Patricia Smith (poet)

Smith's poetry has appeared in literary journals including The Paris Review and TriQuarterly, and dozens of anthologies, including The Oxford Anthology of African-American Poetry, The Outlaw Bible of American Poetry and Gathering Ground: A Reader Celebrating Cave Canem's First Decade.

She has read her poetry at venues including the Poets Stage in Stockholm, Urban Voices in South Africa, Rotterdam's Poetry International Festival, the Aran Islands International Poetry and Prose Festival and on tour in Germany, Austria and Holland. In the U.S., she's performed at the National Book Festival, Carnegie Hall, and the Dodge Poetry Festival.

The book Blood Dazzler was the basis for a dance/theater production which sold out a week-long series of performances at New York's Harlem Stage.

A selection of Smith's poetry was produced as a one-woman play by Nobel Prize-winner Derek Walcott and performed at both Boston University Playwrights Theater and the historic Trinidad Theater Workshop. Another play, based on Life According to Motown, was staged by Company One Theater in Hartford, Ct., and reviewed favorably in The New York Times.

In an interview with Tony Leuzzi (a poet known for his Fib poetry and the poem "The Burning Door”"), Smith talks about how she started writing poetry. She says: "I got introduced to poetry via the stage, where there isn’t a place to crawl behind the language."[5] Smith talks about her first Chicago slam poetry night where she performed her poems for the first time. This scene became Smith's social circle as well as her recreational exercise, but after performing for a while, people began to view Smith's poems as literature rather than just performance. These people challenged Smith to make a commitment to her writing.[5] Smith discusses how she had written four poetry books before admitted into an MFA program. Though the MFA program taught her the “bones and muscles of language,” the poet claims she established herself as a poet and her content way before her academic studies.[5] Smith responds to Leuzzi's question about attending an MFA program later in life by affirming the freedom she had in academics because she was already an established and published poet, so Smith did not need to go after grants and awards or university validation.[5]

In addition to her poetry and journalism, Patricia Smith is also a performer in two one-woman plays and in a one-woman show called Professional Suicide. In Priya Parmar and Bryonn Bain's article "Spoken Word and Hip Hop: The Power of Urban Art and Culture", the authors argue that Smith along with Taylor Mali and Saul Williams ushered in a new era of poetry in the film documentary SlamNation. Smith has contributed to various notable anthologies including Unsettling America: An Anthology of Contemporary Multicultural Poetry, Aloud: Voices from the Nuyorican Poets Café, Short Fuse: The Global Anthology of New Fusion Poetry, Bum Rush the Page, The Oxford Anthology of African American Poetry and Pushcart Prize XXXII: Best of the Small Presses.

In addition to her personal works, she also offers individual and group rates for poetry instruction from kindergarteners to senior citizens..

As her first book, Patricia Smith published Life According to Motown in September 1991 and now it has been republished for the 20th anniversary edition. Like much of her poetry, this collection draws upon her roots in Chicago during the 1960s, recounting lessons learned through the hardships and glamour of Motown. After Life According to Motown, Smith published Big Towns, Big Talks which serves as a type of sequel to its predecessor, examining life after childhood in Chicago.[4]

In September 1993, Smith published Close to Death, which explores black male life expectancy in relation to homicide, drug abuse, and AIDS. Smith's poems give voice to the thousands of black males in New York City, Chicago, and Boston who have run out of options and expect to lose their lives without first given a chance to live. Publishers Weekly says, "Her acute ear for the intricacies of speech adds to the vitality of poems written in the voice of black men she encounters amid the inner-city squalor of Chicago and Boston."[4] Her Teahouse of the Almighty is a collection of her free-verse poems on various topics such as love, family, religion, feminism, and the role of poetry. The poem "Boy Dies, Girlfriend Gets His Heart" is about an actual event where a fifteen-year-old boy gave his heart to his girlfriend, and in another poem, Smith discusses her views on religion and her Baptist upbringing.[6] Many critics have praised this work: Diane Scharper in Library Journal called it a "stunning mix of sound and sense and a Publishers Weekly critic stated: "Smith appears to be that rarest of creatures, a charismatic slam and performance poet whose artistry truly survives on the printed page."[7]

She authored a book of history, Africans in America: American's Journey through Slavery, that was commissioned to accompany a PBS series of the same name, and which included short passages written by Charles Johnson and the WGBH Series Research Team.

Her collection Incendiary Art grapples with black bodies of the African-American community against the backdrop of the killing of Emmett Till. This collection uses various forms of poetry such as prose, ghazels, sestinas, and sonnets.

In Gotta Go Gotta Flow, Patricia Smith combines her poems with Michael Abramson's photography of the '70s in Chicago's South Side. Donna Seman from Booklist praised this collection, saying that it is "a supremely arresting and affecting match of potent images and singing words."[4]

For Shoulda Been Jimi Savannah, Smith won three awards: the Lenore Marshall Poetry Prize, the Rebekah Bobbitt National Prize for Poetry, and the Phillis Wheatley Book Award in Poetry. The collection contains poems about the urban areas of Chicago and Detroit, discussing themes of first love, Motown, personal narrative, and cultural journey. Gregory Orr, judge of the 2014 Lenore Marshal Prize, said that her poems “plunge to the soul-depths of the people who inhabit them."[4]

As an editorial assistant at the Chicago Sun-Times in the late 1980s, she wrote a review of a concert that she allegedly had not attended.[8]

She gained notoriety when The Boston Globe asked her to resign after editors discovered her metro column contained fictional characters and fabricated events in violation of journalism practice.[8] Smith admitted to four instances of fabrications in her columns.[9] Speaking in 2015 of her subsequent career, the Globe editor who discovered her fabrications, Walter V. Robinson, noted: "The fact of the matter is that in life, for all of us, we are judged very much by how we bounce back from adversity.... In that sense, I’m really heartened by what's happened in her life."[10]

Patricia Smith was born in 1955 in Chicago, Illinois. She attended Southern Illinois University and Northwestern University.

Smith is married to Bruce DeSilva, journalist and Edgar Award-winning author. She lives in Howell, New Jersey.

• Poetry slam
• Journalism scandals

• The Book of Voices
• Modern American Poetry: Patricia Smith
• Personal website
• The Academy of American Poets - Patricia Smith
• Patricia Smith: An American Poet