Portière

A portière is a hanging curtain placed over a door or over the doorless entrance to a room. Its name is derived from the French word for door, porte. From Asia, it came to Europe at a remote date. It is known to have been in use in Europe in the 4th century, and was probably introduced much earlier.[1] Like so many other domestic plenishings, it reached England by way of France, where it appears to have been originally called rideau de Porte (literally, "door curtain").

Line drawing of a portière (14th to 15th century).

Common in wealthier households during the Victorian era, it is still occasionally used either as an ornament or as a means of mitigating draughts. It is usually of some heavy material, such as velvet, brocade, or plush, and is often fixed upon a brass arm, moving in a socket with the opening and closing of the door.

A rising portière is a simple but effective mechanism. It is fastened to both the door and to the wall near the hinge, such that the rail raises itself when the door is opened. This allows the curtain to be long enough to seal against the floor and contain draughts, but not drag on the floor or catch under the door when the door is opened.[2] Rising portières come in different configurations to seal the curtain against different door surrounds.[3]

  • Heraldic portière of Jakub Zadzik, Bishop of Cracow, wool, silk, silver and gold, circa 1633
  • Portière of Bacchus, wool and silk tapestry, French, 1700s
  • New portière of Diane, hung as a wall tapestry, Pierre Jose Perrot, 1700s
  • Portière with the Chauvelin arms from a set called a Chancellerie, wool and silk, designed 1679 and 1700, borders ca. 1720, woven 1728–30
  • Portière showing draft-excluding fringe on two sides, silk velvet, cotton, wool, circa 1878–80
  • Close-up of draft-excluding fringe
  • Silk velvet, and silk appliquéd and embroidered with silk and wool, silk damask, circa 1883
  • Close-up of appliquéd panel
  • Acanthus portière, Morris and Co., silk embroidery on linen, 1890s
  • Design for a portière by Louis Comfort Tiffany, circa 1890–1902

In Margaret Mitchell's novel Gone with the Wind, the protagonist Scarlett O'Hara makes a new dress from her mother's green velvet window curtains. In the book, Mitchell correctly uses the word curtain, however, the term portière is used incorrectly in the movie adaptation by both Scarlett and Mammy: the characters are talking about green velvet window curtains, whereas portieres are so named because they hang in doorways. This usage may have reflected that of WW civil defense instructions, which referred to window blackout coverings as "portieres" (see articles on "civil defense" (Encyclopædia Britannica Book of the Year, 1941–1945). The scene was famously parodied on The Carol Burnett Show when Carol Burnett, playing the role of Starlet, wore not only the fabric but the curtain rod as well).

See also

Noren (less insulating door curtain)

Notes
  1. Smith, William, ed. (1870). "Velum". Dictionary of Greek and Roman Antiquities (2nd ed.). Boston: Little, Brown, & Co. pp. 1185–1186.
  2. http://www.changingcurtains.co.uk/curtains/Portiere%20Rods%20and%20Door%20Curtains.htm
  3. http://www.tracksandpoles.com/rods-wire-tracks/rods/portiere-door-rods.html

References

 This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Portière". Encyclopædia Britannica (11th ed.). Cambridge University Press.

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