La Belle Noiseuse

A young would-be artist Nicolas, with his partner Marianne, are introduced by the art dealer Porbus to the aged painter Frenhofer, inactive for many years, who lives in a grand château in the south of France with his young wife Liz. Conversations are desultory, until Nicolas suggests that Frenhofer might like to paint the attractive Marianne. She is excited at the chance to be immortalised by a master, while he thinks she may be what he needs to complete his last piece, abandoned ten years ago when Liz was his model.

Work starts early next morning in Frenhofer's isolated studio, consisting of continual pen and wash studies on paper of Marianne in different positions, as he tries to capture the uniqueness of her body and the character of the woman within it. Over long days together their relationship varies, sometimes staying distant and sometimes getting relaxed. He progresses to working in oils on canvas, one day overpainting an unfinished study of Liz. When she sneaks into the studio one night and sees it, she is furious and hurt at the symbolism. As the object of Frenhofer's concentrated attention all day, mostly in silence, Marianne has time to rethink her relationship with Nicolas and decides she no longer needs him.

Eventually Frenhofer finishes his picture, which the film audience never sees. Once complete, the image is too powerful for Liz and for Marianne. Frenhofer hides it in a recess, which he seals with bricks and mortar, and quickly paints an innocuous version in which the face of the model is unseen. Porbus is invited to a celebratory party, after which Nicolas and the changed Marianne go their separate ways.

• Michel Piccoli as Édouard Frenhofer
• Jane Birkin as Liz Frenhofer
• Emmanuelle Béart as Marianne
• David Bursztein as Nicolas Wartel
• Marianne Denicourt as Julienne Wartel, the sister of Nicolas
• Gilles Arbona as Porbus
• Bernard Dufour as the painter's hand

The film won the Grand Prix at the 1991 Cannes Film Festival.[2]

The film had a good critical reception, and occasioned much comment on Béart's extensive onscreen nudity and director Rivette's characteristic use of a long running time (in this case, roughly four hours).

Chicago Sun-Times film critic Roger Ebert added the film to his Great Movies collection in April 2009.[3]

The film holds an approval rating of 100% on review aggregator site Rotten Tomatoes based on 29 reviews, with a weighted average of 8.08/10. The site's consensus reads: "A sensual and hypnotic masterpiece, La Belle Noiseuse luxuriates in its four-hour run time while holding audience attention".[4]

Rivette used alternative takes from the film and made changes in the scene order to produce a shorter, 125-minute version, La Belle Noiseuse: Divertimento, for television. It was also released theatrically in some countries.

• Rivette, Jacques; De Pascale, Goffredo (2003). Jacques Rivette (in Italian). Il Castoro. ISBN 88-8033-256-2.

• La Belle Noiseuse at IMDb
• Divertimento at IMDb