Maya Jasanoff

Jasanoff published her first book, Edge of Empire: Lives, Culture, and Conquest in the East, 1750–1850, with Alfred A. Knopf in 2005 and received mostly favorable reviews. In the London Review of Books, UCLA history and political science professor Anthony Pagden called the work a "brilliant contribution" to the historical investigation of the complexities of empire;[5] in The Guardian, Richard Gott called it "a riveting and original book."[6] However, in The American Historical Review, University of Pennsylvania English professor Suvir Kaul said Jasanoff's history of "objects and individuals, no matter how lovingly recollected, do not add up to an argument that historians should think of empire as instantiating 'the essential humanity of successful international relationships'," and underestimate the "concerns of those peoples who were at the receiving end of imperial power, whether that power was exerted by Europeans or by the native elites who functioned increasingly at their command."[7] In The New York Times, Columbia University history professor Mark Mazower found "a high degree of wishful thinking" in Jasanoff's casting 18th- and early 19th-century empire as less asymmetrical domination and more "the kind of happy cross-cultural fusion that we dream about today".[8]

Jasanoff published Liberty's Exiles: American Loyalists in the Revolutionary World in 2011, also with Alfred A. Knopf.[9][10][11][12] The book describes the trajectories of the approximately 60,000 loyalists who fled the American Revolution to relocate in other parts of the British Empire; some 8,000 of those who elected to relocate were free black people, but 15,000 enslaved people of African descent were also forcibly moved when their owners chose to go. Liberty's Exiles was widely and favorably reviewed.[13][14] In The New York Times, Thomas Bender called it a "richly informative account," "smart, deeply researched and elegantly written."[15]

Jasanoff's 2017 book, The Dawn Watch: Joseph Conrad in a Global World,[16] published by Penguin Press[17] and in the UK by William Collins[18] centers on the life and times of novelist Joseph Conrad.[19] The Times lauded the book as the "Conrad for our time,"[20] and The Spectator called her an "enviably gifted writer....her historian's eye can untie knots that might baffle the pure critic," noting that she "steers us securely and stylishly through those latitudes where Conrad witnessed the future scupper the past."[21] In the judgment of the Financial Times: "This is an unobtrusively skilful, subtle, clear-eyed book, beautifully narrated," [22] while the Literary Review observes: "Written with a novelist's flair for vivid detail and a scholar's attention to texts, The Dawn Watch is by any standard a major contribution to our understanding of Conrad and his time."[23] Reviewing the book in The Guardian, Patrick French began: "The Dawn Watch will win prizes, and if it doesn't, there is something wrong with the prizes."[24] In The Hindu, Sudipta Datta wrote that Jasanoff's approach to Conrad makes for a "remarkable retelling of Joseph Conrad's life and work and its resonance with the present dysfunctional world."[25] In The Guardian, William Dalrymple named the book to his list of best holiday reads of 2017.[26] According to the Wall Street Journal's reviewer, "'The Dawn Watch' is the most vivid and suggestive biography of Conrad ever written."[27] In The New York Times, Ngugi wa Thiong'O applauded the book as "masterful." Thiong'O wrote that Jasanoff succeeded where "An Image of Africa: Racism in Joseph Conrad's Heart of Darkness," Chinua Achebe's classic Conrad essay, had failed, specifically in bringing into clear relief "Conrad's ability to capture the hypocrisy of the 'civilizing mission' and the material interests that drove capitalist empires, crushing the human spirit." "'The Dawn Watch,' Thiong'O wrote, "will become a creative companion to all students of his work. It has made me want to re-establish connections with the Conrad whose written sentences once inspired in me the same joy as a musical phrase."[28]

As part of the project, Jasanoff blogged a journey on a cargo ship sailing from China to Europe.[29] She also published an essay in The New York Times describing the portion of her journey in the Democratic Republic of Congo; the piece drew criticism.[30] In a letter to the editor, Boston University professor Timothy Longman said the essay "reeks of condescension" and "continues the widespread practice of ignoring the voices of Congolese intellectuals, many of whom write about their homeland with nuance."[31]

The Dawn Watch was discussed on Andrew Marr's Start the Week program on 6 November 2017.[32] It was BBC Radio Four's Book of the Week.[33]

In 2005, Jasanoff won the Duff Cooper Prize for Edge of Empire.[34] She won both the 2011 National Book Critics Circle Award for Non-Fiction[35] and 2012 George Washington Book Prize[36] for Liberty's Exiles. She won a Guggenheim Fellowship in 2013[37] and in 2017, she was awarded the Windham–Campbell Literature Prize, valued at $165,000.[38]

Jasanoff won the 2018 Cundill History Prize valued at $75,000 for The Dawn Watch: Joseph Conrad in a Global World.[39]

• Edge of empire: lives, culture, and conquest in the East, 1750–1850.
• Liberty's Exiles: American Loyalists in the Revolutionary World.
• The Dawn Watch: Joseph Conrad in a Global World.

• "A passage from India : Ruth Prawer Jhabvala and the art of ambivalence". The Critics. A Critic at Large. The New Yorker. 94 (43): 62–67. January 7, 2019.[40]

The dawn watch

• Tóibín, Colm (February 22, 2018). "The heart of Conrad". The New York Review of Books. 65 (3): 8–11.