Josephine Mutzenbacher
Josephine Mutzenbacher or The Story of a Viennese Whore, as Told by Herself (German: Josefine Mutzenbacher oder Die Geschichte einer Wienerischen Dirne von ihr selbst erzählt) is an erotic novel first published anonymously in Vienna, Austria in 1906. The novel is famous[2][3][4] in the German-speaking world, having been in print in both German and English for over 100 years and sold over 3 million copies,[5] becoming an erotic bestseller.[6][7][8][9]
![]() Title page from 1906. | |
Author | Anon. (attributed to Felix Salten)[1] |
---|---|
Original title | Josefine Mutzenbacher oder Die Geschichte einer Wienerischen Dirne von ihr selbst erzählt |
Illustrator | Anon. |
Country | Austria |
Language | German |
Genre | Erotica |
Publication date | 1906 |
Published in English | 1931 / 1967 / 1973 / 2018 |
Media type | |
Pages | 383 |
OCLC | 757734607 |
Although no author claimed responsibility for the work, it was originally attributed to either Felix Salten or Arthur Schnitzler by the librarians at the University of Vienna.[10] Today, critics, scholars, academics and the Austrian Government designate Salten as the sole author of the "pornographic classic".[11][12][13]
The original novel uses the specific local dialect of Vienna of that time in dialogues and is therefore used as a rare source of this dialect for linguists. It also describes, to some extent, the social and economic conditions of the lower class of that time. The novel has been translated into English, French, Spanish, Italian, Hungarian, Hebrew, Dutch, Japanese, Swedish and Finnish, among others,[14] and been the subject of numerous films, theater productions, parodies, and university courses, as well as two sequels.
Contents
Plot
The publisher’s preface – formatted as an obituary and excluded from all English translations until 2018 – tells that Josefine left the manuscript to her physician before her death from complications after a surgery. Josefine Mutzenbacher wasn’t her real name. The protagonist is said to have been born on 20 February 1852 in Vienna and passed on 17 December 1904 at a sanatorium.[15]
The plot device employed in Josephine Mutzenbacher is that of first-person narrative, structured in the format of a memoir. The story is told from the point of view of an accomplished aging 50-year-old Viennese courtesan who is looking back upon the sexual escapades she enjoyed during her unbridled youth in Vienna. Contrary to the title, almost the entirety of the book takes place when Josephine is between the ages of 5–13 years old, before she actually becomes a licensed prostitute in the brothels of Vienna. The book begins when she is five years old and ends when she is thirteen years old and starts her career as an unlicensed prostitute with a friend, to support her unemployed father.
Although the German-language text makes use of witty nicknames – for instance, the curate’s genital is called "a hammer of mercy" – for human anatomy and sexual behavior, its content is entirely pornographic. The actual progression of events amounts to little more than a graphic, unapologetic description of the reckless sexuality exhibited by the heroine, all before reaching her 14th year. The style bears more than a passing resemblance to the Marquis de Sade's The 120 Days of Sodom in its unabashed "laundry list" cataloging of all manner of taboo sexual antics from children’s sexual play, incest and rape to child prostitution, group sex, sado-masochism, lesbianism, and fellatio. In some constellations, Josefine appears as the active seducer, and sex is usually depicted as an uncomplicated, satisfactory experience.[16]
Illustrations
![](../I/Mutzenbacher-1906-illustration.jpg.webp)
The original Austrian publication was unillustrated, but a later pirated edition from 1922 contained black-and-white drawings, entirely pornographic as the text. These illustrations were bound in the archival copy of the first edition at the Austrian National Library,[17] and have been reproduced at least in the hardcover edition of the 2018 English translation[18] and in a 2019 Finnish translation,[19] erroneously dated to 1906. Another illustrated German-language edition was published in the late 1960s in Liechtenstein with images by Jean Veenenbos (1932–2005).
Other illustrations have been created as well. The first English translation of 1931 was quickly pirated in New York and illustrated by Mahlon Blaine (1894–1969). The 1973 translation, Oh! Oh! Josephine, is illustrated with photographic stills from "the continental movie" of 1970, Josephine Mutzenbacher a.k.a. Naughty Knickers by Kurt Nachmann.
