Krazy Kat Klub

Relaxing in the club's tree-house circa July 15, 1921. No photograph of the indoor dining area of the club is known to exist.

The establishment was located at No. 3 Green Court near Washington, D.C.'s Thomas Circle in an economically-depressed area contemporaneously referred to as "the Latin Quarter."[2][4] The Krazy Kat Klub's inconspicuous entrance was in a narrow alley that led out to Massachusetts Avenue.[6] During 1921, the entrance door bore a rectangular hand-painted sign that read "Syne of Ye Krazy Kat" [sic] and featured a black cat that resembled Krazy Kat being hit by a brick.[14][9] A chalk-inscribed message adorned the top of the door that warned: "All soap abandon ye who enter here!"[14][6] The club's open hours were advertised as "9 p.m. to 12:30."[2]

The club's unphotographed indoor dining area was situated on a second-floor of an old livestock stable.[12] Upon entering from the alleway, one crossed "a lumber-littered room" and ascended a "narrow winding staircase" to reach "a smoke-filled, dimly lighted room that was fairly well filled with laughing, noisy people, who seemed to be having just the best time in the world, with no one to see and no one to care who saw."[12] The ramshackle venue was described as rife with cobwebs and had "futurist pictures on the walls, small wooden tables, rickety chairs, and candles for light."[12][1] The club's premises included both an indoor dance floor and an outdoor courtyard for al fresco dining and art exhibitions. The courtyard featured a small rustic tree-house (pictured), accessible via a wooden twelve-step ladder.[3][15]

The club was named after the androgynous cartoon character Krazy Kat.[9] This namesake signaled to gay persons in Washington, D.C, that the venue was inclusive towards them.[6][16]

In 1917, the controversial passage of the Sheppard Bone-Dry Act directly led to the closure of 267 barrooms and nearly 90 whole establishments in the District of Columbia.[7] Over 2,000 employees in D.C. barrooms and wholesale establishments were thrown out of work, and the district lost nearly half-a-million per year in tax revenues.[7] In the wake of this draconian bill, underground speakeasies such as the Krazy Kat Klub flourished.[8]

The Kat was purportedly owned by John Don Allen, John Stiffen, and artist Cleon Throckmorton.[1] The venue was founded circa 1919 by Throckmorton after he had completed his further studies at George Washington University.[5][17] Throckmorton was a pre-Raphaelite impressionist who believed that devoted artists should pursue their vocation both day and night by surrounding themselves with appropriate settings.[2] A frequent habitué of The Kat was Throckmorton's first wife Katherine Mullen—a model and sketch artist—who was also known for her radio performances as a singer and ukulele player with the Crandall Saturday Nighters.[3][18]

Due to its courtyard and tree-house, the establishment was envisioned as an idyllic haunt for free-wheeling bohemians, flappers, and other "young moderns" during the incipient Jazz Age.[3] By 1920, the club was already renowned for its riotous live performances of hot jazz music which occasionally degenerated into mayhem.[19]

A crime reporter for The Washington Post described the Krazy Kat Klub as being "something like a Greenwich Village coffee house," featuring "gaudy pictures created by futurists and impressionists."[1][6] According to the Washington City Paper, The Kat clandestinely functioned as a nexus for Washington, D.C.'s "early gay community."[10] The transgressive venue was mentioned in the secret personal diary of gay Washington, D.C. resident Jeb Alexander, who wrote that the inclusive[9] club was a "Bohemian joint in an old stable up near Thomas Circle . . . [a gathering place for] artists, musicians, atheists (and) professors."[6][11] Writer Victor Flambeau described the club in a February 1922 article for The Washington Times:

[A] hidden haunt where one might find in comradeship those divine, congenial devils, art inspired and mad, no doubt, who have renounced the commercial world with its seductive wealth, to gain in solitude or blithe companionship another kind of wealth and fame in self-expression.... When the hours wane, and the candles burn low, and the big fire glows, and over the cigarettes and the cider, the coffee and sandwiches, what do they chat of, these men and women, boys and girls, the would-be writers, painters, poets of tomorrow?"[3]

Flappers wearing the rolled stockings and low heels characteristic of the era's fashion.[20][21]

According to Throckmorton himself, the avant-garde venue "proved not only a club for artists, but a source of supply for musicians and playwrights," and he claimed that several plays were written on its premises.[3][2] Flambeau noted that, by 1922, "in imitation of the Krazy Kat, other bohemian restaurants sprang up in Washington to supply the demand" such as the Silver Sea Horse and Carcassonne in Georgetown.[3][12] Over time, The Kat became one of the most vogue locations for Washington's intelligentsia and aesthetes to congregrate.[2]

During its tumultuous half-decade existence, The Kat was declared to be a "disorderly house" by municipal authorities and was raided by the metropolitan police on several occasions during the Prohibition period.[13][1] One particular raid in February 1919 reportedly interrupted a violent brawl inside the club, during which a shot was fired.[1] The surprise raid resulted in the arrests of 25 krazy kats—22 men and 3 women—described in a Washington Post report of February 22nd as "self-styled artists, poets and actors."[1][13] The article specifically noted that several arrested patrons "worked for the [federal] government by day and masqueraded as Bohemians by night."[1][13]

The club presumably closed at some time prior to 1928 when Throckmorton relocated to Hoboken, New Jersey.[17] During this same period, Throckmorton divorced his first wife (and model) Katherine Mullen and subsequently married screen actress Juliet Brenon,[22] the niece of Irish-American motion picture auteur Herbert Brenon who directed the first cinematic adaptation of The Great Gatsby (1926).[17][23][24][25] Throckmorton would later become one of the most prolific scenic designers for Broadway plays, and his Greenwich Village apartment that he shared with Juliet Brenon would become an after-hours salon for thespians, artists, and intellectuals such as Noël Coward, Norman Bel Geddes, Eugene O'Neill and E.E. Cummings.[17][23] Their politically leftward salon would notably raise funds for the Republican faction during the Spanish Civil War.[17]

• 
  Cleon, Katherine, and others arrive at the back-alley entrance of The Kat
• 
  Another angle of guests arriving at the entrance of The Krazy Kat Klub
• 
  A model, presumably Katherine Mullen,[3] poses for Cleon
• 
  Cleon Throckmorton and his wife Katherine Mullen relaxing with a friend
• 
  Cleon, Katherine, and others chat over coffee and cigarettes
• 
  A waiter ascends a ladder to serve patrons in the club's tree-house

• Cleon Throckmorton
• Jazz Age
• Krazy Kat

Wikimedia Commons has media related to Krazy Kat Klub.

• "Flambeau Finds Washington's Bohemia In Hidden Haunt", The Washington Times, February 5, 1922.
• "Scenes from the Past... Fun During Prohibition at Thomas Circle's Krazy Kat Club & Speakeasy", The InTowner, June 14, 2009.
• "The 1920s Speakeasy Club with a Treehouse in the Backyard", MessyNessy, July 4, 2012.