Mass media in Cameroon

Television first came to Cameroon in 1985 (relatively late, if compared to other African countries).[9] It arrived as part of the development and modernization project of the President Paul Biya, who saw it as a mean of education for the youths, as he stated in his political manifesto Pour le libéralisme communautaire (1987). For the construction of the television centre at Mballa II and the training centre at Ekounou in Yaounde were invested ninety billion francs CFA and antennas and repeater stations were built in different strategic sites to assure decent coverage by television signals all around the country.[10] The first broadcast was in 1985, in Bamenda, in occasion of the congress of the single party, in which the Cameroonian National Union became the Cameroon People’s Democratic Party.[10] Until the end of the 1990s there was only one official television channel, which was the state-owned CRTV. While Paul Biya and its entourage presented television as a mean of development, many others saw it as a propaganda tool in the hand of the regime to tendentiously inform the population, praise the government, and denigrate its opponents.[10][11][12]

Beyond news and political event coverage, in the 1980s and 1990s, CRTV produced good quality TV series with the aim to entertain and educate the Cameroonian public, against a perceived moral decadence.[10] The most famous productions among the viewers were L'orphelin (1988–1989, dir. Ndamba Eboa) and Le débrouillard (1989–1990, dir. Ndamba Eboa), the misadventure of an orphan who suffers victimization by his stepmother, La succession de Wabo Defo (1986, dir. Daouda Mouchangou), a semi-documentary telefilm on the funeral and successor ceremonies in a bamileke chiefdom, Kabiyene ou à qui la faute? (1987, dir. Ndamba Eboa), the story of a village girl who is beaten hard by the city life, and L'étoile de Noudi (1989, dir. Daouda Mouchangou), the story of a young girl who escapes from an arranged marriage with an old village chief and becomes a prostitute in the city.[10] In addition to these successful telefilms, CRTV produced many other low quality TV series, which remained almost unnoticed among the public, docu-fictions with a declared didactic purpose, in collaboration with the Catholic church and NGOs, and adaptations of theatrical performances.[10] The rest of the airtime was dedicated to European sport, South-American telenovelas, Hollywood and French films downloaded from TV5 Monde, Canal France International, and Canal Plus.[9][10] Most of these programs were in French, although Cameroon is a bilingual country, with both English and French as official languages.[11]

In addition to CRTV, other private TV channels were broadcasting illegally, before the media liberalization. The best known was TV Max, finally forced to close down after a legal queerly with CRTV, at the beginning of the 2000s.[13] In December 1990 the law n° 90/052 on social communication authorized the opening of private media, but private radio and television broadcasting was allowed only in April 2000, following the decree n° 2000/158.[14] The liberalization of the audio-visual sector led to the mushrooming of private television stations in the main cities of the country, which tried to beat the competition of state television with programs more attuned to the interests and needs of the population.[15] The local viewers welcomed this change and new television stations, such as Canal 2 International, Equinoxe television, and STV, have quickly become the most appreciated by the public.[16][17]

Even in the new liberalized media environment, government maintains tight control over television, by the institutionalization of a broadcasting license for audiovisual exploitation. According to the article 15 of the April 2000 decree, commercial television stations must pay 100 million francs CFA ($192,000) to get a ten-year license by the Minister of Communication. Considering that the amount is huge when compared to the economic level of the country, the authorities created the so-called principle of “administrative tolerance”, which enabled media entrepreneurs to run their television stations before being fully licensed. Being this a discretional principle, media operators work under threat, as it is sufficient to make a reportage that the authorities do not like to be shut down for illegal exercise of the profession.[14] A case in point is Equinoxe television, banned for several months in 2008, after taking position against the change of the constitution promoted by President Paul Biya.[12]

It is estimated that CRTV covers 60% of the country through 64 transmitters. Since 2001 it has also offered satellite transmission. Private TV stations have their own transmitters. Both STV and Canal 2 International are received in the Southern half of Cameroon and are available over satellite and cable bouquets elsewhere.[18] The only Cameroonian cable distribution enterprise is TV+, owned by Emmanuel Chatue, who also runs the television station Canal 2 International. TV+ sells images which are broadcast by foreign television channels to Cameroonian consumers, especially western movies and soap-operas.[14] However, there are many other abusive small cable distributors who illegally distribute foreign images for very cheap fees.[14] In addition, many of them run abusive TV channels that broadcast global media products acquired mainly through illegal internet download.[19][20]

• CRTV Télé: maintains a website

• PSTV (PEFSCOM TELEVISION) (buea)
• HiTv(Buea)

See also: List of radio stations in Africa: Cameroon

Cameroon has several public radio stations, regulated by the Radio de l'office national de radio et télévision (CRTV).

• The national station, transmitting from Yaoundé
• Ten provincial radio stations

• City FM (Bamenda)
• Skysports Radio (Bamenda)
• DMCR (Nkambe)
• Sky FM (Ndu)
• Savanna Radio (Ndu)
• Renaissance Community Radio (Ndu)
• Community Radio (Kumbo)

It is also possible to receive Canal+ Horizons.