Nora Nadjarian

Nora Nadjarian was born in 1966 in Limassol, a city on the southern coast of the Mediterranean island of Cyprus. Her grandparents were Armenian refugees who moved to Cyprus in the beginning of the 20th century.[4] She first attended an Armenian elementary school, then moved to a private school called Foley's Grammar School where she graduated from high school. She obtained a degree from Manchester University's department of modern languages and linguistics and then returned to Cyprus. She taught in Limassol and then in Nicosia, where she is currently residing.[5] She visited her ancestral homeland of Armenia in 1983 which inspired her to write poems based on ethnic identity, cultural self-discovery, her Armenian roots and the tragic fate of the nation. She first decided to participate in a competition because of the encouragements of a friend, and after being acknowledged for her poem "Vinegar" (1999–2000) she continued to take part in numerous international competitions.

Nora Nadjarian has received international praise for her work, especially for that centring on themes of the Cyprus partition of 1974, identity and loss. Her "stories are political without being polemical", she writes of an ongoing battle in both the physical sense and mind inside the Cypriot heart that is defined by the division in Nicosia between the Greek Cypriot and Turkish Cypriot side of the island without taking on a side. She condemns the battle itself, not the people. Her work is read beyond the Mediterranean borders and can very much be identified with in its search to find what defines one's nationality.[6]

Other reviews can be found at:

• The Guardian

https://www.theguardian.com/books/2004/may/01/featuresreviews.guardianreview34

• Cadences[7]

William Macfarlane, review of Nora Nadjarian, Girl, Wolf, Bones (2011), in Cadences 8 (2012), 110–111.

Nora Nadjarian was among the winners in the Scottish International Open Poetry Competition in 2000 with her poem "Vinegar", and in 2003 with "Conception". Furthermore, she was awarded prizes at the Manifold Art and Artists Poetry Competition in 2003, at the Féile Filíochta International Poetry Competition in 2005 in Ireland and at the Poetry on the Lake competition also in 2005.[19][25] Her short story “Ledra Street” was a runner-up in the Commonwealth Short Story Competition (2001). The poems "The Butcher" and "The Tenderness of Miniature Shampoo Bottles" were shortlisted in the Plough Arts Centre Poetry Competition (2003) and were displayed at the Centre in Devon, England, in January 2004. "And the Seven Dwarves" has been honoured in the Sixth Annual International Ultra-Short Competition (2008–2009), while "Tell Me Words" has been commended in the Ninth Annual International Ultra-Short Competition (2011–2012); events that are sponsored by The Binnacle at the University of Maine at Machias.[11][26][27] Finally, “The Name” won in the unFold 2012 Poetry Garden Show competition.[28]

• http://www.theshortreview.com/authors/NoraNadjarian.htm
• http://fictiondaily.org/author-interviews/nora-nadjarian/

Author Talk

• http://dailyspress.blogspot.com/2009/10/author-talk-michael-k-white-nora.html

• Nora Nadjarian, Cleft in Twain (Nicosia: J. G. Cassoulides & Son Ltd, 2003), Foreword.
• "Poetry (Cyprus)", Encyclopedia of Post-Colonial Literatures in English, ed. by Eugene Benson and L. W. Conolly, 1994, pp. 1243 – 1244.
• William Macfarlane, review of Nora Nadjarian, Girl, Wolf, Bones (2011), in Cadences 8 (2012), 110–111.