Regent Theatre, Brisbane

In 1978 the Regent was marked for demolition by Hoyts and The University of Queensland Mayne Trust, but after lobbying from the Save the Regent campaign, a partial compromise was met. The original building was saved in its entirety and only the interior decorations, mostly being plaster, were removed. A large portion of these interior decorations were later incorporated into the Regent cinemas. The marble staircase and vaulted ceilings of the entrance hall, grand foyer and mezzanine foyer were saved, complete with ceiling murals and many other plaster castings.

The four Regent cinemas were built inside the original 1929 building, as a stand-alone structure. Cinema One, later known as the showcase cinema was created using the original decorations, saved from the original theatre auditorium.

In 1992, the building was added to the Queensland Heritage Register.[4]

The basement car park was rebuilt, housing what was for many years until 2003, the largest McDonald's restaurant in Australia.

The Regent held the honour of housing the largest screens for a cinema in Brisbane for many years, and retained its position as the most popular cinema well into the 2000s.

In 2001, Hoyts and Greater union merged, forcing Hoyts to surrender its activity on the site due to an Australian Competition and Consumer Commission ruling. The cinemas were then operated by Greater Union for a period. In 2003, the building was leased by Birch, Carroll & Coyle who refurbished cinemas three and four, giving them two separate colour schemes of blue for cinema three and red for cinema four.

When Birch Carrol Coyle rebuilt the Myer Centre cinema, they lost all interest in maintaining the Regent and allowed the cinemas to run into disrepair. They quickly fell out of favour, leaving the property owners to question the future viability of the site.

In 2007, the University of Queensland Mayne Trust sold the property to the Industry Superannuation Property Trust who then commissioned multinational property developer Brookfield Multiplex to redevelop it.

Aromas Coffee House at the Theatre Foyer, 2008

The heritage listed Regent Theatre historic facade, entry and mezzanine foyer are to be retained in a redevelopment of the site. The majority of the building was controversially demolished to make way for a forty-storey office tower and carpark. The Bligh Labor state government has been criticised for the lack of consultation and intervention regarding the decision, similar to the circumstances of the demolition of the original theatre.[5]

Following several warnings, in March 2012 the Regent Tower developers Brookfield Multiplex, were fined by the Brisbane City Council for breaching project guidelines.[6] This came after the revelation that historic grotesques were destroyed on the Elizabeth Street portion of the building.[7] The controversy centred around the broken promise by the Planning Minister in the state government, Stirling Hinchliffe who said that the items would be preserved.[8]

A new "Save The Regent" group was formed in 2008, reminiscent of the original group formed in the 1970s. The group staged a public battle to save the Regent on the grounds that it continued to perform its original function, screening motion pictures, and that much of the original fabric remained at the site. Several public protests were held including a street march to the building's Elizabeth St facade.

The battle was lost and the Regent was demolished between June 2011 and March 2012.[9] The office tower will not have any cinemas but will contain three multifunction auditoria which can possibly be used as cinemas. These are only permitted to operate on weekends [10] and include a new Queensland Film and Television Centre.[11]

Foyer, 2016

In May 2013, Brisbane Development news site reported that the Regent Tower development was defunct.[12] Similarly, the official regenttower.com.au website was shut down.[13]

In November 2014 the Brisbane City Council moved the Brisbane Visitor Information Centre into the entrance hall and grand foyer of the Regent. At the opening ceremony, Regent Tower development director Chris McCluskey stated "the project would go ahead but the kind of space was still to be determined. We're going through a redesign process at the moment and looking at alternative ways to deliver that project in line with market conditions. There is significant office space in the CBD, so we are looking for the right space to suit market conditions." [14]

As of December 2014 construction was yet to commence.

