of whom have worked with him on several pictures.

He resigned from the company in 1984, but returned a year later to attempt to rescue it financially. From its early success of just a few years earlier, when it was seen as a possible saviour of the British film industry, the company had been brought to the brink of bankruptcy by the failure of three high-budget films - Revolution, The Mission and Absolute Beginners, all in 1985-1986.[2]

Eberts continued on until 1987 when he resigned for the last time. The company would continue on under new ownership. Eberts detailed the disaster in his 1990 memoir, My Indecision Is Final: The Spectacular Rise and Fall of Goldcrest Films (co-authored with Terry Ilott).

Meanwhile, in 1985 he founded Allied Filmmakers, an affiliate of Pathé. With this company, in 1986 he made his debut as executive producer for Annaud's The Name of the Rose, based on the best-selling novel by Umberto Eco. He since produced or executive produced John Boorman's Hope and Glory, his second pair of back-to-back Oscar winners Driving Miss Daisy, Dances with Wolves, Robert Redford's A River Runs Through It and Henry Selick's adaptation of Roald Dahl's James and the Giant Peach. During this period Eberts was also responsible as executive for the expensive flop, The Adventures of Baron Munchausen, which went on to some popular success in home videocassette and DVD rentals.[3]

Eberts moved to Paris in 1991.

Dances with Wolves was an early picture of Eberts to feature a Native American theme. Later productions included (as producer or executive producer), Bruce Beresford's Black Robe (1991), The Education of Little Tree (1997), and Richard Attenborough's Grey Owl (1998). The latter three pictures were all produced in Canada.

He also served as a co-executive producer (with Jeffrey Katzenberg) of Chicken Run. Other animated films Eberts produced include The Nutcracker Prince (1990), The Princess and the Cobbler, James and the Giant Peach, Doogal and Renaissance, and The Illusionist.[4]

In 2002, Eberts became chairman of National Geographic Feature Films (NGFF) and executive produced such titles as the live action animal feature Two Brothers by Jean-Jacques Annaud. He also branched out into documentaries including Prisoner of Paradise, which was nominated for Best Picture in the feature documentary category at the 2003 Academy Awards, and America's Heart and Soul (2004). Under his direction, NGFF had an enormous success in 2005 by distributing the sleeper documentary March of the Penguins (original French title, La Marche de l'empereur) and he was working again recently with the Chariots of Fire director Hugh Hudson on a nature epic to be shot in Canada.

His final project, Jerusalem, an Imax 3D production due for release in 2013, chronicles a day in the life of three teenagers, a Jew, a Muslim and a Christian, in the Holy City. He had also been developing The Last Empress, a $60 million joint Sino-American venture about the ruthless Empress Dowager Cixi, who effectively controlled the Qing dynasty in the late 19th century.[5]