Ninra Narayana Perumal temple

The vimanam of the temple

As per Hindu legend, there was a competition among the consorts of Vishnu namely Sridevi, Bhoodevi and Neeladevi on the degree of their devotion to Vishnu. Sridevi descended down to earth and repaired a sequestrated spot surrounded by paddy fields. She sat in devotion and influenced by her power of worship, all sages started worshipping her at the place. Realising that living alone would be improper, she engendered a theertha (water body) and propitiated Vishnu. Pleased by her devotion, Vishnu appeared at the spot. Bhudevi and Neeladevi followed her footsteps and acceded that Sridevi was the most devoted among them. Vishnu desired and stayed (thangal in Tamil) along with his consorts in the place.

As per another legend, Krishna's grandson Anirudhha, got married at this place.[1]

As per another legend, Ranganatha from Srirangam Ranganathaswamy temple was enamoured by the devotion of Andal. He started a journey to Srivilliputhur Divya Desam to seek her hand for marriage. While reaching the place, it became dark and he decided to spend the night in the place. Since he stayed at this place, it came to be known as Thiruthangal and the hillock came to be known as Thalagiri.[1]

The temple finds mention in the eighth chapter of Brahmanda Purana that deals with the story of king Puroora Chakravarthy. Puroora was a righteous king of Bharathavarsha and when he became old, he gave his kingdom to his sons. He approached to sages to direct him to the right place to do penance, who directed him to Thiruthangal. After performing austere penance, Mahavishnu appeared to him.[1] Devendra Vallabha, a scion of Pandya dynasty was once hunting a tiger and reached Thiruthangal. While firing an arrow at the tiger, a divine voice explained the history of the tiger. In its previous birth, the tiger was a ruler by name Chandraketu, who did not adhere to the principles of doing penance. He was hence made to be reborn as a tiger. Mahavishnu appeared to both Devendra and the tiger. In commemoration of the event, the rock near the temple is named Puliparai (puli means tiger and parai indicates hill).[1]

There was once an argument between banyan tree and Adisesha as to who would be closer to Vishnu. Brahma, the Hindu god of creation was asked to mediate and he judged in favour of Adisesha, who went on to become the serpent bed of Vishnu. Banyan tree was highly dissatisfied and he started doing intense penance praying to Vishnu at Thiruthangal. Vishnu appeared to the banyan tree and gave him a boon that he would sit over him at Thiruthangal. The rock is thus believed to be the banyan tree and thus came to be known as Thangalgiri. Based on the legend, there is a common belief that the temple provides relief to devotees suffering from mental weariness and physical fatigue.[1]

Paramapadavasal and temple chariot

Ninra Narayana Perumal temple is believed to have been built by Pandyas. There are a host of inscriptions in the temple indicating information related to the gifts offered to the temple. One of the inscription from 1032 CE indicates the temples as Paramaswamy who willingly chose the hillock as his abode. A lake by name of Vallabha Pereri existed by the side of the temple. During the reign of Maravarman Kulasekara Pandyan I (1308 - 23 CE), a shrine was erected for the image of Singhaperumal (Narasimha). The two sons of Tiruvenkatanatha, an official in the Pandyan Empire constructed the western precinct.[2] During 1220 CE, they constructed a mutt and endowed for the recitation of Ramayana, Mahabharatha and Puranas. During the reign of Maravarman Sundara Pandyan (1216–1238 CE), special poojas were instituted. In 1227, Gurukulatharaiyan, the minister of Sundara Pandyan arranged for the construction of the sanctum, Mahamandapam and Ardhamandapam. In later periods, a lady named Tirumangai Andal installed the metal images of Karmachanai Emperuman and the Devis. The festival idols were taken out in procession during new moon day. The inscription about these inscription were recopied as the rock contained the original epigraph was shattered.

In modern times, two philanthropist, named Ramanujadasa and Narayanadasa arranged for the construction of Kalyana Mantapa, Garuda Mandapa and other Mandapas (halls).

During 1979, the northern compound wall, 120 ft by 30 ft tall collapsed due to torrential rains, which was repaired with the help of local support.

In modern times, the temple is maintained and administered by the Hindu Religious and Endowment Board of the Government of Tamil Nadu.[1]

The pillared hall in the entrance of the temple

Ninra Narayana Perumal temple is located in Thiruthangal, a town 2 km (1.2 mi) from Sivakasi, on the Madurai road. The temple is built on a granite hill 100 ft (30 m) tall and a granite wall surrounds the temple, enclosing all its shrines and bodies of water. The temple is located on the other side of Karunellinathar temple, a famous Shiva temple and can be reached from that temple on the hillock. The rajagopuram, the main gateway tower, has a flat structure, compared to other South Indian temples that have a steep structure.

