Juliet Ace

Juliet Ace was the third daughter of Charles and Glenys Ace, born and raised in Llanelli, Carmarthenshire in South Wales. She was educated at Llanelli Girls' Grammar School, City of Coventry Training College,[3] which was soon to become Coventry College of Education and be incorporated into the University of Warwick, where she specialised in drama and art. She then trained further at Rose Bruford College of Speech and Drama.

Ace taught for three years in St Mary Cray before joining a children's theatre company, and then working in weekly repertory at the Grand Theatre, Swansea for two seasons. In 1964, she began to work with children with special needs.

After her marriage to Richard Alexander in 1966 she moved to Dartmouth, Devon, where her husband worked as a civilian lecturer at the Britannia Royal Naval College. For the next 18 years she brought up their two children: Daniel Alexander, now a business consultant, and Catherine Alexander,[4] a theatre director and drama teacher. Meanwhile, Ace continued working with special-needs children, privately and in local schools, and directed and acted with local drama groups.

Juliet Ace began writing plays in 1976, after taking part in an Arvon Foundation writing course. In 1979 she won a Gulbenkian Foundation/Arts Council of Great Britain Award to work with professional directors and actors on new writing. As a result, her first play, Speak No Evil was produced first as a stage play in Bristol and then as a radio play, directed by Enyd Williams. It was nominated for a Pye Award[5]

After her early work in radio, she moved into television, where she worked with Julia Smith and Tony Holland and was taken from The District Nurse series to the creation of the BBC's EastEnders, and then to the short-lived expatriate soap opera Eldorado.

While her dramatic imagination is rich – a leading character in the radio play Lobby Talk[6] is a parrot – her background in life is also significant. Two successful sequences of radio dramas are uncommonly open semi-autobiographical journeys: first there is young Mattie Jones, growing up in South Wales, who appears as a child in The New Look: Tailor's Tacks, set in 1946, and then completes her growth into a teenager in 1955, four plays later, in Mattie and Bluebottle. An older Mattie, liberated by writing and performed by Patricia Hodge in four plays, starting with The Captain's Wife, and concluding with Upside Down in the Roasting Tin,[7] is a testament to experience.

Her other radio plays include Her Infinite Variety, Small Parts, Dead-Heading the Roses, Skin and Chocolate Frigates. Her dramatisations for radio include Love Story,[8] The Marseilles Trilogy, and Lynne Reid Banks's The L-Shaped Room.

Juliet Ace tutored theatre undergraduates at Dartington College of Arts as a visiting playwright in 1985–87, and postgraduate students of writing and directing in the Media and Communications Department at Goldsmiths College in 1995–2005. She served as a judge of the Koestler Awards, for writing by prisoners, in the 1990s, and is a BAFTA jury member.

In 1988, her play A Slight Hitch was included in the Oxford University Press collection, New Plays, Volume 1, edited by Peter Terson, which included work by Terson, Arnold Wesker and Henry Livings. As described by the publisher: "The plays are particularly suitable for GCSE course work. Each play is accompanied by a short preamble, and there is a follow-up section consisting of biographical notes on the playwrights and ideas for discussion, improvisation and follow-up work. Each play has been specially written for the series."

Ace's book about the actor Terence Rigby, Rigby Shlept Here: A Memoir of Terence Rigby 1937–2008, was published in November 2014, and the actor and director Peter Eyre described it in his review as "a fascinating and unusual memoir of a fascinating and unusual actor.... There is an unknown and detailed documentation of his work with Pinter, Peter Hall and Ian McKellen, among others, some of it quite shocking."[9] It includes diary entries from Ace covering decades of her friendship with Rigby, interviews with colleagues such as Michael Gambon, and letters and extracts from an attempted autobiography by Rigby, interrupted by his early death.

In October, 2013, Ace was diagnosed with terminal cancer – her radio plays The Captain’s Wife and Skin had reflected on earlier bouts with the disease – and was given a fifty-fifty chance of surviving until Christmas that year. Nearly five years later, in May, 2018, she saw her play Moving the Goalposts performed at London's Southbank Centre as part of B(old][10] a season celebrating age and creativity. At the festival she was even photographed dancing, holding on to her three-wheeled mobility aid, to the music of another featured artist, Cleo Sylvestre.