Also a Danish translation of 1967 contains illustrations. An incomplete Swedish translation from 1983 contains random photographs of prostitutes with scathing comments.[14]
Interpretations
The novel Josefine Mutzenbacher has given rise to a multitude of interpretations. It has been listed both as child pornography and labeled as an apposite depiction of the milieu and manners of its time in Vienna, a travesty or a parody or a persiflage of a coming-of-age story or a novel of development,[20] and mentioned as a rare case of a picaresque novel with a female protagonist.[21] It has also been praised for its criticism of the bourgeois society.[22]
The relation of the novel to the Freudian theory of sexuality has been subject to debate. The Swedish translator C.-M. Edenborg sees Josefine Mutzenbacher as an indictment of Freud’s bourgeois psychology,[23] whereas the Austrian psychoanalyst Désirée Prosquill thinks that not only are there marked thematic correspondences between Josefine Mutzenbacher (1906) and Three Essays on the Theory of Sexuality (1905) but Mutzenbacher also anticipates some issues concerning infantile sexuality that Freud added to his theory only later.[24]
Legal processes in German-speaking countries
Banned in Austria, 1913–1971
The distribution of the novel Josefine Mutzenbacher was forbidden in Austria from 1913 on when it was taken into the list Catalogus Librorum in Austria Prohibitorum because of its obscenity.[25]
In 1931, a bookseller called Josef Kunz was convicted in Vienna for a public act of obscenity because he had published a new edition of the novel, and the copies of the book were confiscated.[26] In 1971, however, the Supreme Court of Austria decided that there is no longer reason to punish a publisher for distributing the novel because there are artistic tendencies in the work. Still in 1988, there was another legal process to ban the novel because of obscenity, but this time, too, the Supreme Court judged in favour of the publisher.[27]
The Mutzenbacher Decision
The Mutzenbacher Decision (Case BVerfGE 83,130[28]) was a ruling of the Federal Constitutional Court of Germany (Bundesverfassungsgericht) on 27 November 1990 concerning whether or not the novel Josefine Mutzenbacher should be placed on a list of youth-restricted media. However, the significance of the case came to eclipse Josefine Mutzenbacher as an individual work, because it set a precedent as to which has a larger weight in German Law: Freedom of Expression or The Protection of Youth.
The final decision was made in 1992 at the Federal Constitutional Court (Bundesverfassungsgericht), putting the work once again on the list of "Media harming the youth" (Jungendgefährdenden Medien) forcing the right of Freedom of Expression (Under Article 5 III Fundamental rights) to step back.
Abstract
"Pornography and Art are not Mutually Exclusive."
Preface
In Germany, there is a process known as indexing (German: Indizierung). The Bundesprüfstelle für jugendgefährdende Medien (BPjM or "Federal inspection department for youth-endangering media") collates books, movies, video games and music that could be harmful to young people because they contain violence, pornography, Nazism, hate speech and similar dangerous content. The items are placed on the "List of youth-endangering media" (Liste jugendgefährdender Medien).
An item will stay on the list for 25 years, after which time the effects of the indexing will cease automatically.[29]
Items that are indexed (placed on the list) cannot be bought by anyone under 18, they are not allowed to be sold at regular bookstores or retailers that young people have access to, nor are they allowed to be advertised in any manner.[30] An item that is placed on the list becomes very difficult for adults to access as a result of these restrictions.
The issue underlying the Mutzenbacher Decision is not whether the book is legal for adults to buy, own, read, and sell – that is not disputed. The case concerns whether the intrinsic merit of the book as a work of art supersedes the potential harm its controversial contents could have on the impressionable minds of minors and whether or not it should be "indexed".
