Kiss of Death (1947 film)

Kiss of Death is based on a story by former district attorney Lawrence Blaine. It was purchased by 20th Century Fox in November 1946 specifically as a vehicle for Victor Mature.[5]

Victor Mature plays Nick Bianco, the lead role in the film. Coleen Gray plays Nettie, his second wife, who also narrates the beginning and ending of the film. Brian Donlevy plays Louis D'Angelo, assistant district attorney.

Kiss of Death is notable for being Richard Widmark's film debut as Tommy Udo (a role originally announced for Richard Conte[6]). According to Widmark, Hathaway disliked his high hairline because he thought it made him look too intellectual, so he ordered Widmark fitted for a hairpiece. Hathaway didn't send the test ahead to Zanuck because he wanted a nightclub piano player called "Harry the Hipster" to play Udo. A Fox production manager named Charlie Hill liked the test and sent it to Zanuck, who immediately signed Widmark. During the film, Udo uses a Benzedrine inhaler,[7] which was suggested by Zanuck himself.

Widmark as Tommy Udo

Critics and audiences have noted that Tommy Udo is similar to Batman's archenemy The Joker. Widmark himself was a big fan of Batman comics, and modeled Udo after The Joker. Frank Gorshin, who played The Riddler in the 1960s television series Batman, modeled his deranged cackle after Udo.

Attorney Earl Howser was played by Taylor Holmes, while Howard Smith was cast as a prison warden. Character actor Karl Malden got the part of Sergeant William Cullen. After doing this film, Malden took a three-year break from film acting, returning in a small part as a bartender in The Gunfighter, starring Gregory Peck in the leading role.

Susan Cabot and Jesse White made their screen debuts in this film; they were both uncredited. Cabot plays a restaurant patron and White plays a taxi driver. Character actor Millard Mitchell also is uncredited as Detective Shelby. Mildred Dunnock played Mrs. Rizzo, a woman in a wheelchair pushed down a flight of stairs to her death by psychotic Udo.

Kiss of Death was shot between March and May 1947, with additional scenes being shot in June. Much of the filming was done in New York, using locations as practical sets, including the Chrysler Building, the Criminal Courts Building at 100 Centre Street, the old Hotel Marguery at 270 Park Avenue at 48th Street, the St. Nicholas Arena, and the now-demolished Bronx House of Detention for Men (later known as the Bronx County Jail) at 151st Street and River Avenue. Additional locations include Sing Sing Penitentiary in Ossining and the Academy of the Holy Angels in Fort Lee, New Jersey. The exterior scenes of the family home were shot in Astoria, Queens New York at 14th Place and Astoria Park, and the Triboro Bridge can seen in the background over Astoria Park.[8]

A deleted scene involving Nick's wife Maria (who was played by Patricia Morison) was cut from the film. In this scene, a gangster (played by Henry Brandon) who is supposed to look out for her while Nick is in prison rapes her. Afterwards, Maria commits suicide by sticking her head in the kitchen oven and turning on the gas. Both scenes were cut from the original print at the insistence of the censors, who wanted no depiction of either a rape or a suicide, so although Morison's name appears in the credits, she does not appear in the film at all. Mention is made later in the film about Mature's wife's suicide and a now obscure reference is made by Nettie that the unseen gangster Rizzo contributed to the wife's downfall.[9]

Widmark claimed that he only worked thirteen days during filming of the film, but had to go out to California for three or four days when a new ending was shot because Nick's wife suicide scene was cut out.

According to Widmark, there were pads on the bottom of the stairs during Mildred Dunnock's scene as well as men to catch her, but the cameraman forgot to rack the film and the scene had to be shot a second time.

Hathaway later said he "loved the picture because I liked working outside. It was exciting to manoeuvre things and get work done without people on the streets knowing that you were filming." He said the only problem was Victor Mature. "He was carousing all the time and up all night and sleeping all day on the set. He was dirty. I bought him a couple of new suits, and I found him in the men's toilet, lying on the floor asleep in one of the new suits I'd bought him. But he was a good actor."[10]

Darryl Zanuck said "we got some wonderful atmosphere" filming on location "but we paid for it."[11]

Originally, Nick was supposed to die after he allowed Tommy Udo to shoot him repeatedly, so Udo could be prosecuted for his murder. However, it was decided that it was too depressing to have Nick die, so in the narration by Nick's wife, Nettie, she says that Nick survives.

The film was not a major success but managed to break even on the world market.[12]

Writers Raymond Borde and Etienne Chaumeton wrote: "From Henry Hathaway's Kiss of Death (1947), one will remember that nasty little creep with the wild eyes and high-pitched laugh, neurotic to the core, which Richard Widmark has turned into one of his finest roles."[13]

Critic Nick Schager wrote: "It would be no surprise to learn that Richard Widmark was a big 'Batman' fan, as his star-making screen debut in Kiss of Death as grinning, cackling psychopath Tommy Udo (for which he received an Academy Award nomination) seems heavily indebted to the Caped Crusader's arch-nemesis The Joker. Certainly, the live-wire actor's amoral lunatic, a fiend who delights in pushing crippled wheelchair using women down stairs, is the primary (and perhaps only) reason to sit through Henry Hathaway's over-praised 1947 noir, a jumbled piece of cinematic crime fiction that's visually elegant (having been neorealistically shot on-location throughout Manhattan) but regularly confused about its own point of view."[14]

Author and film critic Leonard Maltin awarded the film three out of a possible four stars, stating that the film was starting to "show its age, with cops and robbers a bit too polite", while also praising Widmark and Mature's performances.[15][16] The impact of Widmark's performance as Tommy Udo found expression in a number of unusual ways. College fraternities formed Tommy Udo clubs "with the intent of putting women in their place."[17] For years, people handed the actor blank phonograph disks on which they wanted him to record the maniacal laugh he used in the film.[17] Film review aggregator Rotten Tomatoes reported an approval rating of 87%, based on 15 reviews, with a rating average of 7.3/10.[18]

Widmark's performance in Kiss of Death inspired the name of mystery and crime writer Donald E. Westlake's best-known continuing pseudonym, Richard Stark, under which he wrote some of his darkest, most violent books. According to Westlake, "part of (Widmark's) fascination and danger is his unpredictability. He's fast and mean, and that's what I wanted the writing to be: crisp and lean, no fat, trimmed down ... stark."[19]