Jessie Fothergill

Jessie Fothergill (June 1851 – 28 July 1891) was an English novelist. Her novel The First Violin sold particularly well.

Jessie Fothergill
BornJune 1851
Manchester
Died28 July 1891
Bern
NationalityBritish
GenreNovelist

Life and writings

Fothergill was born in June 1851 at Cheetham Hill, Manchester, the eldest child of Thomas Fothergill, a businessman in the cotton trade, and his wife Anne. He had once been a Quaker.[1] Anne was the daughter of William and Judith Coultate of Burnley. (Jess Fothergill's sister Catherine also wrote novels, which appeared between 1883 and 1898.)[1][2] The Fothergills when she was young moved to Bowdon in Cheshire, where she attended a private school, followed by a boarding school in Harrogate. Her father died in 1866, and shortly after, Jessie Fothergill, with her mother, sisters, and brothers moved to Littleborough, near Rochdale, where Jessie lived quietly, studying the life led by the cotton-mill workers: "strange uncouth people, the out-of-the-worldness of it all."[1]

Jessie, Caroline and two friends spent 15 months in Düsseldorf, Germany, in 1874. On her return to England she published her first novel, Healey, in 1875, having already started her third novel, The First Violin (1876),[1] which made Fothergill's name, although it was originally published anonymously to protect her family. Inspired by her 15 months studying music in Düsseldorf, it tells the story of a 17-year-old English girl who rejects the attentions of a rich landowner, to become instead a lady's companion and travel to "Elberthal" (i. e. Düsseldorf), where she can take voice lessons. The story follows her adventures and goes into detail on the artists and their lives and how music was rehearsed and performed by amateurs as well as professionals, using the German terms where appropriate.

The First Violin was rejected by two publishers because one character is a married woman who has an affair. They thought this would not be well received, but they were mistaken: considerable sales continued not only in Britain but in the United States.[3] The story was released in serial form in Temple Bar magazine and as a three-volume novel.[4] Also published in Temple Bar, in February 1886, were Some American Recollections, after a visit to the United States, driven partially by a desire to avoid British weather, as her lungs suffered from a medical condition.[2][1]

Depictions

Fothergill's novels largely depict life on the moorland, in the factories of Lancashire and Yorkshire; but she combined the fruits of her observation of the places where her life was mainly spent, with enthusiastic descriptions of the influence of music. "Cotton mills and music, manufacturing England and Germany" were the chief subjects of her work.[5] Bertha Porter, in the Dictionary of National Biography, wrote, "Her plots were rather less satisfactorily devised than her studies of character, which were usually subtly and powerfully portrayed."[6]

Fothergill gained further recommendation in 2017, because her novels were religiously agnostic.[3] A present-day commentator writes: "Her novels often portrayed characters of dubious moral fibre, which proved popular with the reading public."[7]

The latter years of her life were chiefly spent abroad. She passed some time in Florence and then in Rome in the winter of 1890–1891 in Rome, where her final novel, Oriole's Daughter is set. It describes an illegitimate daughter's relations with her Republican father.[1]

Comparisons

As a regional novelist of the north-west, Jessie Fothergill was compared by some critics at the time with the Brontë family and with Elizabeth Gaskell. Jane Crisp compiled a bibliography of Fothergill.[8]

Jessie Fothergill died in Bern, Switzerland, on 28 July 1891.[6]

Works

She published to following works, in London:

  • Healey 1875 and 1884
  • Aldyth 1876, 1877 and 1891
  • The First Violin 1877, 1878 and 1879
  • Probation 1879[9]
  • The Wellfields 1880 and 1881 (Holt's Leisure Hours.)
  • Kith and Kin 1881 and 1882
  • Made or Marred 1881 (Bentley's Empire Library)
  • One of Three 1881 (Bentley's Empire Library)
  • Peril, 1884
  • Borderland 1886 and 1887
  • The Lasses of Leverhouse 1888
  • From Moor Isles, 1888 and 1894
  • A March in the Ranks 1890 and 1891
  • Oriole's Daughter 1893

A version of The First Violin dramatised by Sidney Bowkett, was produced at the Crown Theatre, Peckham, on 27 March 1899. Part of the same work is printed in The Library of Famous Literature, volume xx, 1900.[6]

References
  1. The Feminist Companion to Literature in English. Women Writers from the Middle Ages to the Present, eds. Virginia Blane, Patricia Clements and Isobel Grundy. London: Batsford, 1990, p. 398.
  2. Bertha Porter, "Fothergill, Jessie (1851–1891)", rev. Rebecca Mills, Oxford Dictionary of National Biography, Oxford, UK: OUP, 2004 accessed 13 October 2014.
  3. Boardman, Kay; Jones, Shirley, eds. (2004). Popular Victorian women writers (1. publ. ed.). Manchester [u.a.]: Manchester Univ. Press. p. 68. ISBN 0719064503. Retrieved 12 October 2014.
  4. Black, Helen C. (2011). Bassett, Troy J.; Pope, Catherine (eds.). Notable women authors of the day (New ed.). Brighton: Victorian Secrets. p. 191. ISBN 1906469202. Retrieved 13 October 2014.
  5. The Novel Review, May 1892, pp. 153–160.
  6.  This article incorporates text from a publication now in the public domain: Bertha Porter (1885–1900). "Fothergill, Jessie (DNB01)". In Lee, Sidney (ed.). Dictionary of National Biography. II. London: Smith, Elder & Co. p. 0.
  7. Jarndyce Booksellers' catalogue Women Writers 1795–1927 Part I: A–F (London, Summer 2017).
  8. VFRG 2, 1980.
  9. British Library Catalogue. Retrieved 3 December 2019.

Further reading
  • A contemporary biography of Fothergill was published in Speight's Romantic Richmondshire starting at page 478 (1897).
  • A contemporary review of her literary work is in the Manchester Quarterly, 1883, ii. 291-2
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