Marjorie Evasco

Born into a family of teachers who were "always talking English", she was brought up and educated as a Roman Catholic and her formative years in school were spent under the tutelage of German and Belgian nuns.[2] Evasco and her family then moved to Manila. She finished her B.A. in 1973 from Divine Word College of Tagbilaran, Masteral Degree in Creative Writing in 1982 at Silliman University and her Doctor of Philosophy in Literature (Ph.D. Litt.) at De La Salle University-Manila. She became a member of the faculty at De La Salle University, while completing her doctoral degree in 1998.For many years, she was Director of DLSU's Bienvenido N. Santos Creative Writing Center. She is currently a University Fellow at the same university.

Evasco's prize-winning poetry books are: Dreamweavers: Selected Poems 1976-1986 (1987) and Ochre Tones: Poems in English and Cebuano (1999). Ochre Tones was launched last May 1997 at National Artist Edith L. Tiempo's residence on Montemar (Sibulan, Negros Oriental). Evasco calls this volume a " book of changes," following Dreamweavers which for her was a " book of origins."[4]

She is currently working on a third poetry collection and hopes to finish it soon.

Evasco's other books include A Legacy of Light: 100 Years of Sun Life in the Philippines, Six Women Poets: Inter/Views (co-authored, with Edna Manlapaz), Kung Ibig Mo: Love Poetry by Women (co-edited with Benilda Santos, A Life Shaped by Music: Andrea O. Veneracion and the Philippine Madrigal Singers and ANI: The Life and Art of Hermogena Borja Lungay, Boholano Painter

Evasco was a founding member of two organizations espousing the cause of women writers: Writers Involved in Creating Cultural Alternatives (WICCA) and Women in Literary Arts (WILA). She has written many essays on women's poetry, several of them finding their place in various anthologies.

She served as editor of a special issue of Ani in 1998 that featured writings and art work by Filipino women.

She is an associate fellow of the Philippine Literary Arts Council (PLAC).

In September 2002, she was invited for a three-month residency at the International Writing Program in the University of Iowa.

Evasco has received several Carlos Palanca Memorial Awards, National Book Awards from the Manila Critics' Circle, Arinday (Silliman University), Gintong Aklat (Book Development Association of the Philippines) and Philippine Free Press prizes for her poems and essays. Her poems have appeared in many important anthologies including Luna Caledonia and Six Women Poets. She has been published extensively in Asia, Europe and North America. She has also received various international fellowships; among them, a writing fellowship at the International Retreat for Writers in Hawthornden Castle, Midlothian, Scotland in 1991; a Rockefeller grant and residency in Bellagio, Italy in 1992; 10th Vancouver International Writers' Festival in 1997; International Writers'Program fellowship at the University of Iowa in 2002; University of Malaya Cultural Centre grant in Kuala Lumpur, Malaysia in 2003; the Wordfeast 1st Singapore International Literary Festival in 2004 and the Man Hong Kong Literary Festival in 2006, and the XVIII International Poetry Festival in Medellin, Colombia in 2008.

• Marjorie Evasco by Ed Farolan
• Ochre Tones by Marjorie Evasco
• Writers in Conversation – Marjorie Evasco and R. Zamora Linmark
• Gray November by Marjorie Evasco
• Elemental by Marjorie Evasco
• Origami by Marjorie Evasco
• DLSU Bienvenido Santos Creative Writing Center
• Wordfeast Singapore
• The Man Hong Kong International Literary Festival 2006
• 41st Dumaguete National Writers’ Workshop
• NCCA Writers’ Prize 2005
• Literary Readings By Philippine Writers at the University of Hawaii Manoa
• 2003 Dumaguete National Writers’ Workshop by Ian Casocot
• 2006 Iyas Creative Writing Workshop by Rolly Espina