The Queen Street facade of the Regent Building (completed late 1928) was designed using classically inspired detailing and proportions, and was described as "a Palazzo facade, imbued with an Art Deco flavour".[15] It is symmetrical, with three window bays across and four storeys above ground level, although the fourth floor is stepped back and has no windows on this building face. The first floor features rustication in the form of scored render imitating stonework, and similarly made arched windows topped with moulded keystones and sitting on decorated panels. The second and third floors have plain, giant-order pilasters, with stylised "Composite" capitals. All windows retain their original metal frames, featuring a combination of fixed and casement windows with multiple lights. The second floor windows sit on a sill of Italianate balusters, running between the pilasters. Below the third floor windows are moulded tripartite panels featuring centred oval medallions. Inside the medallions are the entwined letters CB (standing for Capitol Building). Panels between the pilaster capitals are decorated with festoons. The frieze features paired rosettes at each end framing the name "REGENT BVILDING" lettered across its centre. An exaggerated cornice supported on closely spaced brackets projects over the frieze and is roofed with terracotta-style tiles presenting small, semi-circular profiles to the street. Topping the building is a parapet, which combines solid sections corresponding to the pilasters below and intervening open sections of Italianate balusters.[1]

Part of the south-western (side) facade of the Regent Building is visible from the Queen Street Mall, revealing a general scheme of orange brickwork infill walls and concrete framing. The central section has a large, concrete-framed bay window, which supports a small corrugated fibro-sheeted awning with gutter. The metal windows on levels two, three and four are original, either large sets including four awning leafs each divided into four lights, or a narrow set including two pivoting leafs, one above the other, each divided into four lights. While the sills on the first two levels are concrete, those on the top are brick. The two windows at the southern end of this wall to level three are sheltered by an early hood made with light timber framing, fibro roof sheeting, guttering and flat metal sheet braces. All glass appears to be frosted with a fine wire mesh embedded in it. The opposite, north-eastern facade is not visible from the street as the Wintergarden Building has been built to that boundary.[1]

A combination of gable, saw-toothed and flat roof sections cover the top level of the Regent Building facing Queen Street. A large gable and skillion clad in ribbed metal roof sheeting sits over the grand foyer. (Aerial information suggests the roofing cladding of the front section of the building is also ribbed metal.)[1]

At street level, the Regent Building frontage is divided in two, with access to the entrance hall on the right hand side and a small retail tenancy on the left. The facade under the awning is largely clad in marble with a strip of modern signage running as a frieze above the doorways. The awning cantilevers over the Queen Street Mall by approximately three metres with metal tie rods providing support from above. Otherwise clad in metal roof sheeting, the underside to the awning features contoured metal-sheet housing for numerous rows of light bulbs. Several recent illuminated signs hang from here. An ornamental leadlight fringe runs along the south-west and north-west edges of the awning. Dating from the heyday of the theatre, this decoration, aside from other features of the awning, is considered to be of heritage significance.[1]

Columns in the foyer, 2016

Entering from the Queen Street Mall, the components of the building that served the Regent Theatre are: the single-height threshold space off the street; the large, double-height entrance hall; and beyond this the elaborate grand foyer, which retains the marble staircase that once led to the 1929 theatre's mezzanine promenade. The interiors of all these spaces are extravagantly ornamented in a confection of styles, which include Art Deco, Spanish Gothic, Baroque and Neo-classical or Empire. A key strategy employed in the design of picture palaces of this era, these styles are freely used to create eclectic visual effects without concern for historical or stylistic accuracy. These spaces form an impressive sequence, retaining coherence despite the mixture of decorative styles.[1]

The threshold space between the Queen Street Mall and the entrance hall is single-height, approximately six metres wide and four-and-a-half metres deep. It has a patterned terrazzo floor, marble skirting, a large, classically styled cornice and a central ceiling rose with round light fitting. An alcove on one side features decorative plasterwork in a classical style around its border, as does the lintel forming the opening between it and the entrance hall. Recent features such as signage and television screens are not of cultural heritage significance.[1]

The entrance hall is a long, high-ceilinged space that acts as a thoroughfare between the Queen Street Mall, the coffee shop, the upper-level tenancies and the grand foyer. After passing through the threshold space, there is a ticket booth immediately on the right hand side (possibly containing elements from the original ticket booth in the grand foyer beyond). It is approximately eight metres long and has a waist-height marble counter with an attached metal screen that extends to above head height on two sides.[1]

