Pee-wee's Big Adventure

Pee-wee Herman has a heavily accessorized bicycle that he treasures and that his neighbor and enemy, Francis Buxton, covets. A bike shop employee, Dottie, has a crush on Pee-wee, but he does not reciprocate it. Pee-wee's bike is stolen while he is shopping at a mall. The police tell Pee-wee that they cannot help him find his bike. Pee-wee thinks Francis took it, and confronts him. Francis' father convinces Pee-wee that Francis did not steal the bike. Pee-wee then offers a $10,000 reward for his bike. Francis, who did indeed pay to have a friend steal the bike, is frightened by Pee-wee's relentlessness and then pays to have it sent away. After holding an unsuccessful meeting to locate the bike, Pee-wee angrily rejects Dottie's offers of help. Desperate, he visits "Madam Ruby", a phony psychic. Ruby, inspired by the Al and Moe's Bargain Basement shop across the street, tells Pee-wee that his bike is in the basement of the Alamo Mission in San Antonio. Pee-wee hitchhikes to Texas, getting rides from a fugitive named Mickey and from Large Marge, the ghost of a deceased truck driver.

At a truck stop, Pee-wee discovers his wallet is missing and pays for his meal by washing dishes. He befriends Simone, a waitress who dreams of visiting Paris. As they watch the sunrise at a dinosaur museum, Pee-wee encourages her to follow her dreams, but Simone tells him about her jealous and large boyfriend, Andy, who disapproves. Andy arrives and tries to attack Pee-wee, who escapes onto a moving train and meets Hobo Jack. Pee-wee eventually arrives at the Alamo, but learns at the end of a guided tour that the building does not have a basement. At a bus station, Pee-wee encounters Simone, who tells him that she and Andy broke up and she is on her way to Paris. She tells Pee-wee not to give up finding his bike. Pee-wee calls Dottie at the bike shop and apologizes for his behavior. Andy spots Pee-wee and resumes his attack. Pee-wee evades Andy at a rodeo by disguising himself as a rodeo bull rider. Forced to ride for real, Pee-wee does well but receives a concussion.

Pee-wee enters a biker bar to make a phone call, but the outlaw motorcycle club threatens to kill him after he accidentally knocks over their motorcycles. Pee-wee makes a last request, dancing to the song "Tequila". His dance wins over the bikers, who give him a motorcycle for his journey, which he crashes immediately afterwards. Pee-wee wakes up in a hospital and learns from a television news report that his bike is being used as a prop in a movie starring a bratty child named Kevin Morton. Pee-wee sneaks into Warner Bros. Studios in Burbank and takes the bike. He is chased by security across the studio lot and through several sets before escaping.

Later, Pee-wee discovers a burning pet shop and rescues the animals. Although the firefighters declare Pee-wee a hero, the police arrest him for his disruption at the studios. The president of Warner Bros., Terry Hawthorne, decides to drop the charges and return Pee-Wee's bike, in exchange for the rights to adapt his story into a movie.

Later at a drive-in theater, Pee-wee and Dottie attend the premiere of the resulting movie, a James Bond-style film starring James Brolin as "P.W. Herman" and Morgan Fairchild as Dottie. The two must retrieve a sport bike called the X-1, which contains an important microfilm and has been stolen by the Soviets. Pee-wee has a cameo appearance as a hotel bellhop, though his voice has been dubbed. At the drive-in, Pee-wee gives refreshments to all the people he met along his journey. Pee-wee also encounters Francis, who tells reporters that he is Pee-wee's best friend who taught him how to ride. Francis claims to be knowledgeable about Pee-wee's bike, but accidentally catapults himself into the air using one of the bicycle's gadgets. As Pee-wee leaves the drive-in, Dottie asks why he is not staying for the rest of the movie. Pee-wee answers, "I don't have to see it, Dottie. I lived it." He and Dottie then ride off together at the movie screen in silhouette.

Michael Varhol, who co-wrote the script with Reubens and Hartman, cameos as a photographer. Director Tim Burton has an uncredited cameo[5] as the street thug who confronts Pee-wee in a rainy back-alley. Other minor roles include Ed Herlihy as Mr. Buxton and Cassandra Peterson (a.k.a. Elvira, Mistress of the Dark) as the Biker Mama of Satan's Helpers. James Brolin portrays "P.W. Herman" and Morgan Fairchild is Dottie in the in-movie production about Pee-wee's life. Heavy metal band Twisted Sister, and veteran comedy star Milton Berle cameo as themselves.

