Number 13 (film)
In 1922, Alfred Hitchcock obtained his first shot at directing for Gainsborough Pictures with the film Number 13 (or Mrs. Peabody). Clare Greet and Ernest Thesiger were to star as husband and wife. The story was about low-income residents of a building, financed by The Peabody Trust, founded by American banker-philanthropist George Foster Peabody, to offer affordable housing to needy Londoners.
| Number 13 | |
|---|---|
 Hitchcock filming Number 13 in Rotherhithe, London. | |
| Directed by | Alfred Hitchcock |
| Produced by | Alfred Hitchcock |
| Written by | Anita Ross |
| Starring | Clare Greet Ernest Thesiger |
Production company | |
Release date | Unfinished/unreleased |
| Country | United Kingdom |
| Language | Silent film English intertitles |
However, the film's budget fell apart, and it was pulled from production after only a handful of scenes were shot. Hitchcock rarely, if ever, spoke about his first directing project, until his biographer, Donald Spoto, asked him about life in the early twenties, and his first films. On one occasion, he said that it was a "somewhat chastening experience".
As with Hitchcock's later lost film The Mountain Eagle, footage from Number 13 has become widely sought after by film historians and collectors without success.
Production
Number 13 was written by Anita Ross, a woman employed at the Islington studio. She claimed to have a professional association with Charlie Chaplin, according to Hitchcock, in his book-length interview with François Truffaut, Hitchcock/Truffaut (Simon and Schuster, 1967).
Clare Greet was obliged to finance the production with her own money; before her, Alfred Hitchcock's uncle John Hitchcock had also provided funds. Greet's generosity was something the director never forgot, and she appeared in more Hitchcock films than any other performer (other than Leo G. Carroll, who also appeared in six Hitchcock films): The Ring (1927), The Manxman (1929), Murder! (1930), The Man Who Knew Too Much (1934), Sabotage (1936), and Jamaica Inn (1939).
