Mayham

• James Gandolfini as Tony Soprano
• Lorraine Bracco as Dr. Jennifer Melfi
• Edie Falco as Carmela Soprano
• Michael Imperioli as Christopher Moltisanti
• Dominic Chianese as Corrado Soprano, Jr. *
• Steven Van Zandt as Silvio Dante
• Tony Sirico as Paulie Gualtieri
• Robert Iler as Anthony Soprano, Jr.
• Jamie-Lynn Sigler as Meadow Soprano
• Aida Turturro as Janice Soprano Baccalieri
• Steven R. Schirripa as Bobby Baccalieri
• Frank Vincent as Phil Leotardo
• John Ventimiglia as Artie Bucco
• Ray Abruzzo as Little Carmine Lupertazzi
• Joseph R. Gannascoli as Vito Spatafore
• Dan Grimaldi as Patsy Parisi

* = credit only

On a tip from Vito, Paulie and a member of his crew, Cary DiBartolo, burglarize an apartment belonging to Colombian drug dealers in Newark. However, they find the apartment is not empty as expected, and a fierce firefight ensues. The building superintendent and the two drug dealers are killed. Paulie and Cary find a huge amount of money.

Tension surges within the DiMeo family. Silvio makes rulings on how the Colombian score, and how Eugene's former Roseville, New Jersey bookmaking revenue, should be split. None of the parties involved like his decisions. A reluctant boss, Silvio is later laid low by an asthma attack, and is himself hospitalised. Paulie and Vito delay paying the $200,000 cut they owe to Carmela, since they do not want to part with it in case Tony does not recover. Vito quietly starts a campaign to position himself as a potential new leader, pointing to his recent weight loss as a sign of better health, and maintaining a cordial relationship with the Lupertazzi acting boss Phil Leotardo, who is a second cousin of Vito's wife Marie. He also happens to be in the hospital when Meadow's fiancé Finn turns up, and makes a threatening pass at him.

Christopher and Bobby confront A.J. who has tried to buy a gun, and tell him not to go after Junior, who is in custody. They assure him that Tony would not want him involved.

Carmela sees a TV special about the shooting, in which A.J. says it is weird growing up a Soprano. She is livid, and tells her son she wants to kill him. She sobs in her room. The next day, she has a session with Dr. Melfi. She says she knew what Tony was when she married him, "but the kids, they don't decide who they're born to."

Chris' passion about entering the movie industry is reborn. He has Benny Fazio and Murmur rough up screenwriter J.T. Dolan, and orders him to write a script for a slasher mob film he wants to produce. Chris later arranges a meeting with potential investors for the production, their chief adviser and partner being Little Carmine. J.T. comes up with the title, Cleaver, and explains the premise, but the investors, who include Silvio, Vito and Larry Boy Barese, seem confused about its plot. Nevertheless, Chris assures them the film is a guaranteed success.

Although only family are allowed to see Tony, Silvio and Paulie are smuggled in by Carmela and Meadow. Left alone with Tony, Paulie proceeds to treat his unconscious boss to a tedious and discontented monologue about his current life. Tony's heart-rate escalates steadily, but Paulie does not notice it until he goes into cardiac arrest. Hospital staff rush in.

Tony's dream sequence from the previous episode has continued.

At his hotel room, he receives a court summons from the Buddhist monks addressed to Kevin Finnerty, and he begins to question his identity. He seeks answers from the bartender and the monks, but finds none.

He is disturbed by muffled sounds from an adjoining room at his hotel (Paulie is talking to him), and he bangs angrily on the wall for quiet. Having found a flier for the Finnerty family reunion in his briefcase, he is greeted outside the venue by a man who looks like his cousin Tony Blundetto. The man tries to get Tony to enter the light-festooned house, assuring him that "everyone's here" and that he is "coming home"; but he also tells Tony that he must first let go of his "business" and hand over his briefcase. Tony replies that he has already given away a briefcase once which had "his whole life inside" and does not want to do it again. Standing at the steps of the house, Tony hesitates for some time. With the figure of someone similar to his mother standing by the doorway in front of him, and the faint voice of a little girl coming from the trees behind him pleading with him not to go (in the hospital Meadow is calling to her father), Tony chooses not to enter the house.

He awakes in the hospital. His first words to Carmela are, "I'm dead, right?"

