Middle Eastern and North African music traditions

This is a list of folk music traditions, with styles, dances, instruments, and other related topics. The term folk music cannot be easily defined in a precise manner. It is used with widely varying definitions depending on the author, intended audience and context within a work. Similarly, the term traditions in this context does not connote any strictly-defined criteria. Music scholars, journalists, audiences, record industry individuals, politicians, nationalists, and demagogues may often have occasion to address which fields of folk music are distinct traditions based along racial, geographic, linguistic, religious, tribal, or ethnic lines, and all such peoples will likely use different criteria to decide what constitutes a "folk music tradition". This list uses the same general categories used by mainstream, primarily English-language, scholarly sources, as determined by relevant statements of fact and the internal structure of works.

These traditions may coincide entirely, partially or not at all with geographic, political, linguistic, or cultural boundaries. Very few, if any, music scholars would claim that there are any folk music traditions that can be considered specific to a distinct group of people and with characteristics undiluted by contact with the music of other peoples; thus, the folk music traditions described herein overlap in varying degrees with each other.

Middle East and North Africa

Country Elements Dance Instrumentation Other topics
Armenian keffolkliturgicalTashnakzootyoun tamzarakocharireligious dudukouddumbeg – saz – bouzoukishvi
Algerian[1] medhmelhunraïzendani gashaguellal berrahcheikhameddhahatesmehnawa'adat
Assyrian diwanehlilianaraweh baglama – Çiftelia – davuldholdutartamburazurna – saz – watariyat
Bahraini See Persian Gulf region
Bedouin[2] zajal fantasia mijwismismaryaghul
Berber[3] amargammussuastararitual musictabbayt aberdagahiduahouachahwash ajouagbendirghaitalotar (instrument)nakousneyrababt'beltindeviol amydazimdyaznlaamtrwai
Chleuh See Berber
Coptic See Egyptian
Djiboutian balwo bowl lyre – tanbura
Egyptian[4] Saiyidisawahiliwedding music awalim mismar saiyidinahrasan
Emirati See Persian Gulf region
Eritrean folkliturgicalpopular keberokobarkraarlyre – wata
Ethiopian folkliturgicalpopular begenakeberokraarmasenqosistrumwashint
Georgian[5] Georgian polyphony – krimanchuli – naduriorovelatable song accordionchanguichongurichuniriclarinetdudukpanduri
Iranian[6] dafdoholkarnayluteneyney-anbanzurna
Israeli and diaspora Jewish KlezmerSephardic musicMizrahi musicSecular Jewish music Israeli folk dancingHorah lutesoud
Kabyle See Berber
Khaleeji See Persian Gulf region
Kuwaiti See Persian Gulf region
Kurdish[7] epic Bloordafdholdoozeladudukkamancheneyoudsanturshimshaltabalaktartenburzilzurna chirokbejdengbêjstranbej
Persian Gulf region[8] Khaleeji musicsawt (music)-tarab-Adani-shela Ardha, dabkah duffteerannayoudrababamerwasstabla – binges – qanun
Lebanese[9] dabkah
Mauritanian al-baydaepic – fagu – l'-gnaydiyaal-kahlakarrlabyadlakhallebtayt dabkah ardindaghumma – tbal – tidinit iggawin[10]
Moroccan[11] takht ait attaait Bodarait Bugemaz (ait bouguemaz)taskiwin aghaninbendirdarbukaduffgaragabghaitagimbriguedrakamanjehkanumnainakousoudrababtaarijatabltan-tantar moussem
Nubian[12] duff
Omani See Persian Gulf region
Palestinian[13] dalaunameyjana – Zaghareet – wedding music- AtaabaSahjazajal dabka duffmijwiznayoudrababashababitablayarghoul-oud-qanun zajaleen
Pashtun[14] Afghan wedding musickiliwali chub baziatan dairehdholrubabtanbur landai
Persian See Iranian
Qatari See Persian Gulf region
Saudi Arabia Qasida ArdahMizmarDaha OudRebabTarNeyMizmar {{{Other}}}
Arabic, Islamic, Jewish music[15] canticacoplaendechasromanceSongs for Purimwedding music accordiondaraboukakanunoudtambourine
Somali balwo, qaraami, dhaanto batar drumoud
Sudanese Arab[16] haqiiba oudtambour
Tuareg See Berber
Turkish[17] bozlaktürkü çifte tellihalayhoronkarsilamaköçek oyunusemahsword dancezeybek darbukadavulkemenceney – saz – sipsiTulum (bagpipe)zurna ashikchengidüg¨nsalonuköçekce
Yemeni[8] oud ghat

