Lisa the Iconoclast

As Springfield celebrates its bicentennial, Miss Hoover assigns Lisa's second-grade class essays on Jebediah Springfield, the town's founder. Meanwhile, Mayor Quimby proclaims Homer the town crier during tryouts for historical figures in the town's upcoming celebration. Because his "criering" is better than Ned Flanders', Homer seizes Ned's heirloom hat and bell as props.

Lisa visits the town's historical society to research Jebediah's life. She meets the Antiquarian curator who gives her access to Jebediah’s possessions. While playing his fife, she discovers his “confession” and his secret past as a pirate known as Hans Sprungfeld until 1796. After trying to kill George Washington, he wrote his confession on the back of Washington's portrait and hid it in his fife, thinking the "half-wits" of Springfield would never find it.

Lisa tries to convince the town her claims are true but is met with disbelief and outright hostility. When she shows the confession to Hollis Hurlbut, the museum curator, he dismisses it as an obvious forgery. Miss Hoover gives Lisa an F for her essay, which she derides as "dead white male bashing by a PC thug". Lisa conducts more independent research on Jebediah and discovers more secrets and that he had a prosthetic silver tongue. She persuades the municipal government to exhume his body to search for it. When the coffin is opened, his skeleton contains no silver tongue. Exasperated at Lisa's meddling of history, Quimby strips Homer of his "criering" outfit and duties.

After seeing the incomplete portrait of George Washington in her classroom, Lisa realizes the piece of paper containing the confession is the bottom half of the portrait. She confronts Hurlbut, who admits that he stole the silver tongue and hid it in the museum in order to protect his career and the myth of Jebediah. After realizing it is wrong to idealize and celebrate a pirate, Lisa and Hollis decide to reveal the true story of Jebediah's life. As Lisa is about to share the truth with the parading townspeople, a sniper takes aim, but is told to wait and see what she has to say. She realizes that Jebediah's myth inspires them and decides to keep the truth a secret. As a proud Homer watches her, he notices Ned in the parade acting as the town crier again. Irate, he pushes Ned out of the parade to take his place, and allows Lisa to ring Ned's bell while sitting on his shoulder.

Donald Sutherland guest-starred in the episode as the voice of the historian.

The story was inspired by the real events surrounding the exhumation of President Zachary Taylor.[3] In the late 1980s, college professor and author Clara Rising theorized that Taylor was murdered by poison and was able to convince Taylor's closest living relative and the Coroner of Jefferson County, Kentucky, to order an exhumation. On June 17, 1991, Taylor's remains were exhumed and transported to the Office of the Kentucky Chief Medical Examiner, who found that the level of arsenic was much smaller than would be expected if Taylor had been thus poisoned. The remains were then returned to the cemetery and received appropriate honors at reinterment.[4] Then-show runner Bill Oakley said "Lisa the Iconoclast" is "essentially the same" story but with Lisa in the role as Rising.[3] At the end of the episode, an ode to Jebediah Springfield is played over the credits. The music and lyrics were written by Jeff Martin.[3]

Donald Sutherland voiced the historian in this episode.[1] The script was specifically written with him in mind playing that part.[5] Sutherland wanted to do the voice recordings as one would do a film and start in the middle of the script, so that he could get to know the character, but that idea was abandoned.[3] In the episode, Lisa joked she was getting over her "Chester A. Arthuritis", a play on the word "arthritis" and the name of Chester A. Arthur. Sutherland ad-libbed the line "you had arthritis?", and the producers liked it so much that they kept it.[3]

The episode opens with an old documentary on Jebediah Springfield, starring Troy McClure as Springfield. The writers tried to make this documentary seem as lousy and low-budget as possible. One of these tricks was to have post-production add scratches to the animation.[6] The animators added production errors that would occur in a low-budget film. For example, a man in the crowd looks at the camera, some of the people are wearing wristwatches,[7] McClure's stuntman does not have the same sideburns as he does, and a boom microphone can be seen entering the frame.[3] In the Historical Society, the animators spent a significant amount of time decorating the walls. Besides numerous historical references, they also decorated the walls with The Simpsons characters in 18th-century settings. The first painting shows Otto Mann driving children in a horse-drawn carriage. Another painting shows Marge Simpson in silhouette. The last painting shows Professor Frink holding a kite in the manner of Benjamin Franklin.[3]

Gilbert Stuart's unfinished 1796 painting of George Washington, also known as The Athenaeum, plays an important part in "Lisa the Iconoclast".

The Historical Society of Springfield contains references to historical figures and facts. The episode features Gilbert Stuart's unfinished 1796 painting of George Washington and tells a fictional backstory of how it came to be. In reality, the painting was unfinished and it did not have a part torn off.[3] Hurlbut mentions the American revolutionaries William Dawes and Samuel Allyne Otis as equals to Jebediah Springfield.[1] When Lisa passes out the "Wanted for treason" posters, it is a reference to those featuring John F. Kennedy, which were circulated in Dallas prior to his assassination.[8] Hurlbut claims Springfield's confessions are "just as fake" as the will of Howard Hughes and the diaries of Adolf Hitler, both of which are proven forgeries.[1] The opening couch gag shows the Simpson family in blue boxes similar to the style of The Brady Bunch.[1]

Chief Wiggum is singing "Camptown Races" from 1850 by Stephen Foster ventriloquised with the skull of Jebediah Springfield.[1] Lisa's dream in which Washington and Springfield are fighting is a reference to Lethal Weapon.[7] When Lisa is telling the people at Moe's Tavern about the real history of Jebediah Springfield, they all sit with their mouths open. This is a reference to a scene in the film The Producers from 1968.[7] When Homer knocks over Ned Flanders in order to take over his job as town crier, it is a reference to the film National Lampoon's Animal House from 1978.[8] Lisa's decision to hide the truth to preserve the myth of Jebediah Springfield is a reference to the film The Man Who Shot Liberty Valance. In addition to these cultural references, at least one author has compared this episode to Friedrich Nietzsche's short work On the Advantage and Disadvantage of History for Life.[9]

Look up embiggen or cromulent in Wiktionary, the free dictionary.

