Music of Game of Thrones

The process of composition is essentially the same throughout the series. Once the filming is nearly completed, episodes are sent to Djawadi either singly or in batches of multiple episodes as they were being edited together but often before any special effects added to the footage. Benioff and Weiss would also inform Djawadi in advance of the need to expand a theme or create new themes for characters.[9] Djawadi wrote all the music in Santa Monica, California.[13] Asked in an interview about the overall process of composing the music and how it is used in the series, Djawadi said: "I sit with David and Dan and we do what's called a spotting session where we watch the entire episode and then discuss when music should start and stop. Everybody's very involved with that. And it constantly gets played with. What I love about Game of Thrones is that the positioning of the music is so well done, because it's not overdone. When the music cuts in, it really has something to say."[14]

The recordings of most of the soundtracks were conducted in Prague with The Czech Film Orchestra and Choir. Djawadi interacted with the orchestra over the internet and was present during the entire recording session, giving comments on the recordings via the internet.[15]

According to Djawadi, the series creators wanted the main title theme that accompanies the Game of Thrones title sequence to be about a journey as there are many locations, characters in the series and involves much traveling. After Djawadi had seen the preliminary animated title sequence the visual effect artists were still working on, he was inspired to write the piece; which is inspired from a traditional Afghan Rubab melody. Djawadi said he intended to capture the overall impression of the series with the theme tune.[15][16] The title theme is unusually long for a television series at nearly two minutes long, and cello was chosen as the main instrument for the music as he thought it has a "darker sound" that suited the series.[15] The main title theme may also be incorporated into other music segments within the show, particularly at climactic moments.[12]

Djawadi composed an individual leitmotif or theme for each of the major houses, as well as for some locations and some characters. These themes are often played in scenes involving them and they can be used to tell a story. Not all characters would have their own themes due to the large number of characters in the series.[11] The theme for House Stark is the first theme to be composed and is played on a cello.[17] Most of the Stark characters only have variations on the same theme on cello. Arya Stark is the first of the house to have her own theme, first heard when she started her lesson on swordplay in episode three of season one, with the music featuring a hammered dulcimer.[18][19] A new theme for Jon Snow, previously using only the House Stark theme, was created in the sixth season and prominently featured in the episode "Battle of the Bastards". It was first heard at the end of episode three when he said "My watch is ended", signifying a shift in the character after he had been resurrected.[9]

Due to the large number of themes, the introductions of different themes are also deliberately spaced over a longer period so as not to confuse the audience, for example, the theme for Theon Greyjoy or House Greyjoy was not introduced until the second season even though he first appeared in the first season.[20] House Lannister has an associated song, "The Rains of Castamere", which became their theme. The song was played at the Red Wedding, but first heard when Tyrion Lannister whistled a small part in the first episode of the second season.[10] When a theme has become established, different versions that are darker or lighter are then introduced, and concepts such as honor and conspiracy are also represented in themes.[21]

Djawadi chose distinctive sounds and instruments for different leitmotifs and themes, for example, didgeridoos are used for the wildlings, while the Armenian duduk flute is used for the Dothrakis.[20] The duduk flute has a different sound from other flutes, which were deliberately avoided as they are frequently used in other fantasy films.[22] The themes for the White Walkers and the Night King are more of sound designs rather than regular themes; the White Walker theme initially employed a glass harmonica for a "really high, eerie, icy sound", but became fully orchestral when the army of the dead was revealed in the season two finale.[18] The theme for the White Walkers extended over time into the music of the Army of the Dead, representing the gathering strength of Army of the Dead, which was only introduced in full in the finale of the seventh season when the Wall fell.[23]

The themes may evolve over time in the series. The theme for Daenerys Targaryen started small, but became grander as she became more powerful. Her theme was initially played with a single instrument such as a processed cello, but later began incorporating more instruments, including Japanese taiko-inspired drums, Indonesian bedug drums, and an Armenian duduk flute.[18] Syllables and words in Valyrian, a fictional language of Game of Thrones, are also used in her theme music, although not as whole sentences.[9] The instrumentation for her theme are also used for dragon attacks.[19] For the dragons, the theme was first heard when they hatched at the end of season one as a quiet high-pitched melody, but developed into something more powerful by the time they became fully grown, for example it was played with French horns in the loot train attack scene in the seventh season.[24]