The history
In the 1960s, two separate publishing houses made new editions of the original 1906 Josefine Mutzenbacher. In 1965 Dehli Publishers of Copenhagen, Denmark, published a two volume edition, and in 1969 the German publisher Rogner & Bernhard in Munich printed another edition with a glossary by Oswald Wiener. The BPjM placed Josefine Mutzenbacher on its list, after two criminal courts declared the pornographic content of the book obscene.[31]
The BPjM maintained that the book was pornographic and dangerous to minors because it contained explicit descriptions of sexual promiscuity, child prostitution, and incest as its exclusive subject matter, and promoted these activities as positive, insignificant, and even humorous behaviors in a manner devoid of any artistic value. The BPjM stated that the contents of the book justified it being placed on the "list of youth-endangering media" so that its availability to minors would be restricted.
In 1978 a third publishing house attempted to issue a new edition of Josefine Mutzenbacher that included a foreword and omitted the "glossary of Viennese vulgarisms" from the 1969 version. The BPjM again placed Josefine Mutzenbacher on its "list of youth-endangering media," and the Rowohlt Publishing house filed an appeal with the Federal Constitutional Court of Germany on the grounds that Josefine Mutzenbacher was a work of art that minors should not be restricted from reading.
The decision
On 27 November 1990 the Federal Constitutional Court of Germany made what is now known as "The Mutzenbacher Decision". The Court prefaced their verdict by referring to two other seminal freedom of expression cases from previous German Case Law, the Mephisto Decision and the Anachronistischer Zug Decision. The court ruled that under the German constitution (Grundgesetz) chapter about Freedom of Art (Kunstfreiheit), the novel Josefine Mutzenbacher was both pornography and art, and that the former is not necessary and sufficient to deny the latter.
In plain English, even though the contents of Josefine Mutzenbacher are pornographic, they are still considered art and in the process of indexing the book, the aspect of freedom of art has to be considered. The court's ruling forced the BPjM to temporarily remove the Rowohlt edition of Josefine Mutzenbacher from its list of youth-endangering media.
Aftermath, 1992–2017
The book was added to the list again in November 1992[32] in a new decision by the BPjM which considered the aspect of freedom of art, but deemed the aspect of protecting children to be more important.[33] Some later editions of the book by other publishers were added to the list as well.[29]
Again, the publisher appealed to the Administrative Court (Verwaltungsgericht) of Cologne and won the case in 1995.[34] However, the BPjM appealed for its part and won in September 1997 at the higher instance, Oberverwaltungsgericht, and the Federal Administrative Court (Bundesverwaltungsgericht) refused further appeal in February 1998.[35]
Therefore Josefine Mutzenbacher was taken into the list for 25 years. After this period of time had passed and the indexing ceased, the BPjM decided in November 2017 that there was no more any reason to list the book anew.[29] According to the BPjM, one reason was that, because of the archaic language and parodic style of depiction, the book was no longer considered to conduce its readers to imitate the abusive sexual practices described within. The BPjM also noted that according to current scholarly opinion, the book shows remarkable literary merit, for instance, by tending to present new perspectives to autobiographical works of literature.[36]
External links
- English-language translation of the German ruling[37]
- Mutzenbacher-Entscheidung des Bundesverfassungsgerichts (BVerfGE 83, 130) – German-language ruling of The Mutzenbacher Decision
- The Mutzenbacher Decision on Wikipedia Germany
- Federal Department for Media Harmful to Young Persons General Policy Page in English
- Federal Department for Media Harmful to Young Persons Official Statement Concerning the Mutzenbacher Decision (German)
- Federal Department for Media Harmful to Young Persons on Wikipedia Germany – Includes a list of the most popular restricted games, movies, comic books, and music not included on the English Wikipedia listing.
The copyright process of the heirs
In 1976 the heirs of Felix Salten – more precisely, his granddaughter Lea Wyler – demanded the German publishing company Rogner & Bernhard to stop distributing the novel Josefine Mutzenbacher and to pay royalties. In response, the company asked for "decisive evidence" for Salten’s authorship. The heirs could not provide such evidence.[38]
Ten years later, in June 1986, the heirs instituted an action at the Munich Landgericht court against Rogner & Bernhard, claiming that Salten’s authorship can be prooved, although they only could provide circumstantial evidence.[39] The court, however, did not examine the question of authorship because, according to the old German Copyright Act, the anonymously published novel had become Public Domain in 1957 and the copyright could no longer be reinstituted; that is, Salten’s heirs should have declared the authorship before the end of 1956. So, the case was ruled in favour of the publishing company in May 1988.[40]
The heirs appealed to Munich Oberlandesgericht court but lost there in July 1989 and, subsequently, also lost at the Federal Court of Justice in early 1990.[41]
Derivative works
Sequels
![](../I/Mutzenbacher365-Mutter_Erde_fec.jpg.webp)
Two novels, also written anonymously, which present a continuation of the original Josephine Mutzenbacher, have been published. However, they are not generally ascribed to Felix Salten.
