Marianne & Leonard: Words of Love

Critical reaction is generally positive. On Rotten Tomatoes the film has an approval rating of 80% based on reviews from 103 critics.[4] On Metacritic the film has a weighted average score of 69 based on reviews from 19 critics, indicating "generally favorable reviews."[5]

The Guardian gave it 4 stars out of 5, calling it a "tender, vivid snapshot of a singer and his 'muse'."[6] The Irish Independent gave it 4 stars as well, saying "Broomfield’s film has an unhurried, digressive style that seems oddly appropriate to its dreamy, quasi-mythical story. But he sentimentalises neither Leonard nor Susanne, and makes it clear that there was a downside to Hydra’s carefree hedonism."[7] RogerEbert.com awarded it 2½ stars out of 4, and said "The strongest aspect of "Marianne and Leonard" has nothing to do with Ihlen or Cohen, but is the vivid picture painted of the 1960s counterculture, particularly its manifestation on Hydra."[8]

The New Statesman said that the film "romanticises a sexist trope" and that Broomfield "falls into the same trap as Cohen, rendering Ihlen into nothing more than the play-thing of a male artist."[9] Empire Online awarded it 2 out of 5, saying "Words Of Love claims to honour a love story between a man and a woman, one that transcends creative differences and the weariness of time. But through scattershot interviews with friends and collaborators, it feels more like a half-hearted biopic about Cohen throughout his tumultuous career – with a bit of intimate gossip intercut here and there."[10]