Meghe Dhaka Tara (2013 film)

Mrinal Sen (left) was a close friend of Ghatak in real life. In this film Anindya Bose plays Sen's character.
Abir Chatterjee (centre) plays Doctor S. P. Mukherjee, a psychiatrist. In this film during a heated conversation Nilkantha directly asks Doctor Mukherjee that does he recommend someone to perform dance (mujra) when the society is burning.
Mumtaz Sorcar (right) plays Supriya Devi's role. Supriya Devi portrayed Neeta in Ghatak's Meghe Dhaka Tara (1960)

• Saswata Chatterjee as Nilkantha Bagchi
• Ananya Chatterjee as Durga
• Abir Chatterjee as Doctor S. P. Mukherjee
• Rahul Banerjee as Anil Chatterjee
• Joydeep Mukherjee as Hrishikesh Mukherjee
• Abhijit Guha as Salil Choudhury
• Padmanabha Dasgupta as Kali Banerjee
• Anindya Bose as Mrinal Sen
• Mumtaz Sorcar as Supriya Devi
• Bidipta Chakrabarty as Shobha Sen
• Subhasish Mukhopadhyay as Bijon Bhattacharya
• Biswajit Chakraborty as Charuprakash Ghosh
• Shantilal Mukherjee
• Arup Kumar Ganguly as Freedom Fighter
• Anindya Banerjee as Patient in Mental Asylum
• Debpratim Dasgupta as Patient in Mental Asylum

Director Kamaleswar Mukherjee wanted to pay tribute to film-maker Ritwik Ghatak and decided to make this film which is a fictional account of a filmmaker's life and the filmmaker's character is inspired by Ritwik Ghatak's life and works.[2] He told, he got inspiration from all of Ghatak's works and his life, Ghatak's Meghe Dhaka Tara (1960)[7] was one of them.[2] This film was Mukherjee's second films as a director after Uro Chithi which was a box-office failure.[2][8] At first the film was named Jwala (meaning, "pain" or "agony").[9] About the title of the film Mukherjee told, despite being a film director Ghatk's life was capped with clouds which creates a connection between Ghatak and Nilkantha, the protagonist of the film.[2]

Mukherjee used the following books to do the research works for the film—[8]

1. Ritwik Tantra (in Bengali) written by Sanjay Mukhopadhyay
2. a) Ritwik and b) Padma theke Titash (in Bengali) written by Surama Ghatak, Anushtup publication
3. Chalachitra, Manush o Aro Kichu (in Bengali) written by Sanjay Mukhopadhyay, Dey's Publishing, ISBN 81-295-0397-2.
4. Ritwik Ghatak (in Bengali) by Rajat Roy
5. a) Ritwik ekti nadir naam and b) Sakshat Ritwik (in Bengali) written by Sanghita Ghatak
6. Ritwik-da, Salil-da (in Bengali) written by Tushar Talukdar

The entire film is in black and white except the last scene which has been shot in colour. The scene is the film's climax too.[4][5] The film was shot in Kolkata and Purulia. Some of the most important scenes of the film were shot in Purulia including a long rain scene where Ghatak too shot his last film Jukti Takko Aar Gappo.[3] Kamaleswar Mukherjee found the local people of Purulia enthusiastic and helpful.[10] Some of the rehearsals were organized at Kolkata's Muktangan theatre.[3]

Some of most important scenes of the film were shot in Purulia.[3]

Film's director Kamaleswar Mukherjee told in an interview– "Neither is my film Ritwik's biopic, nor is it a remake of his legendary film. It tells a story in a completely new style, and has no similarity with the original. I'm inspired by all of Ghatak's works and his life; "MDT" is just one of them. The audience will realize this once they watch my film." [2]

Saswata Chatterjee described the film as a "dream project" and told his experiences during the shooting were incredible. He also told that he was amazed to see the amount of research works Kamaleswar Mukherjee did to direct this film.[11]

