Keep an Eye Out

Keep an Eye Out! (French: Au poste !) is a 2018 French surreal black comedy film written and directed by Quentin Dupieux. It stars Benoît Poelvoorde and Grégoire Ludig, alongside Marc Fraize, Anaïs Demoustier, Philippe Duquesne and Orelsan, in a story that involves a commissaire de police and a suspect in an interrogation room. This is Dupieux's first film shot in France.[2] The film's French title literally means "To the police station!".

Keep an Eye Out!
Film poster
FrenchAu poste !
Directed byQuentin Dupieux
Produced by
  • Mathieu Verhaeghe
  • Thomas Verhaeghe
Written byQuentin Dupieux
Starring
Music byDavid Sztanke
CinematographyQuentin Dupieux
Edited byQuentin Dupieux
Production
company
  • Atelier de Production
  • Cinéfrance
  • Nexus Factory
  • Umedia
Distributed byDiaphana Distribution
Release date
  • 4 July 2018 (2018-07-04)
Running time
73 minutes
CountryFrance
LanguageFrench
Box office$624.000[1]

The film was released on 4 July 2018 in French theaters by Diaphana Distribution. It received positive reviews from critics.

Plot

During the opening credits, a man in bathing trunks leads a classical music orchestra in a clearing. He runs away when the gendarmes arrive.

The man in his underwear is taken to the police station. He will not be seen again. In a large office, Commissaire Buron speaks on the phone trying to arrange an appointment with his interlocutor. He hangs up and continues the interrogation of the man who sits facing him, named Fugain, without allowing him to take a break to eat. Fugain discovered a man bathed in his blood in front of his house; he searched the pockets of the corpse before calling for help, which surprises the commissaire who insists on resuming the interrogation.

Buron goes out for a few moments to talk with his son and takes the opportunity to eat a hot dog. Meanwhile, Philippe, a beginner one-eyed policeman, is in charge of watching Fugain. Philippe agrees to initiate the conversation and wants to show Fugain his police badge. He tripped on an open drawer and fell dead, his only eye pierced by a school square that he held in his hand. Fugain, panicked, hides the body in a closet and quickly wipes away the traces of blood.

Buron comes back and continues the interrogation. Watching the closet, Fugain tells him the reasons why he left his home seven times during the night before discovering the body in the street. Buron listens to him while smoking. As smoke comes out of his right flank, he explains that he has a hole in his chest. He gave Fugain an oyster that a colleague had brought him; having never eaten an oyster before, Fugain crunched the shell instead of swallowing it.

Memories mingle with reality: Fugain sees Philippe appear in his memories and interact with him. Later, Fugain complains of being hungry, also when Buron tells him that he too was very hungry, when his helicopter had an accident on a deserted island, Fugain sees the image of Buron on the beach. Likewise Buron enters those of Fugain and appears in his apartment, noticing the strange resemblance between the neighbor spy of Fugain and one of his colleagues.

Meanwhile, Philippe's wife announces that she is pregnant and is looking for her husband; Fugain lies and says that he left because of a stomach ache. She too enters into Fugain's memories, and ends up giving his habit of punctuating his sentences with «That's why» to Buron and Fugain.

Champonin, a colleague of Buron, brings the forensic report: the man found dead by Fugain was victim of a digestive hemorrhage. It's an accident and Fugain expects to be released. Before leaving the room, Champonin finds an eye on the ground and deduces that it is Philippe's.

Fugain tries to explain himself but at the same time, the curtain opens: the police station is in fact the stage of a theater. The audience applauds standing and the characters greet. They're actors, except Fugain thought he was a real murder suspect. They go to dinner together in a brewery, evoking their acting and the first reviews that fall.

On leaving the restaurant, Fugain, still confused, thanks Buron for this experience. Buron takes back his seriousness and passes the handcuffs to Fugain by announcing that the interrogation will resume in the morning. Fugain is taken back to the police station and Buron walks home.

In a post-credits scene, at the theater, the audience watches a lowered curtain.

Cast

Quentin Dupieux and Grégoire Ludig, at the film's premiere
  • Benoît Poelvoorde as Commissaire Buron
  • Grégoire Ludig as Louis Fugain, the suspect
    • Nahel Ange as Louis Fugain (aged 7)
  • Marc Fraize as Philippe, beginner one-eyed policeman and Fiona's husband.
  • Anaïs Demoustier as Fiona, Philippe's wife.
  • Philippe Duquesne as Champonin, a colleague of Buron.
  • Orelsan as Sylvain, Buron's son.
  • Jacky Lambert as Franchet / Carine Lustain, a colleague of Buron.
  • Jeanne Rosa as Narta
  • Vincent Grass as Daniel, the housekeeper.
  • July Messéan as Louise
  • Johnny Malle as Corpse of Chevalet
  • Laurent Nicolas as Conductor
  • Michel Hazanavicius as Cop #1
  • Pedro Winter as Cop #2
  • Alain Chabat as Screams of pain (voice cameo). Dupieux said in the film's audio commentary that it was a reference to Chabat's role in his previous film Reality.

Production

Casting

Initially planned for Albert Dupontel, the role of Commissaire Buron is finally interpreted by Benoît Poelvoorde.[3] Before accepting the role, he didn't know Quentin Dupieux. He accepted the role following his reading of the script which he described as one of the best he has read in his career.[2] Dupieux contacted Grégoire Ludig on Twitter to offer him to play the role of Fugain.[2]

Music

The music for the film was composed by David Sztanke. Sztanke, also known as Tahiti Boy, has already worked with Dupieux on the soundtrack of Wrong, released in 2012. Unlike Dupieux's previous films, the film contains almost no music.[2] Dupieux wanted to give priority to dialogue and voices for the film because he considered that putting music in the background was a contradiction.[2]

Reception

Critical reception

On review aggregation website Rotten Tomatoes, the film holds an approval rating of 100% based on 7 reviews, with an average rating of 8/10.[4] The French cinema site AlloCiné gave the film a rating of 3.8/5 stars based on 30 reviews.[5] Writing for The Hollywood Reporter, Jordan Mintzer said that "Like Dupieux's other movies Keep an Eye Out is chock full of bizarre happenings that don't really add up to much but are nonetheless well orchestrated and amusing to watch."[4] On the side of French critic reviews, Renan Cros of CinemaTeaser said "The result speaks for itself: we leave this closed door with the improbable impression of having taken a big, very big, breath of fresh air. Absurd? No, Dupieux."[5] Sophie Rosemont of Rolling Stone said that "Au poste ! is a well-executed black comedy, which navigates between tension, suspense and humour, calls French cinema to order."[5]

Accolades

At the 9th Magritte Awards, Poelvoorde was nominated for Best Actor.[6]

References

  1. "Au Poste!". Boxofficemojo.com. Retrieved 22 January 2019.
  2. "Anecdotes du film Au Poste! - AlloCiné". AlloCiné (in French). Retrieved 30 August 2020.
  3. "Tournage : Benoît Poelvoorde rejoint le casting de "Au poste", le nouveau Quentin Dupieux". Les Inrocks. Retrieved 26 January 2021.
  4. "Keep an Eye Out (Au Poste!) (2018) - Rotten Tomatoes". Rotten Tomatoes. Retrieved 16 August 2020.
  5. "Critiques Presse pour le film Au Poste!". AlloCiné (in French). AlloCiné. Retrieved 14 September 2020.
  6. Roxborough, Scott (14 January 2019). "'Girl,' 'Above the Law' Lead Belgium Film Award Nominations". The Hollywood Reporter. Retrieved 14 January 2019.
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