Notes

  1. Morgan, Andy, "Music Under Fire" in the Rough Guide to World Music, pgs. 413 – 424
  2. Lodge, David and Bill Badley, and Badley, Bill and Zein al Jundi, "Cairo Hit Factory" and "Europe Meets Asia in the Rough Guide to World Music, pgs. 338 – 346 and pgs. 391 – 395; Kinney, pgs. 207 – 208
  3. Includes the music of Kabylie and the Tuareg; Morgan, Andy, François Bensignor, and Dave Muddyman, "Bards of Immigritude", "Sounds of the Sahel" and "A Basic Expression of Life" in the Rough Guide to World Music, pgs. 425 – 426, pgs. 585 – 587 and pgs. 567 – 578; World Music Central Archived 2006-02-07 at the Wayback Machine
  4. Lodge, David and Bill Badley, "Cairo Hit Factory" in the Rough Guide to World Music, pgs. 338 – 346; World Music Central Archived 2006-02-07 at the Wayback Machine
  5. Broughton, Simon, "A Feast of Songs" in the Rough Guide to World Music, pgs. 347 – 350
  6. Nooshin, Laudan, "The Art of Ornament" in the Rough Guide to World Music, pgs. 356 – 362
  7. Nooshin, Laudan, and Eva Skalla and Jemima Amiri, "The Art of Ornament" and "Songs of the Stateless" in the Rough Guide to World Music, pgs. 356 – 362 and 378 – 384
  8. Badley, Bill, "Sounds of the Arabian Peninsula" in the Rough Guide to World Music, pgs. 351 – 354
  9. Manuel, Popular Musics, pg. 159
  10. Muddyman, David and Richard Trillo, "The Ways of the Moors" in the Rough Guide to World Music, pgs. 563 – 566
  11. Muddyman, Dave, "A Basic Expression of Life" in the Rough Guide to World Music, pgs. 567 – 578; ; World Music Central Archived 2006-02-07 at the Wayback Machine
  12. Lodge, David and Bill Badley, "Cairo Hit Factory" in the Rough Guide to World Music, pgs. 338 – 346
  13. Morgan, Andy and Mu'tasem Adilah, "The Sounds of Struggle" in the Rough Guide to World Music, pgs. 385 – 390
  14. Manuel, Popular Musics, pg. 196; Doubleday, Veronica, "Red Light at the Crossroads" in the Rough Guide to World Music, pgs. 3 – 7
  15. Cohen, Judith, "Ladino Romance" in the Rough Guide to World Music, pgs. 370 – 377
  16. Verney, Peter with Helen Jerome and Moawia Yassin, "Yearning to Dance" in the Rough Guide to World Music, pgs. 672 – 680
  17. Stokes, Martin, "Sounds of Anatolia" in the Rough Guide to World Music, pg. 396 – 410; Kinney, pgs. 216 – 217; World Music Central Archived 2006-02-07 at the Wayback Machine

References

  • Broughton, Simon (2000). Mark Ellingham (ed.). Rough Guide to World Music (First ed.). London: Rough Guides. ISBN 1-85828-636-0.
  • Karolyi, Otto (1998). Traditional African & Oriental Music. Penguin Books. ISBN 0-14-023107-2.
  • Kinney, Troy and Margaret West (1935). The Dance: Its Place in Art and Life. Tudor Publishing.
  • Manuel, Peter (1988). Popular Musics of the Non-Western World. New York: Oxford University Press. ISBN 0-19-505342-7.
  • Philip V. Bohlman; Bruno Nettl; Charles Capwell; Thomas Turino; Isabel K. F. Wong (1997). Excursions in World Music (Second ed.). Prentice Hall. ISBN 0-13-230632-8.
  • Fujie, Linda; James T. Koetting; David P. McAllester; David B. Reck; John M. Schechter; Mark Slobin; R. Anderson Sutton (1992). Jeff Todd Titan (ed.). Worlds of Music: An Introduction to the Music of the World's Peoples (Second ed.). New York: Schirmer Books. ISBN 0-02-872602-2.
  • "International Dance Glossary". World Music Central. Archived from the original on February 7, 2006. Retrieved April 3, 2006.
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