Moving the Goalposts, despite the gloomy prognosis of Ace's doctors, gave her character Mattie a new lease of life, charting the frustrations, comedy and medical implausibility of her intellectual and physical survival beyond the predictions of concerned consultants. With Cheryl Campbell taking the role of Mattie for the stage, and directed by Nancy Meckler, it was a triumph of wit over malady. Ace joined Campbell and Meckler on to the stage to discuss the process of writing and realising the play. Jude Kelly, who chaired the discussion as one her last acts as departing Artistic Director of the Southbank Centre, gave warm praise to the honesty and resilience of Ace's writing, citing her recognition of its truth through her own experience with a family member. Moving the Goalposts saw further life in a BBC broadcast[11] in March 2020, with the Welsh actor Pam Ferris taking the role of Mattie

Juliet Ace lives in London.[12] In September 2014 she was made a fellow of the renamed Rose Bruford College of Theatre and Performance, in a ceremony which also made Katie Mitchell and Jenny Sealey Honorary Fellows.[13]

Ace was part of an answer in a Trivial Pursuit Quiz Machine in a pub in Southend, Essex: Question. What links Ace, Bravo and Mills? Answer: they were all Juliet.

Notes:

• The Archers BBC Radio 4 Twenty-five episodes
• Brassic Eight-part series for teenagers for BBC Radio 5 (Beginning 4 January 1991)
• Kiss Me Quick. A serial for teenagers. Directed by Sally Avens and Nandita Ghose. 7 eps. BBC Radio 5. Beginning January 1994.
• Westway BBC World Service soap. Directed by David Hutchison and Anne Edyvean. Pilot plus 24 Episodes. (From 1997)
• Patricia Hodge is Mattie – A Liberated Woman AudioGo Audiobook comprising three BBC one-woman plays featuring Patricia Hodge as the character Mattie and a fourth play, Upside Down in the Roasting Tin reflecting Mattie's life seen over many Christmases.
• Moving the Goalposts.[28] A play for one woman. Directed by Nancy Meckler and performed by Cheryl Campbell. 20 May 2018. Purcell Room, Southbank Centre, London. Ace's alter ego, Mattie, offers a wry and searing late act as she relives five years of surviving cancer, with intact wits and minimal medical intervention, apart from an annoying and frustrating dependence on steroids – a witty refrain in the text.

• The District Nurse (4 episodes )
  • Episode #1.9 (6 March 1984)
  • Episode #2.6 (20 November 1984)
  • Episode #2.7 (27 November 1984)
  • A Terrible Itch (12 April 1987)
• EastEnders - Twenty-five episodes including:
  • Episode #1.26 (16 May 1985) Episode 26: Den and Angie decide to try to save their marriage and to end their respective affairs.
  • Episode #1.60 (12 September 1985)
  • Episode #1.95 (14 January 1986)
  • Episode #1.138 (12 June 1986)
  • Episode #1.201 (15 January 1987)
  • Episode dated 26 September 1989
• Eldorado
  Twelve episodes for the expatriate BBC soap, beginning with Episode 13 shown on 3 August 1992

• Out of Order[29] TV Movie BBC 2 directed by Prudence Fitzgerald starring Sarah Badel 1984
• Llygad Y Ffynnon Feature-length film for the Welsh language station S4C directed by Huw Eirug. 23 October 1994.
• Cameleon Prize-winning Welsh film directed by Ceri Sherlock with an award-winning performance by Aneirin Hughes. 1997 drama of a young soldier deserting in the Second World War to return to South Wales where he hides in the connected attics of a terrace of houses, adapting to the different households.[30]

• Tony Holland Obituary, The Guardian, 3 December 2007
• Speak No Evil. Bristol Playwrights Company. 1981
• New Plays, Volume 1 (ed. Peter Terson) OUP ISBN 9780198312567
• Rigby Shlept Here: A Memoir of Terence Rigby 1937-2008, 2014, ASIN: B00Q25491I