Laura Ormiston Chant

Laura Ormiston Dibbin Chant (9 October 1848 – 16 February 1923, Banbury) was an English social reformer, women's rights activist, and writer.

Chant in 1890

Life

Chant was born on 9 October 1848, in Woolaston, Gloucestershire, the daughter of Francis William Dibbin (1811–1874), a civil engineer and Sophia Ormiston (1815–1894), who managed a girls institution.[1] In 1871, she was a governess and eventually went on to pursue a career in nursing.[2] Her father did not approve of this profession and disowned her. She worked as a nursing sister in the Sophia Wards in the London Hospital.

At work she met and later married Thomas Chant, M.R.C.S., L.S.A., of Bridgwater on 13 September 1877 in Capel, Surrey, England.[3][4] They had Thomas, Emmeline, Olive and Ethel Chant. Laura Chant wrote and lectured on social purity, temperance, and women's rights.[5] Her contemporaries called her “ a helper of many.”[6] Her published works include pamphlets, hymns, a novel and a book of poetry and are described as reflecting "many of the tensions characterizing feminism of the late nineteenth and early twentieth centuries".[5] One of her most famous reform efforts was her protesting of music-halls as temptations to vice in 1894.[7]

Chant died in Banbury, Oxfordshire, 16 February 1923 from cerebral hemorrhage and heart failure.[5]

Career

Nursing
Mrs. Laura Ormiston Chant and companions en-route for Greece The Sketch 14 April 1897

Nursing was Laura Chant’s first major career. She worked in the London Hospital but was dismissed when she married Thomas Chant as it was against their rules. [8] She was also an assistant manager of a private lunatic asylum.[9] On 8 April 1897 Chant and 6 other English Nurses went to Crete to give aid and supplies during the Greco-Turkish War.[6] She received the “Red Cross of Greece” from the Royal family of Greece because of these efforts.[10]She went to Bulgaria to give aid to Armenian refugees from the 1894–1896 Hamidian massacres.[11][12]

The Empire Theater

One of the most prominent causes Chant was involved in was her protest of the Empire Theater of Varieties in Leicester Square.[13] Chant shared in her pamphlet Why We Attacked the Empire that she was astonished by the immorality taking place in this theater during their performances. She went to visit the theater and observed many women who came to the promenade (an open space for people to walk around by still view the performance) to prostitute. She also believed that the clothing and the themes in these performances were immoral.[14]

Chant attended the October 10, 1894 licensing meeting of the London County Council for the renewal of the Empire Theater and explained the immorality occurring in the theater.[13] She gave a long speech detailing her grievances before the final decision by the committee was made. The license was renewed on October 26, 1894 but only if the promenade in the theater would be taken away and that no intoxicating drinks would be sold in the auditorium. Screens were placed around the promenade in the theater but were eventually pulled down by protestors.[13]

Her work to reform the theater was a catalyst to future discussions on the injustices in the music halls. Chant’s reform efforts are considered one of the major factors that preceded the Music Hall Strike of 1907 in London. During this strike, theater workers protested the lack of pay to match the time demands of increasing working hours.

Laura Ormiston Chant

Organizations

Public Speaker and Author

Chant traveled around The United Kingdom, Canada and The United States of America and many other countries to  give speeches about temperance and other moral causes. She was known for making her audience laugh or be brought tears with her moving words about the various topics she spoke about.[6]

She spoke about temperance to the Unitarian Church Temperance Society in Boston, United States on May 30, 1890 in a speech titled “How I Became a Total Abstainer.” She spoke about how alcohol poisons the brain and “as humanity advances in culture and development, the need of brain-power is greater.” [17]

Chant was also known for her speeches as a nondenominational Christian preacher. In 1893 Chant addressed the 1893 Parliament of the World's Religions, held in Chicago in conjunction with the Columbian Exposition. Her speech was titled, “The Real Religion of Today.” [18] In this sermon she shared the importance of appreciating and respecting the many religions that were created to worship God.

