Portrait from Life

Portrait from Life (also known as Lost Daughter, and in the U.S. as The Girl in the Painting)[3] is a 1948 British drama film directed by Terence Fisher and starring Mai Zetterling, Robert Beatty and Guy Rolfe.[4]

Portrait from Life
British quad poster (1950s re-release)
Directed byTerence Fisher
Written byMuriel Box
Sydney Box
Frank Harvey
Story byDavid Evans
StarringMai Zetterling
Robert Beatty
Guy Rolfe
Herbert Lom
Patrick Holt
Music byBenjamin Frankel
CinematographyJack Asher
Edited byVladimir Sagovsky
Production
company
Distributed byGeneral Film Distributors (UK)
Release date
15 December 1948 (London)
Running time
90 min.
CountryUnited Kingdom
LanguageEnglish
Budget£132,800[1]
Box office£150,000 (by 1953)[1]
245,405 admissions (France)[2]

Plot

A British Army Officer Major Lawrence (Guy Rolfe) is on Leave from being Stationed in Germany just after WW2 when he sees a painting of a beautiful young girl in a London Art Gallery. While viewing the painting he is approached by an old man Professor Franz Menzel (Arnold Marlé), who escaped from Nazi Germany in the 1930s having to leave his family behind and who claims to be the young girl's father. Major Lawrence agrees with the old man to find the young girl when he returns to Germany. On returning to occupied Germany and after a long search Major Lawrence eventually tracks down the young girl but she is suffering from amnesia and living with a German couple who claim to be her parents. As Lawrence investigates, the circumstances of the young girl's past become more complicated.

Partial cast

Production

Anthony Steel has one of his earliest film appearances.[6]

Critical reception

The New York Times wrote, "the new picture at the Little Carnegie stems from an intriguing idea, and there are several very effective sequences in the drama, plus a fine performance by the Swedish actress, Mai Zetterling. Indeed, if the whole of The Girl in the Painting were as good as its parts, the posting of this notice would be a much more pleasant task. Too much, rather than too little, story and plodding direction are the principal faults";[7] while Allmovie described it as "an over-orchestrated "guilty pleasure" from the glory days of British romance pictures."[3]

Box office

The film made a profit of £4,100.[1]

References


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