- Josefine Mutzenbacher: Meine 365 Liebhaber. [My 365 Lovers.] Paris: Neue Bibliophilen-Vereinigung, ca. 1925.
- Josephine Mutzenbacher: Meine Tochter Peperl. [My Daughter Peperl.] München: Heyne, 1974. ISBN 3-453-50056-3
Also the sequels have been translated into many languages. For instance, Oh! Oh! Josephine: Volume 2 from 1973 is an English rendering of Meine 365 Liebhaber.
Works influenced by Josephine Mutzenbacher
In 2000 the Austrian writer Franzobel published the novel "Scala Santa oder Josefine Wurznbachers Höhepunkt" (Scala Santa or Josefine Wurznbacher's Climax). The title's similarity to Josephine Mutzenbacher, being only two letters different, is a play on words that is not just coincidence.[42] The book's content is derivative as well, telling the story of the character "Pepi Wurznbacher" and her first sexual experience at age six.[43][44]
The name "Pepi Wurznbacher" is directly taken from the pages of Josephine Mutzenbacher; "Pepi" was Josephine Mutzenbacher's nickname in the early chapters.[45][46] Franzobel has commented that he wanted his novel to be a retelling of the Josephine Mutzenbacher story set in modern day.[47][48] He simply took the characters, plot elements and setting from Josephine Mutzenbacher and reworked them into a thoroughly modernized version that occurs in the 1990s.[49] He was inspired to write the novel after being astounded at both the prevalence of child abuse stories in the German Press and having read Josephine Mutzenbacher's blatantly unapologetic depiction of the same.[50]
University/Academia
Josephine Mutzenbacher has been included in several university courses and symposium.[51]
- Pornography: Writing of Prostitutes COL 289 SP – Weissman, Hope Wesleyan University
- Der Sex-Akt in der Literatur. Zur Geschichte u. Repräsentation des Sex-Aktes im Spannungsfeld von "hoher Literatur, Trivialliteratur u. Pornographie" 641500 Study section, Comparative Literature Science – Babka, Anna Universität Innsbruck
- Sexuality, Eroticism, and Gender in Austrian Literature and Culture Annual Conference of the Modern Austrian Literature and Culture Association International Symposium University of Alberta 13–15 April 2007
- Literatur und Sexualität um 1900 SS 2001 510.273 – Rabelhofer, Bettina Karl-Franzens-Universität Graz
Film
Year | German Title | Translation | Runtime | Country | Notes/English Title |
---|---|---|---|---|---|
1970 | Josefine Mutzenbacher | Josephine Mutzenbacher | 89min | West Germany | Naughty Knickers (UK) |
1971 | Josefine Mutzenbacher II – Meine 365 Liebhaber | Josephine Mutzenbacher II – My 365 Lovers | 90min | West Germany | Don't Get your Knickers in a Twist (UK) |
1972 | Ferdinand und die Mutzenbacherin | Ferdinand and the Mutzenbacher Girl | 81min | West Germany | The Games Schoolgirls Play (USA) |
1976 | Josefine Mutzenbacher- Wie sie wirklich war 1 | Josephine Mutzenbacher- The Way She Really Was | 94min | West Germany | Sensational Janine (USA) |
1978 | Die Beichte der Josefine Mutzenbacher | The Confession of Josephine Mutzenbacher | 94min | West Germany | Studio Tabu, Dir. Hans Billian |
1981 | Aus dem Tagebuch der Josefine Mutzenbacher | From the Diary of Josephine Mutzenbacher | 93min | West Germany | Professional Janine (USA) |
1984 | Josefine Mutzenbacher – Mein Leben für die Liebe | Josephine Mutzenbacher – My Life for Love | 100min | West Germany | The Way She Was (USA) |
