Morgan Bell

The collection contains the following stories:

About the title, Bell has said it is a nonsense phrase that came to her in a dream but "Linguistically it translates to a calculated series of steps forward. I like the riddle quality and the weightlessness of the phrase."[16] and "Semantically the intention is to evoke a progression of steps away from creeping paranoia."[17]

Bell has made the following statements about the flash fiction collection's likeness to the concept albums of her teen years in the 1990s:

• "Read some other single-author collections to see how the stories are arranged. I find a short story collection to be a bit like the old “mixed tape” or the modern iPod playlist, there is an art in the order. If your stories have an evolving theme they can be like a concept album."[18]
• "I like Strings & Ribbons for its poetry and reprieve. Its placement in the collection is like a lighter musical interlude on a heavy rock album."[19]
• "I write with so much tension, sometimes it is difficult to sustain over a long time, I often need to construct deliberate ebbs and flows to add some reprieve to all the suspense." [20]

Bell learnt about the free indirect speech method of writing from James Wood's How Fiction Works.[15]

Australian short-story collections that have inspired her are Margo Lanagan's Black Juice, Cate Kennedy's Dark Roots,[15] of which she has said "For perfecting the craft of the short form Australian author Cate Kennedy does it best in her collection Dark Roots, every story sticks with you and haunts you, she is the master,"[12] Tim Winton's The Turning (stories), and Angela Meyer's Captives.[21] She has said that the minimalism and dirty realism of short-stories by Tobias Wolff and Raymond Carver have struck a chord with her.[15]

Bell has repeatedly cited Angela Carter as an influence.[21][20][22][12] She has said the appeal of Angela Carter's works is the juxtaposition of oddities,[15] and has singled out The Passion of New Eve as a favourite[20] saying "it’s a real trip and a gender bender. You will question everything you know about relations between men and women, and the imagery will stay with you forever."[23]

In interviews Bell has cited the following authors as influences: Ursula K. Le Guin, Aldous Huxley, Virginia Woolf,[21] Oscar Wilde,[15][22] Jane Austen, DBC Pierre, James Frey, Deborah Levy,[22] Lauren Beukes, Julienne van Loon, Jim Crace;[14] and the following books as influences: Stephen King’s The Eyes of the Dragon, Amy Tan’s The Joy Luck Club (novel), Virginia Woolf’s Mrs Dalloway,[20] Dathan Auerbach’s Penpal.[14]

Her recent reading has included Sharp Objects[20] and Gone Girl (novel)[23] by Gillian Flynn, and The Good House[20] by Ann Leary, which she called an "extraordinary debut novel" and the "perfect delicate balance of intrigue and poetic justice".[20] Bell has said she likes "suspense, some domestic drama, and strong deeply flawed characters".[23]

Bell has said a good last line or paragraph is her favourite part of a story. Citing the last lines of Aldous Huxley’s Brave New World as a favourite: "Just under the crown of the arch dangled a pair of feet. Slowly, very slowly, like two unhurried compass needles, the feet turned towards the right; north, north-east, east, south-east, south, south-south-west; then paused, and, after a few seconds, turned as unhurriedly back towards the left. South-south-west, south, south-east, east...."[23]

In an interview published 18 February 2015 Bell announced an audiobook version of Sniggerless Boundulations would be available on Audible in about a month.[24] She said "I have been working with a voice artist Jon Severity to get my book into audio format, he has been doing a fabulous job". The audiobook for Sniggerless Boundulations went live on Audible 5 March 2015.[25] It is 58 minutes long (unabridged) and is in the category of Fiction > Short Stories & Anthologies. It is narrated by Jon Severity and the audio sample is 2:16 minutes from the story Garsdale.

The collection contains the following stories:

Bonus track:

• Yawning Bill of Fare

Bell contributed a short story to Novascapes,[37] the 2014 Hunter Speculative Fiction Anthology, alongside award-winning authors such as Margo Lanagan, Kirstyn McDermott, and Russell Blackford. Bell's story, The Switch, is based on Germanic folklore. The Anthology was published 30 September 2014[37] by Invisible Elephant Press. The cover art was designed by local illustrator Tallulah Cunningham.

Novascapes was launched at the 2015 Newcastle Writers Festival at a session hosted by Russell Blackford at 10am-11am Sunday 22 March 2015 at Newcastle City Hall.[38] Editor Cassandra Page (C.E. Page) gave an introduction and then readings of excerpts were performed by the following contributing authors: Janeen Webb, Sheree Christoffersen, Danuta Electra Raine, and Samantha Fisher. The line-up represented a cross-section of genres and author experience.

The anthology contains the following stories:[39]

The anthology was mentioned as a prime example of successful Australian speculative fiction crowdfunding collections on Tor.com's introduction post to their new Australian-focussed Aurora Australis - Series blog.[40] Blogger Alexandra Pierce said "Australian press has recently gone in for crowdfunding: like Twelfth Planet Press’ Kaleidoscope anthology, Fablecroft's Cranky Ladies of History, and Novascapes (stories from authors of the Hunter region)."

Bell received an acknowledgement from the editor in the paperback edition regarding promoting the crowdfunding campaign on Twitter and other social media. It stated "I want to thank Morgan Bell for her efforts in creating a last minute social media storm that helped the Pozible campaign reach its goal."

Hunter Anthologies put a call out for submissions for Novascapes Volume 2 between 1 October 2014 and 31 January 2015.[41] Successful entries are to be notified by 28 February 2015. The anthology will be published by Invisible Elephant Press.

Bell has stated on her website that she submitted two stories for consideration: A Deer In The Shunting Yard, and The Lost Art of Transportation.[35]

The anthology contains the following stories:[42][43]

Novascapes 2 was launched at the 2016 Newcastle Writers Festival[44] at a 3pm-4pm session on Sunday 3 April 2016 at Newcastle City Hall hosted by editor Cassandra Page (C.E. Page) with a cover illustrator Q&A with Tallulah Cunningham and readings from Jan Dean, Janeen Webb, Magdalena Ball, and Leonie Rogers.[45]

Bell has committed to editing Hunter Anthologies first themed collection, Sproutlings, a short story project based on wicked plants.[46] The submission period for the Sproutlings anthology is Sunday 15 February 2015 - Sunday 31 May 2015, with a flash fiction word limit of 150 - 2,000 words. The anthologies call lists Jack & The Beanstalk, The Day of the Triffids, Little Shop of Horrors, and Alice in Wonderland as influences, giving the following flash prompts: "Killer weeds, botanical atrocities, enchanted forests-woods, strangling vines, poison fruits-berries-darts, the tree of life-knowledge, carnivorous flora, cabbage patch kids, wise talking-walking trees, magical beans, primordial slime"[35]

The anthology contains the following stories:[47]