She also wrote the words and music for Action Songs for Children and several more volumes of music in the same vein, consisting of simple ditties embodying physical exercises for small children.[19]

Selected works
  • Verona and Other Poems (1877)[20]
  • Why We Attacked the Empire (1894)[21]
  • Women and the Streets
  • Sellcuts' Manager (1899)[22]

See also

References
  1. ORMISTON, T.L., The Ormistons of Teviotdale (1950), p.70, gives her father's name as Dibbin. So does her Times obituary, 17 February 1923
  2. 1851 England Census, Tidenham, Gloucestershire, England,  Laura Dibbin in the household of Francis W Dibben, Class: HO107, Piece: 2443, Folio: 463, Page: 4, GSU roll: 104180,  Ancestry (ancestry.com: accessed 9 December 2020), citing the National Archives, London, England.
  3. "Hymntime: Laura Ormiston Dibdin Chant". hymntime.com. Retrieved 2018-10-26.
  4. “England, Select Marriages, 1538–1973,” database, Ancestry (Ancestry.com: accessed 9 December 2020), Laura Ormiston Dibbin, 13 September 1877, Capel, Surrey, England; FHL Film Number 994423.
  5. "Laura Ormiston Chant © Orlando Project". orlando.cambridge.org. Retrieved 2018-10-26.
  6. “The Empire – The Decline and Fall,” The Sketch: A Journal of Art and Actuality, Volume 8 page 8, (31 Oct 1894), accessed 10 November 2020.
  7. 'Death of Mrs. Ormiston Chant: A notable social worker', The Times, 17 February 1923, p. 12
  8. Walkowitz, Judith R. (2010). "COSMOPOLITANISM, FEMINISM, AND THE MOVING BODY". Victorian Literature and Culture. 38 (2): 427–449. ISSN 1060-1503.
  9. Susan, Brown (10 October 2020). "Laura Ormiston Chant". Orlando Project, Cambridge University Press. Retrieved 10 October 2020.
  10. Philippa Levine, “Chant [nee Dibbin}, Laura Ormiston,” Oxford Dictionary of National Biography, Oxford University Press, revised 29 May 2014, Accessed 10 October 2020.
  11. "CHANT, Laura Ormiston Dibbin". The Encyclopedia Americana. vol. 6. 1918. p. 291.
  12. "CHANT, Mrs. Laura Ormiston". Who's Who. vol. 59. 1907. p. 318.
  13. Joseph W Donohue, “Fantasies of Empire: The Empire Theatre of Varieties and the licensing controversy of 1894,” (Iowa City: University of Iowa Press, 2005).
  14. Laura Ormiston Chant, Why We Attacked The Empire (London: Horace Marshall & Son, 1895).
  15. International Council of Women; National Woman Suffrage Association (U.S.) (1888). Report of the International council of women, assembled by the National woman suffrage association, Washington, D.C., U. S. of America, March 25 to April 1, 1888. Condensed from the stenographic report made by Mary F. Seymour and assistants, for the Woman's tribune, published daily during the council. University of California Libraries. Washington, D.C. : R. H. Darby.
  16. Bland, Lucy (1992-09-01). "'Purifying' the public world: feminist vigilantes in late Victorian England". Women's History Review. 1 (3): 397–412. doi:10.1080/09612029200200013. ISSN 0961-2025.
  17. Laura Ormiston Chant, How I Became a Total Abstainer (Boston : Unitarian Church Temperance Society, 1890).
  18. Barrows, John Henry (1893). The World's Parliament of Religions : an illustrated and popular story of the World's First Parliament of Religions, held in Chicago in connection with the Columbian exposition of 1893. PIMS - University of Toronto. Chicago : Parliament Pub. Co.
  19. “Laura Ormiston Chant,”Hymnary.com, accessed 10 October 2020, https://hymnary.org/person/Chant_LOD1?tab=texts.
  20. Laura Ormiston Chant, Verona and Other Poems (London: David Stott, 1887).
  21. Laura Ormiston Chant, Why We Attacked The Empire (London : Horace Marshall & Son, 1895).
  22. Mrs. Ormiston Chant, Sellcuts’ Manager (London: Grant Richards, 1899).

Churchill, Winston S., My Early Life, 65-66, discussing Ms. Chant's campaign to close the Empire Theater in London

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.