1987 | Das Lustschloss der Josefine Mutzenbacher | The Pleasure Palace of Josephine Mutzenbacher | 85min | Germany | Insatiable Janine (USA) |
1990 | Josefine Mutzenbacher – Manche mögen's heiß! | Josephine Mutzenbacher – Some Like it Hot! | 90min | Germany | Studio EMS GmbH, Dir. Jürgen Enz |
1991 | Josefine Mutzenbacher – Die Hure von Wien | Josephine Mutzenbacher – The Whore of Vienna | 90min | Germany | Trimax Studio, Dir. Hans Billian |
1994 | Heidi heida! Josefine Mutzenbackers Enkelin lässt grüßen | Heidi heida! Let's Say Hello to Josephine Mutzenbacher's Granddaughter | 90min | Germany | Studio KSM GmbH |
Theater/Cabaret/Stage
The Viennese a cappella quartet called 4she[52] regularly performs a cabaret musical theatre production based on Josephine Mutzenbacher called "The 7 Songs of Josefine Mutzenbacher" ("Die 7 Lieder der Josefine Mutzenbacher"). The show is a raunchy, humorous parody of the novel, set in a brothel, that runs approximately 75 minutes.[3][53][54][55][56][57][58]
In 2002 the German actor Jürgen Tarrach and the jazz group CB-funk performed a live rendition of the texts of Josephine Mutzenbacher and Shakespeare set to modern music composed by Bernd Weißig and arranged by the Pianist Detlef Bielke of the Günther-Fischer-Quintett at the Kalkscheune in Berlin.[59][60][61]
In January 2005, Austrian actress Ulrike Beimpold gave several comedy cabaret live performances of the text of Josephine Mutzenbacher at the Auersperg15-Theater in Vienna, Austria.[62]
In an event organized by the Jazzclub Regensburg, Werner Steinmassl held a live musical reading of Josephine Mutzenbacher, accompanied by Andreas Rüsing, at the Leeren Beutel Concert Hall in Ratisbon, Bavaria, Germany called "Werner Steinmassl reads Josefine Mutzenbacher" on 3 September 2005.[63][64]
Audio adaptations
Both the original Josephine Mutzenbacher and the two "sequels" are available as spoken word audio CDs read by Austrian actress Ulrike Beimpold:
- Josefine Mutzenbacher oder Die Geschichte einer Wienerischen Dirne von ihr selbst erzählt. Random House Audio 2006. ISBN 3-86604-253-1.
- Josefine Mutzenbacher und ihre 365 Liebhaber. Audio CD. Götz Fritsch. Der Audio Verlag 2006. ISBN 3-89813-484-9.
In 1997 Helmut Qualtinger released "Fifi Mutzenbacher", a parody on audio CD:
- Fifi Mutzenbacher (Eine Porno-Parodie). Helmut Qualtinger (reader). Audio CD. Preiser Records (Naxos) 1997.
Exhibits
The Jewish Museum of Vienna displayed an exhibit at the Palais Eskeles called "Felix Salten: From Josephine Mutzenbacher to Bambi" where the life and work of Felix Salten was on display, which ran from December 2006 to March 2007. Austrian State Parliament Delegate Elisabeth Vitouch appeared for the opening of the exhibit at Jewish Museum Vienna and declared: "Everyone knows Bambi and Josefine Mutzenbacher even today, but the author Felix Salten is today to a large extent forgotten".[12][65][66]
Editions in English
Variety of translations
There are several English translations of Josefine Mutzenbacher, some of which, however, are pirated editions of each other.[14] Until 2018, all the English translations were missing the original publisher's introduction.[15]
When checked against the German text, the translations differ, and the original chapter and paragraph division is usually not followed, except for the 2018 edition. The original novel is divided only in two long chapters, but most translated editions disrupt the text, each in their own way, into 20–30 chapters, sometimes with added chapter titles.
