Prince Eugen, Duke of Närke

Prince Eugen was born at Drottningholm Palace as the fourth and youngest son of Prince Oscar, Duke of Östergötland. His mother was Sophia of Nassau. The newborn prince was granted the title of Duke of Närke. Upon his father's accession to the thrones of Sweden and Norway as King Oscar II, the Duke of Närke became fourth in line to the throne. However, he was more interested in painting than in reigning.

The Duke of Närke was a great admirer of Norwegian nature and frequently visited Christiania (later known as Oslo). His letters show that he preferred its artistic milieu to the more constrained Stockholm one. His most notable Norwegian friends were the painters Erik Werenskiold and Gerhard Munthe; he remained attached to them and to Norway until his death.[1]

In 1905, the personal union between Norway and Sweden was broken by the Parliament of Norway. The writer Bjørnstjerne Bjørnson mentioned the possible candidature of Prince Eugen for the throne of Norway. Another writer, Knut Hamsun, had suggested the Prince as a suitable candidate already in 1893.[1] His father, however, refused to allow any of his sons to ascend the Norwegian throne.[2]

Prince Eugen was the only Swede represented at an exhibition in Oslo in 1904. The explanation was that he was a prince of Norway until 1905 and that his relations with the Norwegian artists caused him to be seen as Norwegian until the dissolution of the union.[1]

Prince Eugen painting (c. 1905)

After finishing high school, Prince Eugen studied art history at Uppsala University. Although supported by his parents, Prince Eugen did not make the decision to pursue a career in painting easily, not least because of his royal status. He was very open-minded and interested in the radical tendencies of the 1880s.[3] The Duke became one of the era's most prominent landscape painters.[4] He was first trained in painting by Hans Gude and Wilhelm von Gegerfelt.

Between 1887 and 1889,[3] he studied in Paris under Léon Bonnat, Alfred Philippe Roll, Henri Gervex and Pierre Puvis de Chavannes.[3][5] Puvis de Chavannes's classical simplicity had the greatest influence on Prince Eugen's work.[3] The Duke devoted himself entirely to landscape painting,[3] becoming one of the era's most prominent landscape painters.[4] He was mainly interested in the lake Mälaren, the countryside of Stockholm (such as Tyresö, where he spent his summers), Västergötland (most notably Örgården, another summer residence) and Skåne (especially Österlen).[3]

Prince Eugen bought Waldemarsudde, on Djurgården in Stockholm, in 1899 and had a residence built there within a few years.[3] After his death at Drottningholm Palace on 17 August 1947, the residence became an art museum and, in accordance with his will, property of the state.[4] Eugen never married, in an era when royal princes almost always found princesses to wed. His homosexual orientation was unknown to the general public.[7]