Nighthawks (painting)

Starting shortly after their marriage in 1924, Edward Hopper and his wife Josephine (Jo) kept a journal in which he would, using a pencil, make a sketch-drawing of each of his paintings, along with a precise description of certain technical details. Jo Hopper would then add additional information about the theme of the painting.

A review of the page on which Nighthawks is entered shows (in Edward Hopper's handwriting) that the intended name of the work was actually Night Hawks and that the painting was completed on January 21, 1942.

Jo's handwritten notes about the painting give considerably more detail, including the possibility that the painting's title may have had its origins as a reference to the beak-shaped nose of the man at the bar, or that the appearance of one of the "nighthawks" was tweaked in order to relate to the original meaning of the word:

Night + brilliant interior of cheap restaurant. Bright items: cherry wood counter + tops of surrounding stools; light on metal tanks at rear right; brilliant streak of jade green tiles 3/4 across canvas--at base of glass of window curving at corner. Light walls, dull yellow ocre [sic] door into kitchen right. Very good looking blond boy in white (coat, cap) inside counter. Girl in red blouse, brown hair eating sandwich. Man night hawk (beak) in dark suit, steel grey hat, black band, blue shirt (clean) holding cigarette. Other figure dark sinister back--at left. Light side walk outside pale greenish. Darkish red brick houses opposite. Sign across top of restaurant, dark--Phillies 5c cigar. Picture of cigar. Outside of shop dark, green. Note: bit of bright ceiling inside shop against dark of outside street--at edge of stretch of top of window.[8]

In January 1942, Jo confirmed her preference for the name. In a letter to Edward's sister Marion she wrote, "Ed has just finished a very fine picture--a lunch counter at night with 3 figures. Night Hawks would be a fine name for it. E. posed for the two men in a mirror and I for the girl. He was about a month and half working on it."[9]

Many artists have produced works that allude or respond to Nighthawks.

Hopper influenced the Photorealists of the late 1960s and early 1970s, including Ralph Goings, who evoked Nighthawks in several paintings of diners. Richard Estes painted a corner store in People's Flowers (1971), but in daylight, with the shop's large window reflecting the street and sky.[17]

More direct visual quotations began to appear in the 1970s. Gottfried Helnwein's painting Boulevard of Broken Dreams (1984) replaces the three patrons with American pop culture icons Humphrey Bogart, Marilyn Monroe, and James Dean, and the attendant with Elvis Presley.[18] According to Hopper scholar Gail Levin, Helnwein connected the bleak mood of Nighthawks with 1950s American cinema and with "the tragic fate of the decade's best-loved celebrities."[19] Nighthawks Revisited, a 1980 parody by Red Grooms, clutters the street scene with pedestrians, cats, and trash.[20] A 2005 Banksy parody shows a fat, shirtless soccer hooligan in Union Flag boxers standing inebriated outside the diner, apparently having just smashed the diner window with a nearby chair.[21]

A large mural recreation of Nighthawks was painted on a defunct Chinese restaurant in Santa Rosa, California until the building was demolished in 2019.[22]

Several writers have explored how the customers in Nighthawks came to be in a diner at night, or what will happen next. Wolf Wondratschek's poem "Nighthawks: After Edward Hopper's Painting" imagines the man and woman sitting together in the diner as an estranged couple: "I bet she wrote him a letter/ Whatever it said, he's no longer the man / Who'd read her letters twice."[23] Joyce Carol Oates wrote interior monologues for the figures in the painting in her poem "Edward Hopper's Nighthawks, 1942".[24] A special issue of Der Spiegel included five brief dramatizations that built five different plots around the painting; one, by screenwriter Christoph Schlingensief, turned the scene into a chainsaw massacre. Erik Jendresen and Stuart Dybek also wrote short stories inspired by this painting.[25][26]

Hopper was an avid moviegoer and critics have noted the resemblance of his paintings to film stills. Nighthawks and works such as Night Shadows (1921) anticipate the look of film noir, whose development Hopper may have influenced.[27][28]

Hopper was an acknowledged influence on the film musical Pennies from Heaven (1981), for which production designer Ken Adam recreated Nighthawks as a set.[29] Director Wim Wenders recreated Nighthawks as the set for a film-within-a-film in The End of Violence (1997).[27] Wenders suggested that Hopper's paintings appeal to filmmakers because "You can always tell where the camera is."[30] In Glengarry Glen Ross (1992), two characters visit a café resembling the diner in a scene that illustrates their solitude and despair.[31] The painting was also briefly used as a background for a scene in the animated film Heavy Traffic (1973) by director Ralph Bakshi.[32]

Nighthawks also influenced the "future noir" look of Blade Runner; director Ridley Scott said "I was constantly waving a reproduction of this painting under the noses of the production team to illustrate the look and mood I was after".[33] In his review of the 1998 film Dark City, Roger Ebert noted that the film had "store windows that owe something to Edward Hopper's Nighthawks."[34] Hard Candy (2005) acknowledged a similar debt by setting one scene at a "Nighthawks Diner" where a character purchases a T-shirt with Nighthawks printed on it.[35]

• Tom Waits's album Nighthawks at the Diner (1975) features a title, a cover, and lyrics inspired by Nighthawks.[36]
• The video for Voice of the Beehive's song "Monsters and Angels", from Honey Lingers, is set in a diner reminiscent of the one in Nighthawks, with the band-members portraying waitstaff and patrons. The band's web site said they "went with Edward Hopper's classic painting, Nighthawks, as a visual guide."[37]
• Orchestral Manoeuvres in the Dark's 2013 single "Night Café" was influenced by Nighthawks and mentions Hopper by name. Seven of his paintings are referenced in the lyrics.[38]

• Jonathan Miller's 1982 production of Verdi's opera Rigoletto for English National Opera, set in 1950s New York, designed by Patrick Robertson and Rosemary Vercoe, features one street setting with a bar inspired by the Nighthawks diner.[39]

An establishing shot from "Homer vs. the Eighteenth Amendment", one of several references to Nighthawks in the animated TV series The Simpsons

• The television series CSI: Crime Scene Investigation placed its characters in a version of the painting.[40]
• The television show Fresh Off the Boat Season 2 poster features the title family in Nighthawks with actress Constance Wu using chopsticks.[41]
• The closing scene of the Turner Classic Movies (TCM) “Open All Night” promo is based on Nighthawks.[42]

A number of model railroaders, most notably John Armstrong, have recreated the scene on their layouts.[43]

The theater lighting manufacturer Electronic Theatre Controls has a human sized scale model of the diner in the lobby of their headquarters in Middleton, Wisconsin. It is used as a reception area for the building.[44]

Nighthawks has been widely referenced and parodied in popular culture. Versions of it have appeared on posters, T-shirts and greeting cards as well as in comic books and advertisements.[45] Typically, these parodies—like Helnwein's Boulevard of Broken Dreams, which became a popular poster[19]—retain the diner and the highly recognizable diagonal composition but replace the patrons and attendant with other characters: animals, Santa Claus and his reindeer, or the respective casts of The Adventures of Tintin or Peanuts.[46]

One parody of Nighthawks even inspired a parody of its own. Michael Bedard's painting Window Shopping (1989), part of his Sitting Ducks series of posters, replaces the figures in the diner with ducks and shows a crocodile outside eying the ducks in anticipation. Poverino Peppino parodied this image in Boulevard of Broken Ducks (1993), in which a contented crocodile lies on the counter while four ducks stand outside in the rain.[47]