The episode features two neologisms: embiggen and cromulent.[3] The showrunners asked the writers if they could come up with two words which sounded like real words, and these were what they came up with.[5] The Springfield town motto is "A noble spirit embiggens the smallest man." Schoolteacher Edna Krabappel comments that she had never heard the word embiggen until she moved to Springfield. Miss Hoover, another teacher, replies, "I don't know why; it’s a perfectly cromulent word." Later in the episode, while talking about Homer's audition for the role of town crier, Principal Skinner states, "He's embiggened that role with his cromulent performance."

Embiggen—in the context in which it is used in the episode—is a verb that was coined independently by Dan Greaney in 1996.[3] The literal meaning is to make something larger,[10] with the morphology (em- + big + -en) being parallel to that of enlarge (en- + large). The verb had in fact previously occurred in an 1884 edition of the British journal Notes and Queries: A Medium of Intercommunication for Literary Men, General Readers, Etc. by C. A. Ward, in the sentence "but the people magnified them, to make great or embiggen, if we may invent an English parallel as ugly. After all, use is nearly everything."[11] The word has made its way to common use and was included in Mark Peters' Yada, Yada, Do'h!, 111 Television Words That Made the Leap From the Screen to Society.[12] In 2018, it was included in the Merriam-Webster dictionary[13] and the online Oxford English Dictionary.[14][15] In particular, embiggen can be found in string theory. The first occurrence of the word was in the journal High Energy Physics in the article "Gauge/gravity duality and meta-stable dynamical supersymmetry breaking", which was published on January 23, 2007.[16] For example, the article says: "For large P, the three-form fluxes are dilute, and the gradient of the Myers potential encouraging an anti-D3 to embiggen is very mild." Later this usage was noted in the journal Nature, which explained that in this context, it means to grow or expand.[17]

Cromulent is an adjective that was coined by David X. Cohen.[3] Since it was coined, it has appeared in Dictionary.com's 21st Century Lexicon.[18] The meaning of cromulent is inferred only from its usage, which indicates that it is a positive attribute. Dictionary.com defines it as meaning fine or acceptable.[18] Ben Macintyre has written that it means "valid or acceptable".[19]

In its original broadcast, "Lisa the Iconoclast" finished 70th in the ratings for the week of February 12 to 18, 1996.[20] The episode was the sixth highest-rated show on the Fox network that week, following The X-Files, Melrose Place, Beverly Hills, 90210, Married... with Children, and Fox Tuesday Night Movie: Cliffhanger.[20]

The episode received extremely positive reviews from television critics.

DVD Movie Guide's Colin Jacobson lauded it for the focus on Lisa, commenting that "Lisa-centered episodes tend to be preachy, but I suppose that’s inevitable given her character. I like the fact Lisa takes the high road here, though, as she proves she doesn’t always have to be right. Homer’s turn as the town crier brings mirth to a solid show."[21]

In addition, John Alberti praised the episode in his book Leaving Springfield as "an especially cromulent example of the narrative fissuring and disruptive disclosure...Lisa spends the entire episode uncovering the truth about Jebediah and courageously defending her findings against a phalanx of authority figures...a symbol of honesty, integrity, and courage. All in all, a spectacular episode revealing the truth behind our society."[22]

The authors of the book I Can't Believe It's a Bigger and Better Updated Unofficial Simpsons Guide, Warren Martyn and Adrian Wood, thought it was a "clever" episode, and highlighted Lisa's fantasy of the fight between Springfeld and George Washington as "fantastic".[1] Dave Foster of DVD Times thought Sutherland offered a "memorable" guest appearance.[23]

Total Film's Nathan Ditum ranked Sutherland's performance as the 14th best guest appearance in the show's history.[24] Michael Moran of The Times ranked the episode as the eighth best in the show's history.[25]

Martin Belam of The Guardian named it one of the five greatest episodes in Simpsons history.[26]

The episode was included on April 28, 1997 on the VHS set The Dark Secrets of the Simpsons, alongside "The Springfield Files", "Homer the Great", and "Homer Badman".[27] On September 8, 2003, the VHS tape was released on DVD under the name The Simpsons: Dark Secrets in Region 2 and Region 4, but "Homer the Great" was replaced by "Homer to the Max".[28] It was released again on DVD on December 13, 2005 as part of The Simpsons Complete Seventh Season. Bill Oakley, Josh Weinstein, Jonathan Collier, Yeardley Smith, Mike B. Anderson, and David Silverman participated in the DVD's audio commentary.[29]

Look up cromulent or embiggen in Wiktionary, the free dictionary.

Wikiquote has quotations related to: Lisa the Iconoclast

• "Lisa the Iconoclast" at The Simpsons.com
• "Lisa the Iconoclast episode capsule". The Simpsons Archive.
• "Lisa the Iconoclast" at TV.com
• "Lisa the Iconoclast" at IMDb