The 1973 edition, Oh! Oh! Josephine, claims to be "uncensored and uncut", but actually it is incomplete and censored, e.g., obfuscating references to anal intercourse.[14] All these issues are replicated in the 1975 Finnish translation which is made via this English edition.
The first anonymous English translation from 1931 is abridged and leaves part of the sentences untranslated; the 1967 translation by Rudolf Schleifer, however, contains large inauthentic expansions, as shown in the following comparison:
1931 edition | 1967 edition (Schleifer) | 1973 edition | 2018 edition |
---|---|---|---|
My father was a very poor man who worked as a saddler in Josef City. We lived in a tenement house away out in Ottakring, at that time a new house, which was filled from top to bottom with the poorer class of tenants. All of the tenants had many children, who were forced to play in the back yards, which were much too small for so many. |
My father was a very poor journeyman saddler who worked from morning till evening in a shop in the Josefstadt, as the eighth district of Vienna is called. In order to be there at seven in the morning, he had to get up at five and leave half an hour later to catch the horse-drawn streetcar that delivered him after one and a half-hour’s ride at a stop near his working place. |
My father was the anaemic apprentice of a saddler and worked in Josefstadt, a suburb of Vienna. We lived even further out, in a tenement building which, in those days, was relatively new. Even so it was crowded from top to bottom with poor families which had so many children that, in summer, the courtyard was too small to contain us all. I had two brothers, both of whom were some years older than myself, and the five of us, my mother, father and us three kids, lived in one room and a kitchen. In addition there was always a lodger. Altogether, we must have had fifty of these lodgers. They came and went, one after another. Sometimes they fitted in well enough, but sometimes they were a nuisance. Most of them disappeared without a trace and were never heard of again. |
My father was a penniless saddle-maker’s help who worked in a shop in Josefstadt. Our tenement building, at that time a new one, filled from top to bottom with poor folk, was far in Ottakring. All of these people had so many children that they over-crowded the small courtyards in the summer. I myself had two older brothers, both of whom were a couple of years older than I. My father, my mother, and we three children lived in a kitchen and a room, and had also one lodger. Several dozens of such lodgers stayed with us for a while, one after another; they appeared and vanished, some friendly, some quarrelsome, and most of them disappeared without a trace, and we never heard from them. Among all those lodgers there were two who clearly stand out in my memory. One was a locksmith’s apprentice, a dark-haired young fellow with a sad look and always a thoroughly sooty face. We children were afraid of him. He was quiet, too, and rarely spoke much. I remember how one afternoon he came home when I was alone in our place. I was at that time five years old and was playing on the floor of the room. My mother was with the two boys in Fürstenfeld, my father not yet home from work. The apprentice picked me up, sat down and hold me on his knees. I was about to cry, but he whispered fiercely, "Lay still, I do you nothin'!”[70] |
Bibliography
- Memoirs of Josefine Mutzenbacher: The Story of a Viennese Prostitute. Translated from the German and Privately Printed. Paris [Obelisk Press?], 1931.
- Memoirs of Josefine Mutzenbacher. Illustrated by Mahlon Blaine. Paris [i.e. New York], 1931.
- The Memoirs of Josephine Mutzenbacher. Translated by Paul J. Gillette. Los Angeles, Holloway House, 1966.
- The Memoirs of Josephine Mutzenbacher: The Intimate Confessions of a Courtesan. Translated by Rudolf Schleifer [Hilary E. Holt]. Introduction by Hilary E. Holt, PhD North Hollywood, Brandon House, 1967.
- Memoirs of Josephine M. Complete and unexpurgated. Continental Classics Erotica Book, 113. Continental Classics, 1967.
- Oh! Oh! Josephine 1–2. London, King’s Road Publishing, 1973. ISBN 0-284-98498-1 (vol. 1), ISBN 0-284-98499-X (vol. 2)
- Josefine Mutzenbacher or The Story of a Viennese Wench, as Told by Herself. Translated by Ilona J. Hämäläinen-Bauer. Helsinki, Books on Demand, 2018. ISBN 978-952-80-0655-8
References
- Eddy, Beverley Driver (2010). Felix Salten: Man of Many Faces. Riverside (Ca.): Ariadne Press. pp. 111–114. ISBN 978-1-57241-169-2.
