Jane White

White worked for a short time as a proofreader for the Research Institute of America while also attending beginners' acting classes at New York's New School.[1]

In 1945, White secured her first part playing the lead role of "Nonnie" in the Broadway production of Strange Fruit. The play was an adaptation of the controversial novel about interracial love in the South. She was originally recommended for the part by Paul Robeson, a friend of the White family.[1] The play opened to mixed reviews, but both White and the play received positive attention from Eleanor Roosevelt, then First Lady, who wrote her own review in her column My Day. Of White's performance, Roosevelt wrote: "I should like to pay tribute to the cast of this play as a whole, but particularly to Jane White whose first venture this is on the stage and who plays her part with restraint and beauty."[6]

In 1959, White played the role of the scheming Queen Aggravain in Once Upon a Mattress, in which Carol Burnett made her Broadway debut.[1]

In 1965, White and her husband, restaurateur Alfredo Viazzi, left New York for Italy, returning three years later.[7]

White continued to work steadily in theatre and occasionally in television and movies from the 1970s through the 2000s. Her theatrical work has spanned summer stock, off-Broadway and on-Broadway shows. Much of her work was in classical dramas, with particular focus on Shakespeare; she won an Obie Award for her roles in the 1965-66 New York Shakespeare Festival as Volumnia in Coriolanus and the Princess of France in Love's Labour's Lost.

In the late 1970s, White and her husband opened Alfredo’s Settebello in the Village, and White performed there as a cabaret singer.[7]

She won the 1988-89 Los Angeles Critics Circle Award for her role as the Mother in Federico Garcia Lorca's Blood Wedding. She has additionally played roles in such dramas as Euripides' Iphigenia at Aulis and Henrik Ibsen's Ghosts; comedies such as Paul Rudnick's I Hate Hamlet; and musicals such as Stephen Sondheim's A Little Night Music and the 2001 production of Sondheim's Follies, to name a small selection.[1]

In addition to the productions of Once Upon a Mattress, her television work included a 1979 stint on the soap operas The Edge of Night, A World Apart, and Search for Tomorrow. She was one of the first African-American actresses to play a role under contract on soap operas when she originated the role of Lyndia Holliday, R. N. on The Edge of Night. In 1998, she played the schoolteacher Lady Jones in the movie version of Toni Morrison's Beloved.[8] From 1979-80, White starred in a self-written, one-woman cabaret show entitled Jane White, Who?, which interspersed autobiographical anecdotes and personal reminiscence with songs.[1] As recently as 2006, she continued to perform occasionally in cabaret theater.[9]