Magister Franciscus

Magister Franciscus (fl.1370–80) was a French composer in the ars nova style of late Medieval music. He is known for two surviving works, the three-part ballades: De Narcissus and Phiton, Phiton, beste tres venimeuse. The former was widely distributed in his lifetime.[1]

Identity

Franciscus may be the same person as the F. Andrieu who wrote Armes, amours/O flour des flours, a déploration on the death of poet-composer Guillaume de Machaut (c.1300–1377).[2] Although, the scholarly consensus on this identification is unclear.[n 1] He may also be Franciscus de Goano or Johannes Franchois.[1] Machaut was the most dominate and important composer of the 14th century,[3] and Franciscus's works show many similarities to his, suggesting the two were contemporaries.[1]

Music

Only two of his works survive, the three-part ballades: De Narcissus and Phiton, Phiton, beste tres venimeuse.[1] They are both contained in the Chantilly Codex.[4] Reaney notes that Magister Franciscus's works are likely earlier than Andrieu's, between 1370 and 1376.[5]

Works

List of compositions by Magister Franciscus[2][1]
Title No. of voices Genre Manuscript source: Folios Apel Greene
De Narcissus 3 Ballade Chantilly Codex: 19v A 26 G Vol 18: 16
Phiton, Phiton, beste tres venimeuse 3 Ballade Chantilly Codex: 20v A 27 G Vol 18: 18
No other works by Magister Franciscus survive[n 2]

Editions

Franciscus's works are included in the following collections:

  • Apel, Willi, ed. (1970–72). French Secular Compositions of the Fourteenth Century. Corpus mensurabilis musicae. 53. Cambridge, Massachusetts: American Institute of Musicology. ISBN 9780910956291. OCLC 311424615.
  • Greene, Gordon K., ed. (1982). Manuscript Chantilly, Musée Condé 564 Part 1, nos. 1–50. Polyphonic Music of the Fourteenth Century. 18. Monaco: Éditions de l'Oiseau-Lyre. OCLC 181660103.

Notes

  1. Scholars identify F. Andrieu as Magister Franciscus with varying degrees of certainty:
    • Reaney 2001: Their works being from the same manuscript "suggest that the two composers may be the same person".
    • Abraham & Hughes 1960, p. 27: "Franciscus is doubtless the same man as the F. Andrieu..."
    • Reaney 1954, p. 67: "It would not be impossible for Magister Franciscus and F. Andrieu to be one and the same person"
    • Günther 2001: "[Magister Franciscus] may be the F. Andrieu..."
    • Strohm 2005, p. 53: "[F. Andrieu] may be the same man as Magister Franciscus"
    • Magnan 1993, p. 49: "[On the identification between Andrieu and Franciscus] this tenuous identification leads nowhere."
  2. If Magister Franciscus is identifiable with F. Andrieu, then Andrieu's compositions would be his as well.

References

Sources

Books
Journals and articles
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