Saswata Chatterjee portrayed Nilkantha's character in the film. Kamaleswar Mukherjee told in an interview that Saswata was their first choice for this role as he felt "Apu da"[lower-greek 1] was perfect to portray the character. Mahendra Soni, one of the producers of the film, later told if Saswata had denied to play the character then they would have asked Kamaleswar Mukherjee to act the role himself as they knew Mukherjee had a theatre background and is a good actor too.[8]

After playing the role of Bob Biswas in film Kahaani Saswata received many similar offers, but he did not want to repeat his performance of Bob. When the offer of this film's protagonist role came to him he accepted. Chatterjee had already worked with film's director Kamaleswar Mukherjee before.[12] In an interview Chatterjee told that he tried and shed some body weight to fit in the character of Nilkantha.[3] He told, he watched a lot of Ghatak's films and documentaries to understand his body language.[12]

Chatterjee told in an interview that during the shooting he became so involved with his character that he even faced difficulties to talk to his wife Mohua at that time.[13]

Ananya Chatterjee played the role of Durga, Nilkantha's wife.[3] In the film Jukti Takko Aar Gappo too the name of Nilkantha's wife character was Durga. Kamaleswar Mukherjee selected Chatterjee to portray this role for her acting skill and Mukherjee found a type of seriousness in her expressions which was needed for the role. To prepare for this role, Chatterjee used to read the script of the film over and over again. She also used to spend time to understand Durga's feelings towards Nilkantha.[14]

Abir Chattejee played the role of psychiatrist Doctor S. P. Mukherjee. Doctor Mukherjee tries to find out Nilkantha's confusion.[3][15] This was an important character in the film. Ananya Chatterjee later told in a light mode— "actually, in this film, Abir is like Saswata’s wife because they are together in most of the scenes."[3]

Meenu

Meenu's character, inspired by Supriya Devi, was played by Mumtaz Sorcar.[16] Sorcar felt, portraying this role was a very difficult job, but, she thanked Kamaleswar Mukherjee for giving her independence to develop the character in her own way.[17]

Bikram

Bikram is playwright, theatre director and actor. The character was inspired from Bijon Bhattacharya and was played by Subhasish Mukherjee.[16]

Gurudas

Gurudas is also a theatre actor and theatre activist like Nilkantha. The character was inspired by Kali Banerjee and played by Padmababha Dasgupta.[16]

After a special screening of the film in Kolkata, Anandabazar Patrika published a review in their newspaper on 28 November 2012. In that review, the making of the film was widely appreciated and the film was tagged as an "authentic period film". The review highly praised Saswata Chatterjee's acting as Nilkantha and gave it "letter marks". They also felt Saswata Chatterjee's portrayal of Nilkantha was better than his previous popular character Bob Biswas of Kahaani. The review predicted that this film had potential to become a "cult" or "classic" film in future.[4]

After watching this film in a closed preview, Bengali film director Raj Chakraborty cancelled editing works of his own film for that day. Raj Chakraborty later told— "how could I do editing works of my own film on a day in which I saw a film like Meghe Dhaka Tara? I did not want to commit such mistake!"[8] He also told that he was even ready to work as an assistant director to Kamaleswar Mukherjee who made such a film.[11]

After watching the film, Shrikant Mohta of Shree Venkatesh Films felt this was the best film made under their banners.[8]

Professional reviews
Review Scores
Source	Rating
Anandabazar Patrika

The film received positive reviews from reviewers and critics. The Times of India commented in their review, though Ghatak's personal life was well-known, Mukherjee's fictional retelling of his life was interesting. They found the script of the film well-researched and the real life characters like Bijon Bhattacharya, Sobha Sen, Supriya Devi were woven neatly. They stated, using color in only the last few scenes was a masterstroke.[1]

Bengali newspaper Anandabazar Patrika widely appreciated the making of the film and gave it 8 out of 10 and commented Kamaleshwar Mukherjee should have come to film direction much earlier.[19]

• Centenary Award at International Film Festival of India, Goa 2013
• Silver Crow Pheasant Award for the Best Director at International Film Festival of Kerala, 2013
• NETPAC Award International Film Festival of Kerala, 2013 [20]