The coffee shop has recent fittings and furnishings, although sections of the Art Deco-style cornice here appear to be original fabric. Closest to the street are two simple rectangular openings, while the opening closest to the grand foyer has a timber frame and semi-circular fanlight with frosted glass lights. Two openings nearest the Mall have been in-filled during the 1979-1980 renovation. The lift and main staircase to the upper floors of the Regent Building are accessed through the rear of the coffee shop and sit in the eastern corner of this part of the building. At the far end of the entrance hall, a set of marble steps spanning its full width lead up to a landing enclosed by three sets of original double doors opening into the grand foyer. Two handrails made of copper with brass divide the stair into three. The double doors are made from timber and have full-height glass lights and chrome fittings. The threshold is polished granite.[1]

The dominant feature of the entrance hall is its high barrel-vaulted ceiling decorated with Neo-classical Empire-style plasterwork and murals. The decorative pattern consists of raised, geometric shapes and festoons painted bronze, set on a pale background and divided by strips of fretwork. The end vaults are painted with colourful medieval scenes. Two elaborate original chandeliers, with red glass panels and faux candle lights are suspended from the centre of two ceiling medallions. There is an elaborate cornice and the walls resemble courses of travertine block work. Shallow pilasters divide the long walls, with a decorative frieze of small pointed arches running between them. Another frieze line sits further down the wall sections at door head height. Brass candelabras are attached to each pilaster in line with these lower friezes. Above the door openings at either end of the hall are fixed large billboards with ornamental plaster frames surmounted by crowns. The floor is carpeted and has a marble skirting, but the original patterned terrazzo floor, similar to that in the threshold space, is believed to survive beneath the carpet.[1]

The grand foyer is an impressive single volume with richly ornamented walls and ceiling; predominantly Spanish Gothic with Baroque effects, such as the use of Rococo plasterwork and large mirrored surfaces. It is approximately 22 metres (72 ft) long, 12 metres (39 ft) wide and three-and-a-half storeys high. The doors leading from the entrance hall open into the western corner of the space. To the left stands a recent ticket and snacks counter which, along with various signage, is not considered to be of cultural heritage significance. Centrally placed along the south-eastern wall, and leading up to a mezzanine level, is the grand marble staircase. On either side of it, at ground level, are double doors that lead into spaces outside of the heritage boundary.[1]

The ceiling in the grand foyer is vaulted with deep groins that continue down the walls to form alcoves for a series of blind balconies. The entire surface area is painted with medieval-themed figures and patterns. The colour scheme relies on warm colours (predominantly reds, browns, greens and cream) given a yellow cast by the muted lighting. The groined sections of the ceiling are painted in a pattern of twisted vines with a small shield in the centre. The edge between the groined and arched surfaces is defined by a narrow red strip patterned with yellow quatrefoils. On the lowest part of the arched panels various figures in medieval costume are depicted; each standing under the archway of a colonnade, some with shields between them. Moving up towards the centre of the ceiling, another shield, flanked by lions, hovers above the colonnade arches. Spanning the ceiling centre line are three large patterned circles featuring central sunbursts. Hanging from the centre of these are two large lanterns, similar to those featured in the entrance hall.[1]

All four walls of the grand foyer are heavily ornamented, most of which follows a dense pattern of thick, vine-like swirls and leaves that are painted mottled cream, beige and pale grey. The pale colour of this encrusted plasterwork and the extensiveness of its use within the foyer (in combination with other elements such as mirrors), are the key reasons for the design style being described as Rococo.[1]

The long side walls are each punctuated by four blind balconies, set into the alcoves formed by the elongated ceiling groins. These balcony alcoves have low plasterwork balustrades at their base, tall mirrored panels on the flat wall behind and are capped by elaborate plasterwork canopies, from which red velvet curtains with a gold tasselled fringe are suspended. Below each blind balcony are mirrored panels with a darkly painted plaster border. Between them, from floor level to just below the ceiling, are paired, rounded pilasters encrusted with tracery. Single columns sit between the end balconies and the wall corners. Brass candelabra are fixed between each balcony at balustrade height and concealed lights at the top of the pilasters shine up onto the arched, painted ceiling.[1]

Dominating the north-western end wall of the foyer is a large false Gothic window, made from plaster with panels of reflective bronze paint imitating glass. This feature is repeated on the opposite wall, with the lower portion serving as the doorway at the top of the grand marble staircase. Decorative friezes run across the north-western end wall at above door height, and two small lanterns are attached on either side of its Gothic window. All other wall surfaces throughout the grand foyer are scored and painted to resemble travertine block work.[1]