Different themes may also be combined in some themes and scenes. For example, in Season 5, the music for House of Black and White is an extension from the themes for Arya and Jaqen H'ghar.[25] During the first scene of the fourth season, as Ice, the Stark sword, is reforged by Tywin Lannister, the Starks' and Lannisters' themes are clearly played simultaneously, to finally end with the Lannister theme only. In the finale of Season 6 with the shot of the armada at the end, at least five themes were combined – themes for Daenerys, Theon, the Unsullied, the dragons, and the main title.[18]

Houses

• House Baratheon ("The King's Arrival")
• House Bolton ("Reek", "Let's Play a Game")
• House Greyjoy ("What Is Dead May Never Die", "Ironborn")
• House Lannister ("A Lannister Always Pays His Debts", "The Rains of Castamere")
• House Martell ("Unbowed, Unbent, Unbroken", "Jaws of the Viper")
• House Stark ("Goodbye Brother", "Home", "The Last of the Starks")
• House Targaryen ("Breaker of Chains","Blood of my Blood", "Dragonstone")
• House Tyrell ("Service of the Gods")

Groups

• Army of the Dead ("The Army of the Dead")
• Children of the Forest ("He Is Lost")
• Dothraki ("To Vaes Dothrak")
• Dragons ("Breaker of Chains", "Blood of the Dragon")
• The Living ("The Night King")
• Night's Watch ("The Night's Watch")
• Red Priests ("Warrior of Light", "The Red Woman")
• Sons of the Harpy ("Sons of the Harpy")
• Thenns ("Thenns", "Let's Kill Some Crows")
• The Undying ("Pyat Pree")
• Unsullied ("Dracarys", "Casterly Rock")
• White Walkers ("White Walkers")
• Wildlings ("We Are the Watchers on the Wall")

Characters (with themes different than their House theme)

• Arya Stark ("The Pointy End", "Needle", "The Children")
• Brienne of Tarth ("The Old Gods and the New", "Feed the Hounds", used as a theme for Catelyn Stark in season 1)
• Cersei Lannister ("Light of the Seven")
• Daenerys Targaryen ("Finale", "Mhysa")
• Euron Greyjoy ("Coronation")
• High Sparrow ("High Sparrow")
• Jaime Lannister ("Kingslayer")
• Jaqen H'ghar ("Valar Morghulis")
• Joffrey Baratheon ("You Win or You Die")
• Jon Snow ("My Watch Has Ended", "Bastard")
• The Mountain ("I Choose Violence")
• Three-Eyed Raven ("Three-Eyed Raven")
• Samwell Tarly ("Maester")
• Stannis Baratheon ("Warrior of Light", "Don't Die With a Clean Sword")
• Melisandre ("The Red Woman")
• Petyr Baelish ("Chaos is a Ladder")
• The Night King ("The Night King")

Locations

• The Citadel ("Maester")
• House of Black and White ("Valar Morghulis", "House of Black and White")
• Meereen ("Meereen")
• Qarth ("Qarth")
• The Wall ("The Wall")
• Winterfell ("Winterfell")

Couples

• Daenerys and Khal Drogo ("Love in the Eyes")
• Daenerys and Jon Snow ("Truth", "The Iron Throne")
• Greyworm and Missandei ("I'm Sorry for Today")
• Jon Snow and Ygritte ("You Know Nothing", "The Real North")
• Robb Stark and Talisa ("I Am Hers, She Is Mine", also used as a love theme in general)
• Jaime Lannister and Brienne of Tarth (“The White Book”)

Other

• The Long Night ("The Night King", "Farewell")
• Conspiracy ("Chaos Is a Ladder", "The Dagger")

A companion album, For the Throne: Music Inspired by the HBO Series Game of Thrones, comprising songs that are inspired by the show but not featured in it. A single, "Power Is Power" by SZA, The Weeknd and Travis Scott, was released as the lead single from the album. The title of the song quotes a line spoken by Cersei.[46]