Lilys

Heasley has collaborated with other acts such as Nobody, appearing on the band's 2005 single "Fancy", a cover of the Kinks song,[2] and The Brian Jonestown Massacre, singing "Tschuss" on their 2003 album And This Is Our Music. He also contributed "effects" to Poole's "Snowcicle" on the band's Alaska Days album, and performed on Apples In Stereo's 1995 album Fun Trick Noisemaker, and Neko Case's 2009 album Middle Cyclone.[3] He co-wrote the Twitch Hazel contributions to their 1997 split double-7-inch EP Kramer's Beach. He has also produced recordings by other artists including The Asteroid#4 (Apple Street: A Classic Tale Of Love And Hate, King Richard's Collectibles), The Ladybug Transistor, and Mazarin and co-engineered Echo Orbiter's Laughing All The While.

The band's music has shifted style several times in its history. The early recordings, including debut album In The Presence of Nothing, were strongly influenced by My Bloody Valentine.[1] They then moved through dream pop before settling on a new style that has been described as mod revival and a particularly strong influence from The Kinks, and other 1960s bands such as The Monkees and The Zombies leading to the 1996 album Better Can't Make Your Life Better,[4][5] Later releases included elements of psychedelic rock and a return to their earlier shoegazing sound.[1] The band have gained a reputation for sounding very similar to other artists and bands over the years, with Michael Sandlin of Pitchfork Media going as far as saying "You might say Lilys frontman Kurt Heasley is a world-class thief",[6] but as one journalist put it "I know we're supposed to hate bands that sound too much like other bands, but the difference with the Lilys is that they do it so blatantly and so shamelessly that it's somehow rendered okay."[7]

Robert Christgau described the band's sound as "amplified watercolors".[8]

• Lilys at AllMusic