Later, heavily sedated and still largely unable to talk, Tony sits in a chair at the foot of his bed and listens to an excited Christopher explain his movie venture to him; he says he left a position for Tony to become a major investor. Christopher then notices an Ojibwe saying taped onto the wall: "Sometimes I go about in pity for myself, and all the while, a great wind carries me across the sky."

With Tony now conscious, Paulie and Vito anxiously rush to get their cuts to Carmela. In the hospital lobby, when they hand over the cash, Carmela is initially grateful. However, before the elevator doors close, she turns round and sees them looking sour.

• Marie Spatafore: Vito Spatafore's wife
• Patty Leotardo: Phil Leotardo's wife

• Building Superintendent: inadvertently shot by Colombian #1
• Colombian #1: shot by Cary DiBartolo and Paulie
• Colombian #2: shot by Cary DiBartolo and then stabbed by Paulie

• The title is a malapropism; after Vito gives Paulie bad information about the stick-up job (saying the place was empty), Paulie does not want to give him his full cut of the money, saying that the job was "mayham."
• Disorder is within the ranks of the DiMeo/Soprano crime family, as there are disagreements between some members, dissent is growing, and, at one point, both its boss and substitute acting boss are hospitalized.
• Tony Soprano violently fights to stay alive.

• Ray Abruzzo (Little Carmine) is now promoted to the main cast and billed in the opening credits but only in the episodes in which he appears.
• Lorraine Bracco's sister Elizabeth joins the show playing the character of Marie, the wife of Vito Spatafore.

• As Vito pulls up alongside Paulie at the beginning of the episode, Paulie greets him saying "Diary of a Thin Man," in reference to Vito's recent weight loss, misquoting the title of the Bob Dylan song "Ballad of a Thin Man."
• When confronted over his attempted purchase of a gun and told that he cannot get to his Uncle Junior anyway because he is in police custody, AJ says it's "difficult, not impossible," the same words spoken by Rocco Lampone in The Godfather Part II in reference to assassinating Hyman Roth.
• In another homage to The Godfather, when Benny Fazio unexpectedly speaks up at the movie pitch with a solution to the film's plot impasse, it harkens to the scene when Michael Corleone speaks up and calculatingly details how to assassinate Virgil Sollozzo and the corrupt police captain at a restaurant.
• Vito greets Finn, who flew over from California, as "Phineas Fogg" at the hospital.
• J.T. Dolan is discussing Beowulf when kidnapped from his writing class.
• When pitching Cleaver, Silvio, Christopher, and J.T. Dolan compare and contrast the film to The Ring, the Friday the 13th franchise, Freddy Krueger movies, and Halloween as well as to The Godfather II, Saw, and Ghostbusters franchises.
• Tom Giglione says he needs some Irish Spring to look fresh again after a night spent beside Tony's bed.
• Phil Leotardo says everyone thought Vito looked like John Travolta when he married Phil's cousin Marie.
• Paulie Gualtieri refers to Vito as "Bluto" (John Belushi’s character in Animal House).
• Paulie Gualtieri refers to AJ as Van Helsing.
• Paulie Gualtieri refers to Carmela Soprano as the "Princess of Little Italy." This is an homage to Steven Van Zandt and his band Little Steven and the Disciples of Soul, who recorded a song by the same name.
• In a rare session with Dr. Melfi, Carmela recalls her second date with Tony, in which he brought her father a $200 power drill as a gift. She says she knew there was "probably some guy with a broken arm" behind it and reflects on whether this made her like Tony less, or more. This mimics Bracco's own character's reaction in Goodfellas when she realized what Henry Hill really was early in their relationship.

• In the first scene, as Paulie is driving, "Smoky Places" by The Corsairs is playing.
• "La Gata" by Nicky Jam is playing in the Colombians' office when Paulie enters.
• An acoustic version of Heart's "These Dreams" plays in the supermarket when Carmela and Dr. Melfi run into each other.
• Sheryl Crow's rendition of "The First Cut Is the Deepest" is playing on Tony's stereo during his coma.
• The mariachi music played in the country house when Tony Blundetto is welcoming Tony Soprano is "La Feria de las Flores" by Mariachi Vargas de Tecalitlán.
• "When You Dance" by The Turbans is playing in the last scene while Christopher is talking to Tony in his hospital room.
• A rendition by The Mystics of "Somewhere Over the Rainbow" is being played while Carmela is wetting Tony's lips.
• The instrumental piece played over the end credits is "The Deadly Nightshade" by Daniel Lanois.

• "Mayham" at HBO
• "Mayham" at IMDb
• "Mayham" at TV.com