Level3 (Perfume album)

In February 2012, Perfume departed from Tokuma Japan Communications and signed a deal with Universal Music Japan in order to release their work through global markets.[2] Universal Music Japan partly-obtained rights of all of Perfume's work with Tokuma Japan Communication, but re-released JPN digitally in March 2012 in over fifty countries to begin their global releases; the group's earlier work were released afterwards.[3] Two months later, Perfume announced their established self-titled vanity label that would co-release all of their material with Universal Music Japan. They later confirmed the label was to published their overseas releases and formats only.[4] In August 2013, Perfume announced the release of their fourth studio album entitled Level3.[5] Perfume and Universal Japan enlisted long-term collaborator, Japanese producer and Capsule member Yasutaka Nakata, to produce the album; this marks Perfume's fourth consecutive studio album to be fully produced by Nakata.[6][7] Perfume began recording the album in Japan around mid-2012 with Nakata.[6]

The material from Level3 took nearly two years to produce and record, making it one of Perfume's longer spanning projects to date.[6] This is due to Perfume's scheduling conflicts with studio time and live performances at concerts and gigs.[8] The material marks Perfume's fourth consecutive studio album to be fully composed, written, and arranged by Nakata.[6] Perfume member Nocchi revealed that Nakata only let them listen to the song compositions one day before recording it; "It’s so much fun to get new material, and getting it on the day of the recording ensures a good tension. We prefer not to practice too much in advance. If we listen too much, or practice too much, before the recording, our habits tend to overcome the freshness..."[9] Perfume member A-Chan viewed Level3 as a concept album, stating "We see each album as being like a concept album. So Perfume right now is at a dance music stage [more than straight pop]. This doesn’t mean we’re going in this direction from here but this is just one of our aspects."[9]

Perfume's music has been handled by Japanese producer Yasutaka Nakata ever since their debut (pictured).

Level3 is an electronic dance album that borrows numerous musical elements including pop, house music, and technopop.[10][11][12][13][14][15] Daniel Robson from The Japan Times identified the album a "pop album" with no hint of J-pop music.[8] Patrick St. Michael from the same publication and commented that the new album mixes were not "improvements" in musical development, but had called it "catchy, pop music."[10]Asian Junkie editor Random J reviewed the album on his personal blog, and noted the absence of autotune and vocoder post-production that was widely noted on Perfume's previous studio albums.[16] Noticing the "cohesiveness" of their music, Nia from the publication Selective Hearing had commented "The girls of Perfume remarked how Level3 was probably their most dance-able album."[13]

In an interview with Complete Music Update, A-Chan stated about the musical development of the album: "It was as lot of fun! I enjoyed recording different types of songs. Different types of rhythms and atmosphere." Perfume member Kashiyuka further elaborated; "I enjoy recording our albums more than standalone singles because we get more songs! The diversity of the songs makes me excited, like I’m one of the listeners."[9] According to A-Chan, she stated that Perfume and Nakata wanted to "experiment" more within 2013 for the album. However, due to intense work schedules, Perfume asked Nakata to create normal dance music.[17]

As Perfume began to focus their activities on an international level, Level3 places some emphasis on English language lyrics; according to the lyric booklet provided by Universal Music Japan and Perfume Records, "Sleeping Beauty" is recorded completely in English, as is the majority of "Spending All My Time".[6][upper-alpha 1] Regarding the use of English language Kashiyuka stated she found it hard: "I struggled really hard with the pronunciation. When I’m singing along to the melody, my accent becomes more Japanese – like katakana-speak, so I’m wondering what people outside Japan will think when they hear it..."[18] Both Nocchi and A-Chan also found it hard recording the song in English due to their "shy" nature, but A-Chan has previous history of using English language and found it slightly easy.[18]

The album's opening track, "Enter the Sphere", is a rework from the entrance music on Perfume's first world tour; the re-worked version utilizes electro house beats and melodies, with the lyrics wanting fans to enter the world of music.[11] "Spring of Life" is a dance song that fuses musical elements of club-oriented electronic and pop music.[10][11] Tracks like "Magic of Love", "Clockwork", "Dream Land" and "Furikaeru to Iru yo" incorporate "calm" and "mellow" technopop and electropop elements.[11][19] "1mm" was noted by critics for its 1980s synthpop and chillout elements.[11][13] The girls vocal range was noted as the highest range than any other track from Level3.[11] The fifth track, "Mirai no Museum", has been described as a "dreamy" and "childish" dance song that was often criticized for interrupting the musical delivery of other albums tracks; St. Michel reviewed the song and felt it was "painfully out of place" on the track list.[10][20]

The seventh and twelfth album tracks; "Party Maker" and "Sleeping Beauty" were compared to the group's previous tracks "Butterfly" from Game (2008), and "Edge" from Triangle (2009).[11] The reasoning was because of its composition; Alex Shenmue from Land of the Rising Sound noted that the composition was the main focus, and overlapped Perfume's vocals.[11] The album contains three b-side tracks on the album; the drum and bass "Point" from "Spring of Life", the Middle Eastern music and Western-influenced "Handy Man" from "Magic of Love", and the "glitchy" "Daijobanai" from "Mirai no Museum".[6][10] "Magic of Love", "Spending all My Time", and "Spring of Life" were remixed by Nakata for the album; The Japan Times' journalist Ian Martin reviewed the album on his own blog, said that "the new mixes do work a lot better here than [the other mixes] on JPN...".[21]