The film contains numerous "conceptual continuity" links to other Tim Burton films and other productions:

• Several cast members from The Pee-wee Herman Show (who would go on to appear in Pee-wee's Playhouse) have cameo roles in the film. John Moody (Mailman Mike in The Pee-wee Herman Show) appears as the bus clerk, in the movie studio sequence, Lynne Marie Stewart (Miss Yvonne) plays the Mother Superior, John Paragon (Jambi the Genie) plays the high-voiced studio extra in red armor from whom Pee-wee asks directions and the reporter interviewing Francis in the final scene at the drive-in is played by Phil Hartman (Cap'n Carl).
• Jan Hooks (who played Tina) was a fellow member of The Groundlings comedy troupe with Reubens, Hartman and Paragon, and went on to co-star in Saturday Night Live with Hartman. She also had a cameo role as a publicist in Burton's Batman Returns.
• Paul Reubens and Diane Salinger (Simone) were reunited in the opening sequence of Burton's Batman Returns, in which they portrayed the parents of the Penguin. They would reunite again in Pee-wee's Big Holiday.

One of the prop bicycles used in the film on display at Bicycle Heaven

The success of The Pee-wee Herman Show prompted Warner Bros. to hire Paul Reubens to write a script for a full-length Pee-wee Herman film. Reubens' original idea was to do a remake of Pollyanna with Pee-wee Herman in the Hayley Mills role. Reubens claims that Pollyanna is his favorite film. Halfway through writing the script, Reubens noticed everyone at Warner Bros. had a bike to get around the backlot, and so he requested one of his own. This inspired Reubens to start on a new script.[6]

Having left Walt Disney Productions and with Frankenweenie receiving positive reviews within film studios, Tim Burton was looking for a full-length film to direct. When Reubens and the producers of Pee-wee's Big Adventure saw Burton's work on Vincent and Frankenweenie, they decided to hire Burton for their film.[7] Burton felt he connected with Reubens' personality and the humor of the Pee-wee Herman Show.[8] After hiring Burton to direct, Reubens, Phil Hartman and Michael Varhol reworked the script again.[9] The team purchased Syd Field's Screenplay and wrote the script as faithful as to what the book advised. "It’s a 90-minute film, it’s a 90-page script," Reubens explained. "On page 30 I lose my bike, on page 60 I find it. It's literally exactly what they said to do in the book...There should be like a MacGuffin kind of a thing, something you’re looking for, and I was like, 'Okay, my bike.'" [10]

Filming locations included Glendale, Pomona, Santa Clarita, Santa Monica, Burbank, Cabazon (at the Cabazon Dinosaurs[11]), Port Hueneme, California, and San Antonio, Texas.[12] Burton and Reubens had tensions with Warner Bros. studio executives over the shooting schedule.[13] Burton hired CalArts classmate Rick Heinrichs for scenes involving stop-motion animation.[13] Large Marge's claymation transformation was created by The Chiodo Brothers.

To compose the film score, Burton brought in Danny Elfman, who had previously composed the music for Forbidden Zone and who was at the time lead singer/songwriter of the new wave band Oingo Boingo.[14] He relished the opportunity to compose an orchestral score rather than a pop score and wanted it to be taken as the work of a composer rather than the dabbling of a pop musician.[15] Elfman already had the main title theme written before he signed on.[16]

Elfman's original score draws inspiration from film composers Nino Rota[17] and Bernard Herrmann,[18] with the main title music paying homage to Rota's "Carlotta's Galop" from Fellini's 8½, and the tracks "Stolen Bike" and "Clown Dream" paying homage to music from Herrmann's scores for Psycho and The 7th Voyage of Sinbad respectively. "Studio Chase" pays homage to Miss Gulch's theme in The Wizard of Oz.

In 1986 Varèse Sarabande released an album on record, cassette and compact disc featuring cues from the movie and 1986's Back to School, also scored by Elfman. While both films had their original scores recorded in Hollywood, the album recording was made in London and performed by the National Philharmonic Orchestra, conducted by John Coleman. In 2010 many of the original tracks were subsequently released by Warner Bros. Records as part of The Danny Elfman & Tim Burton 25th Anniversary Music Box.

This was the first major studio film for Elfman as composer, and he would go on to collaborate on nearly all of Burton's films,[19] excluding Ed Wood, Sweeney Todd: The Demon Barber of Fleet Street and Miss Peregrine's Home for Peculiar Children.

"Clown Dream" is also used in the video game Grand Theft Auto V. It is also often used as the opening music during Primus concerts.

The film also features "Burn in Hell" by Twisted Sister and "Tequila" by The Champs.

Pee-wee's Big Adventure opened on August 9, 1985 in the United States in 829 theaters, accumulating $4,545,847 over its opening weekend. The film went on to gross $40,940,662 domestically.[2]

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