Pierre-Joseph-Guillaume Zimmerman

Pierre-Joseph-Guillaume Zimmerman (17 March 1785  29 October 1853), known as Pierre Zimmermann and Joseph Zimmermann, was a French pianist, composer, and music teacher.

Pierre Zimmerman, portrait by Antoine-Jean Gros, ca. 1815.

Biography

Zimmerman was born in Paris, the son of a piano maker.[1] He attended the Paris Conservatory in 1798, studying piano with François-Adrien Boieldieu; while a student there, he won first prizes for piano in 1800 (Friedrich Kalkbrenner came second)[2] and harmony in 1802. He would later study under Luigi Cherubini. Zimmerman became a piano assistant at the Conservatory in 1811 and a full professor there in 1816, serving until 1848; he refused a position as a professor of counterpoint and fugue in 1821. Among his students were Charles Gounod (who married one of his daughters),[2] Georges Bizet, César Franck, Charles-Valentin Alkan, Ambroise Thomas, Louis Lacombe, Alexandre Goria and Lefébure-Wély. In 1842 he denied Conservatory admission to 13-year old Louis Moreau Gottschalk without an audition on account of Gottschalk's American nationality, commenting that "America is a country of steam engines". Zimmerman was often assisted in his teaching by Gounod.

Zimmerman wrote two operas, L'enlèvement (Opéra-Comique, 1830) and Nausicaa (never staged). He also composed two piano concertos, one piano sonata, and numerous other works for piano. His most important legacy is considered his Encyclopédie du pianiste, a complete method of piano playing, including a treatise on harmony and counterpoint.[2]

He died in Paris and is buried in the Auteuil Cemetery in the 16th arrondissement.

His daughter Juliette married Édouard Dubufe.

References

  1. Slonimsky, Nicolas (1978). "Zimmerman, Pierre-Joseph-Guillaume". Baker's Biographical Dictionary of Musicians (6th ed.). New York: Schirmer Books. p. 1947. ISBN 0-02-870240-9.
  2. Grove's Dictionary of Music and Musicians, 5th ed., 1951

Sources

Grave in cimetière d'Auteuil.
  • Don Randel, The Harvard Biographical Dictionary of Music. Harvard, 1996, p. 1010-1011.
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