Level3 was released in three different formats on October 2, 2013 by Universal Music Japan and Perfume Records. The standalone CD format features the fourteen tracks in a jewel case, with first press editions including an obi and a bonus poster.[6] The CD and DVD format features the fourteen tracks, and a bonus DVD with the music videos to "1mm". The DVD also included two live performances in Japan.[22] The album was housed in a unique transparent sleeve, that featured the album's booklet at the back of the CD. The jewel case featured 10 transparent sheets of Perfume that came apart once removed from the CD.[22] First press editions included an obi and a bonus poster.[22] The final format was a digital release that was released globally on October 16 that same year.[23] The CD and DVD format was released in South Korea by Universal Music Korea, but used the cover sleeve and booklet from the standalone CD.[24]

Both two cover sleeves for Level3 were photographed by Japanese photographer and designer Hiroshi Manaka.[6][22][23] The standalone CD artwork has Perfume inside a grey room, standing behind neon LED lamps; A-Chan is seen closer to the camera, with Kashiyuka in the middle, and Nocchi furthest away.[6] This look was further adapted in the music video for the group's single "1mm".[22] The CD and DVD format features a body shot of Perfume in multi-coloured dresses; this look was furthered adapted in scenes from "1mm", and were printed on the 10 transparent sheets.[22] The digital releases uses the standalone CD cover sleeve.[23] The booklet and photo shoot were designed by Daichi Shiono.[6][22][23]

Professional ratings

Review scores
Source	Rating
Arcadey.net	(positive)[14]
CD Journal	(positive)[15]
The Japan Times	(positive)[10]
Land of the Rising Sound	[11]
SBS PopAsia	(positive)[12]
Selective Hearing	(positive)[13]

Level 3 received positive reviews from most music critics. A staff editor from CD Journal was positive in their review, commending album's "dance-oriented" composition and labelled that its overall appeal "shines".[15] Patrick St. Michel from The Japan Times said "this is Perfume’s longest album yet, and it can drag. Yet the strongest moments come when Nakata incorporates EDM sounds in novel ways." He went on to say "The bulk of Level3 feels like a live-show preview, but with enough great sonic moments sprinkled throughout to make it enjoyable at home, too."[10] Nia from Selective Hearing had praised the album's cohesive and "interesting" structure, commenting "I found it to be Perfume’s most cohesive and interesting album since Game. This is an album that provides the danciest of dance songs and the calmest of calm songs and everything in-between." She then commented that "It may not be as good as Game, but it comes pretty damn close."[13]

Writing for Land of Rising, Alex Shenmue awarded the album nine out of ten. He commented "Everything is extremely well balanced [...] all of these aspects are present in Level3 and perfectly mixed together, maintaining a constant Techno/Dance soul that guarantees a clear personality to the entire album."[11] He concluded "Level3 is the past, the present and the future of Perfume, the perfect portrait of this group and of their long and successful career. It’s time to leave the past behind and realize that, right now, Level3 is the best Perfume album out there."[11] Dr. J from SBS PopAsia commended the album's composition, and said "Overall, this album is a great way to consolidate all of Perfume’s recent work into a package with a pretty, futuristic and multi-coloured bow [...]"[12] A staff editor from Arcadey.net was generally positive, despite criticizing the "horrendous never-shoulda-been-a-single 'Mirai no Museum'". They said "It’s an interesting album for the group because they’ve dived even further into the EDM world than ever before... With EDM being the new pop and all, a dance act like Perfume has no choice but to get even dancier if they wanna keep the swagger jackers at bay."[14]

Level3 debuted at number one on the Japanese Daily Oricon Albums Chart, staying there up until the Sunday ranking which slipped to number two.[34] This resulted in the album debuting atop the Japanese Weekly Oricon Albums Chart, with an estimate 165,000 sold units in its first week of sales.[36][37][38][upper-alpha 2] Level3 became Perfume's fourth consecutive studio album to debut atop the Oricon Albums Chart for both Daily and Weekly rankings.[34] It slipped to number two the following week, shifting over 27,000 units in its second week of sales.[38] It slipped to number six in its third week, shifting over 14,000 units in its third week of sales.[38] It stayed in the top 10 for three weeks, and the top 300 with 11 weeks overall.[34] This is Perfume's lowest spanning charting album on the Oricon Albums Chart to date, surpassing JPN which stayed in the chart for 13 weeks.[34]

Level3 entered the Billboard Top Albums Sales Chart at the top spot, their fourth studio album to do so.[39] Level3 was certified platinum in November 2013 by the Recording Industry Association of Japan (RIAJ) for shipments of 250,000 units.[40] This is Perfume's third consecutive studio album to shift over 250,000 physical units.[41][42][43] At the end of 2013, Level3 sold over 234,294 units in Japan and was ranked the 23rd best selling album in Japan.[44] Level3 also reached number 43 on the South Korean Gaon Albums Chart, number nine on the Overseas Gaon Album Chart, and number four on the Taiwanese East Asian Albums Chart.[45][46][47][upper-alpha 3]

Moreover, Level3 became the second best-selling Yasutaka Nakata-produced album of 2013, behind Kyary Pamyu Pamyu's Nandacollection which sold 250,490 copies.[44]

All tracks are written by Yasutaka Nakata.

Credits adapted from the liner notes of Level3.[6]

• Level3 – Perfume's official website.