Mektoub, My Love: Intermezzo

Mektoub, My Love: Intermezzo is a 2019 French drama film directed by Abdellatif Kechiche.[1] It premiered In Competition at the 2019 Cannes Film Festival where it was widely panned.[2] The film is a sequel to Kechiche's 2017 film Mektoub, My Love: Canto Uno. Like its predecessor, the film is an adaptation of the French novel La Blessure, la vraie written by François Bégaudeau.[3][4] As its title suggests, the film is an interlude with a third and final film in the works.

Mektoub, My Love: Intermezzo
Film poster
Directed byAbdellatif Kechiche
Produced byAbdellatif Kechiche
Ardavan Safaee
Jérôme Seydoux
Screenplay byAbdellatif Kechiche
Ghalia Lacroix
Based onLa Blessure, la vraie
by François Bégaudeau
CinematographyMarco Graziaplena
Edited byEdgar Allender
Nathanaëlle Gerbeaux
Maria Giménez Cavallo
Production
company
Quat'sous films
Distributed byPathé Films
Release date
  • 23 May 2019 (2019-05-23) (Cannes)
Running time
212 minutes
CountryFrance
LanguageFrench

Plot

In 1994, Ophélie discovers she is pregnant with her lover's child even though she is engaged and due to marry her fiancé soon. With summer at a close she contemplates going to Paris to have an abortion. She and her friends decide to spend a night at a club in Sète where she has sex with her other friend.

Cast

Production

The decision to split this film apart from the film Mektoub, My Love: Canto Uno caused Kechiche's producers to withdraw funds for post-production for both films in 2017.[5] Kechiche did eventually find the funds necessary to finish both films, in part by auctioning off the Palme d'or he won for Blue Is the Warmest Colour.

The film featured a 13-minute unsimulated sex scene where actress Ophélie Bau receives oral sex and is brought to orgasm.

Reception

On review aggregator website Rotten Tomatoes, the film holds an approval rating of 10% based on 20 reviews, with an average rating of 2.9/10. The website's critics consensus reads: "Joyless and distastefully photographed, Abdellatif Kechiche's second chapter in his romantic epic is too enamored with derrière to offer audiences a reason to care."[6] Metacritic, which uses a weighted average, assigned the film a score of 10 out of 100, based on 11 critics, indicating "overwhelming dislike".[7]

References

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