- Outshoorn, Joyce (2004). The Politics of Prostitution: Women's Movements, Democratic States, and the Globalisation of Sex Commerce. Cambridge, UK: Cambridge University Press. p. 41. ISBN 0-521-54069-0.
Tohill, Cathal; Tombs, Pete (1995). Immoral tales: European sex & horror movies 1956–1984. New York: St. Martin's Griffin. p. 46. ISBN 0-312-13519-X.
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WAS IST SOLLIZITATION? Archived 30 January 2007 at the Wayback Machine - Wien im Rosenstolz 2006 Archived 17 May 2009 at the Wayback Machine
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- Zensur.org – Bahle: Zensur in der Literatur Archived 4 March 2016 at the Wayback Machine. Censuriana.de. Retrieved on 28 November 2011.
TRANS Nr. 14: Donald G. Daviau (Riverside/California): Austria at the Turn of the Century 1900 and at the Millenium [sic] - "Felix Salten: Schriftsteller, Journalist, Exilant". Jüdisches Museum Wien (Press release) (in German). 5 December 2006. Archived from the original on 21 April 2008.
- Felix Salten, Bambi, Walt Disney – Biography – Famous People from Vienna, Austria Archived 5 April 2007 at the Wayback Machine. Actilingua.com. Retrieved on 28 November 2011.
- Mutzenbacher, Josefine Mutzenbacher, Erotische Führung, Wienführung, Führungen in Wien, Anna Ehrlich Archived 22 January 2017 at the Wayback Machine. Wienfuehrung.com. Retrieved on 28 November 2011.
- Hamann, Brigitte (2000). Hitler's Vienna: a dictator's apprenticeship. Oxford [Oxfordshire]: Oxford University Press. p. 76. ISBN 0-19-514053-2.
- "Felix Salten: Author - Journalist - Émigré" (Press release). Jewish Museum Vienna. November 2006. Archived from the original on 23 October 2008.
- Segel, Harold B. (1987). Turn-of-the-century cabaret: Paris, Barcelona, Berlin, Munich, Vienna, Cracow, Moscow, St. Petersburg, Zurich. New York: Columbia University Press. p. 183. ISBN 0-231-05128-X.
Gilman, Sander L. (1985). Difference and pathology: stereotypes of sexuality, race, and madness. Ithaca, N.Y: Cornell University Press. p. 44. ISBN 0-8014-9332-3.
Schnitzler, Arthur (2004). Round Dance and Other Plays. Translated by J. M. Q. Davies, with and introduction and notes by Ritchie Robertson. Oxford [Oxfordshire]: Oxford University Press. pp. X. ISBN 0-19-280459-6.
Lendvai, Paul (1998). Blacklisted: A Journalist's Life in Central Europe. I. B. Tauris. pp. XV. ISBN 1-86064-268-3.
Segel, Harold B. The Vienna Coffeehouse Wits, 1890–1938. West Lafayette, Ind: Purdue University Press. p. 166. ISBN 1-55753-033-5. - Archivmeldung: Felix Salten: "Von Josefine Mutzenbacher bis Bambi". Wien.gv.at. Retrieved on 28 November 2011.
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Olympia Press Ebooks: $1 Literary and Erotic Classics From The Fabled Olympia Press Archived 28 December 2016 at the Wayback Machine. Olympiapress.com. Retrieved on 28 November 2011. - Felix Salten: A Preliminary Bibliography of His Works in Translation.
- Josefine Mutzenbacher oder Die Geschichte einer Wienerischen Dirne von ihr selbst erzählt (1906), pp. v–vi.
- Liebrand, Claudia (2006). "Josefine Mutzenbacher: Die Komödie der Sexualität". In Siegfried Mattl & Werner Michael Schwarz (ed.). Felix Salten: Schriftsteller – Journalist – Exilant. Katalog zur gleichnamigen Ausstellung im Jüdischen Museum der Stadt Wien vom 5. Dezember 2006 bis 18. März 2007 (in German). Wien: Holzhausen Verlag. pp. 91–92. ISBN 978-3-85493-128-7.
