Midwest emo

According to The Chicago Reader critic Leor Galil, the second-wave bands of the Midwest emo scene "transformed the angular fury of D.C. emo into something malleable, melodic, and cathartic—its common features included cycling guitar parts, chugging bass lines, and unconventional singing that sounded like a sweet neighbor kid with no vocal training but plenty of heart."[7] Incorporating elements from indie rock, the genre also features "gloomy chord progressions"[8] and arpeggiated guitar melodies.[3] Midwest emo is also commonly associated with the use of math rock elements.[9]

Cap'n Jazz in 2010

The Midwest emo scene came into prominence in the mid-1990s with bands such as American Football,[7] Chamberlain,[10] The Promise Ring,[1] Cap'n Jazz,[11] Cursive,[12] Mineral and The Get Up Kids.[13] Braid has been regarded as an important act to propel the Midwest emo sound across the United States.[14][15] Some of the acts to practice the sound were originally not from the Midwestern United States as well, with Sunny Day Real Estate being from Washington and Mineral being from Texas.[13]

Midwest emo has seen a resurgence over the late 2000s with the labels such as Count Your Lucky Stars Records,[16] as well as by the bands such as CSTVT,[14] Oliver Houston,[11] Into It. Over It.,[17] Algernon Cadwallader and Snowing.[7] Revival bands such as The World Is a Beautiful Place & I Am No Longer Afraid to Die mixed the Midwestern emo sound with genres such as post-rock and orchestral music.[18]

• Math rock
• Midwestern United States
• Post-rock

• Greenwald, Andy (2003). Nothing Feels Good: Punk Rock, Teenagers, and Emo. New York: St. Martin's Griffin. ISBN 0-312-30863-9.CS1 maint: ref=harv (link)