An image of the presiding deity, Ninra Narayana, is seen in a standing posture facing east on the third tier of the temple and sporting Abaya Mudra (right feet gesturing to devotees to surrender to his feet).[3] He is believed to have appeared to Bhoomadevi and Sridevi, all of whose images are housed inside the sanctum. The tier also houses the Mahamandapam and the shrine of Garuda, the eagle mount of Vishnu. Garuda is seen in a unique posture with a pot of Amrita on his right hand and a serpent in his left hand. His other two hands are seen with supplicating pose.[1] The sanctum is guarded by imposing images of Dwarapalakas, which are believed to be constructed during the rule of Sattur Kolarapatti. The sanctum houses eleven images of Ninra Narayana Perumal, Markendeya, Garuda, Aruna, Viswakarma, Bhudevi, Sridevi on the right and Neeladevi, Usha, Aniruddha and Bhrigu to the left. The festival metal image of Thiruthangal Appan is placed in front of the images. The images of the deities are made of stucco and hence ablution is not performed as in other temples.[4] The vimana, the roof over the sanctum is called Somachandra Vimana, is similar to the ones in Srirangam Ranganathaswamy temple and Alagarkovil. The images of Nardanakrishan, Andal, Durga and Vinayaka are seen on the precinct around the sanctum, while the image of Azhwars are housed in the hall leading to the sactum.[1]

The consort of Ninra Narayana, Aruna Mahadevi (also called "Shenbagavalli") has a separate shrine in the second tier. The Utsavar (festival image) of Arunakamala Mahadevi is called Shenbagavalli and is housed inside the same shrine. Unlike other temples, the image of Thayar is seen in standing posture. All poojas are first performed to Thayar before being done for the presiding deity. The second tier houses the four-pillared hall, vehicle hall and mirror room. A cave temple on the lower tier, bearing the traces of Pandyan art, is located to the West of Kalyana Mandap. The image of Pallikonda Perumal is housed in the cave, with Sridevi and Bhudevi serving his feet and sages Markandeya and Bhrigu occupying prominent places on either side.[1] The rectangular walls around the temple enclose all the shrines and water bodies associated with the temple. The rajagopuram, the main gateway tower, has a flat structure, compared to other South Indian temples that have a steep structure.[1]

Image of Azhwars inside the temple

The temple is revered in Nalayira Divya Prabandham, the 7th–9th century Vaishnava canon, by Bhoothath Azhwar in one hymns and Thirumangai Azhwar in four hymns. The temple is classified as a Divyadesam, one of the 108 Vishnu temples that are mentioned in the book. Some of the ancient Sanskrit books consider the temple as a uthamakshetram, meaning the place that gives the best to its devotees.[5] Divyakavi Pillai Perumal Iyengar has also eulogized the presiding deity in one of his verses.[1]

The temple finds mention in the eighth chapter of Brahmanda Purana that deals with the story of king Puroora Chakravarthy.

The entrance of the temple from the Subramaniyar temple

The temple follows Vaigaanasa Agama. The temple priests perform the pooja (rituals) during festivals and on a daily basis. As at other Vishnu temples of Tamil Nadu, the priests belong to the Vaishnavaite community, a Brahmin sub-caste. The temple rituals are performed four times a day: Kalasanthi at 8:00 a.m., Uchikalam at 12:00 p.m., Sayarakshai at 6:00 p.m., and Ardha Jamam at 8:00 p.m. Each ritual has three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Ninra Narayana Perumal, Ranganathar and Arunakamala Mahadevi. During the last step of worship, nagaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the Vedas (sacred text) are recited by priests, and worshippers prostrate themselves in front of the temple mast. There are weekly, monthly and fortnightly rituals performed in the temple.[5]

The Vaikasi Vasanthothsavam, Pillai Lokacharyar festival and Kurathazhwar festival, each celebrated for ten days are the most prominent festivals of the temple, and for the surrounding villages. Vaikasi Vasanthothsavam is celebrated during the Tamil month of Vaikasi (May–June) when devotees pull the chariot round the streets of Thiruthangal. Verses from Nalayira Divya Prabandham are recited by a group of temple priests amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument).[5] The other major festivals celebrated are Srijayanthi Uriyadi, Pavitrostavam, Garudotsavam, Navarathri, Karthigai, Thirumangai Azhwar day, Vaikunta Ekadasi and Kalyana Utsavam. During Chitra Pournami, the festival image has a holy dip in Arujan river, decorated and mounted on a horse mount and taken around ten villages around Thiruthangal. On the fifth day of Adi Pooram, the festival image of the image is brought in Garuda mount and taken to Srivilliputhur Divya Desam along with four other temples.[6]