- Frimmel, Johannes (2016). "Die Erotica an der Österreichischen Nationalbibliothek und der Wienbibliothek: Ein kurzer Überblick". In Friedrich, Hans-Edwin; Hanuschek, Sven; Rauen, Christoph (eds.). Pornographie in der deutschen Literatur: Texte, Themen, Institutionen (in German). München: Belleville Verlag. p. 233. ISBN 978-3-923646-26-5.
- Anon. (2018). Josefine Mutzenbacher or The Story of a Viennese Wench, as Told by Herself. Translated by Ilona J. Hämäläinen-Bauer. Illustrated. Helsinki: Books on Demand. ISBN 978-952-80-0656-5.
- Anon. (2019). Josefine Mutzenbacher eli wieniläisen porton tarina omin sanoin kerrottuna. Translated by Ilona J. Hämäläinen-Bauer. Illustrated. Afterword by C.-M. Edenborg. Helsinki: Books on Demand. ISBN 978-952-80-0778-4.
- Reiter-Zatloukal, Ilse (2019). "Zwischen Strafbarkeit und Kunstfreiheit: Die Mutzenbacher in rechtshistorischer Perspektive". In Ruthner, Clemens; Schmidt, Matthias (eds.). Die Mutzenbacher: Lektüren und Kontexte eines Skandalromans (in German). Wien: Sonderzahl. p. 195. ISBN 978-3-85449-513-0.
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Cf. Josefine Mutzenbacher oder Die Geschichte einer Wienerischen Dirne von ihr selbst erzählt (1906), pp. 3–4.
Further reading
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- Boa, Elizabeth (2012). "Taking Sex to Market: Tagebuch einer Verlorenen: Von einer Toten and Josefine Mutzenbacher, Die Lebensgeschichte einer wienerischen Dirne, von ihr selbst erzählt". In Woodford, Charlotte; Schofield, Benedict (eds.). The German Bestseller in the Late Nineteenth Century. Rochester (N.Y.): Camden House. pp. 224–241. ISBN 978-1-57113-487-5.
- Ehness, Jürgen (2002). "Josefine Mutzenbacher – ein pornographisches Werk ohne Autor?". Felix Saltens erzählerisches Werk: Beschreibung und Deutung. Regensburger Beiträge zur deutschen Sprach- und Literaturwissenschaft B 81 (in German). Frankfurt am Main: Peter Lang. pp. 305–312. ISBN 3-631-38178-6. ISSN 0721-3301.
- Farin, Michael, ed. (1990). Josefine Mutzenbacher oder die Geschichte einer wienerischen Dirne von ihr selbst erzählt: Ungekürzter Nachdruck der Erstausgabe aus dem Jahr 1906 mit Essays zum Werk (in German). München: Schneekluth. ISBN 3-7951-1170-6.
- Hage, Volker (1996). "Pornographie kann Kunst sein: Josefine Mutzenbacher". In Kogel, Jörg-Dieter (ed.). Schriftsteller vor Gericht: Verfolgte Literatur in vier Jahrhunderten (in German). Frankfurt a.M.: Suhrkamp. pp. 281–292. ISBN 3-518-39028-7.
- Ruthner, Clemens (2011). "The Back Side of Fin-de-Siècle Vienna: The Infamously Infantile Sexuality of Josefine Mutzenbacher". In Ruthner, Clemens; Whitinger, Raleigh (eds.). Contested Passions: Sexuality, Eroticism, and Gender in Modern Austrian Literature and Culture. Austrian Culture. New York: Peter Lang. pp. 91–104. ISBN 978-1-4331-1423-6.
- Ruthner, Clemens; Schmidt, Matthias, eds. (2019). Die Mutzenbacher: Lektüren und Kontexte eines Skandalromans (in German). Wien: Sonderzahl. ISBN 978-3-85449-513-0.
See also
External links
- Josefine Mutzenbacher (1906) as a facsimile at the National Library of Austria.