A key element in the grand foyer is its staircase, which at approximately five metres wide and nine metres long was built on a scale to suit that of the large space it occupies, as well as to accommodate the numbers of patrons of the former 1929 theatre. It is clad in white marble with grey veins, and its bottom few steps swell out in a shallow curve, flanked on either side by ornate, plaster balustrade end posts that are topped with vessels for displaying flowers. The remainder of the balustrade on either side is made from plaster employing the same style of ornamentation as the walls, with the top surface of the upper rail covered in maroon and white marble and the bottom skirting made of grey-blue and white marble. A copper and brass handrail, similar to the one in the entrance hall, runs up the centre of the staircase. A landing divides the stairs in two, in line with the height of the balconies along the side walls. Both this landing and the one at the top of the stairs are finished with square marble tiles. The end posts at the top of the stairs are simple, square plinths with a marble top and additional plaster flower bowls. The upper landing extends the width of the hall to form a narrow balcony, around which the balustrade of the staircase continues. Square plasterwork panels set into the end wall at this level conceal air-conditioning ducts.[1]

The doors leading out of the grand foyer into adjoining spaces on the ground floor match those connecting the foyer and entrance hall. In front of these doors, the wide soffit to the balcony above is decorated with a distinctive pattern of swirls interlocking to form a series of circles and has a circular light fitting in its centre. Beneath the grand marble staircase, accessed through openings on either side, there is a storeroom which retains an original timber door featuring a simple geometric pattern of ribs. Next to this storeroom are stairs that lead down to the basement (currently not in use), which retain original handrails and brackets.[1]

Marble skirtings feature throughout the grand foyer, including around the base of the staircase. The floor at ground level is covered in recent carpet, as is the upper landing area on either side of the grand staircase.[1]

The basement comprises a number of bare rooms stripped of wall, ceiling and floor linings and services after c. 2000 when the last tenants quit the space. The basement section of the stairwell closest to Queen Street has been sealed off, while access is still open from the stairs under the marble staircase in the grand foyer.[1]

Of the four levels of tenancies located above the ground floor of the Regent Building, the first three share an original general floor plan, consisting of a central, straight hallway linking various rooms to the lift and stairwell at its southern end. Rooms line this corridor along its length to the south-west and at the Queen Street end of the building, while staircases, toilets and other service spaces occupy the north-eastern side. The 1928 stair winds around a generously scaled void and has a wrought iron balustrade with a timber handrail moulded in a single length. While remaining in its original location next to the 1928 stair, the lift itself is not original. Further along the north-eastern side of the building there is a narrow light well, with toilets between it and the central hallway, and a fire escape staircase at its Queen Street end, which was installed during the building's 1978-80 redevelopment. The toilets occupy their original positions in the building but have been renovated since being first installed there. The windows looking into the light well, apart from those to the main stairwell (metal-framed), have been removed and the openings filled in. Kitchenettes and services cupboards sit between the 1979 fire escape and the central hallway.[1]

A number of features found on level one are of note. The first is a theatrette overlooking Queen Street. It has a small section of tiered seating and a bio box, and is decorated with curtains covering most walls and a number of brass candelabra similar to those found elsewhere in the building and likely to be from the original 1929 fit-out of the Regent Building. There are also sections of cornice matching those present in the cafe downstairs. The second feature is two interwar timber doors with frosted glass upper lights along the south-western side of the corridor on this floor. These open to reveal the ceiling framing above the entrance hall. Further to these are pieces of original architrave, skirting boards and several plaster corbels.[1]

On all four of these floors, original parquetry remains under the carpet. It is exposed in the central corridor of level three and its reception area. Suspended ceilings have been installed on these levels, as well as some recent studwork and plasterboard partitioning.[1]

The top level (four) sits under a sawtooth roof at the front and two concealed gables at the rear. It is more open plan than the tenantable levels below, however its service spaces around the light well correspond to those below and a central hallway is delineated by columns. Aside from its windows on the south-eastern and south-western walls, there are clerestory windows oriented to Queen Street. A bulkhead disguising ducted air-conditioning has been installed over the central corridor space and in the toilets. Most wall and ceiling linings appear to be recent.[1]

This Wikipedia article incorporates text from "The Queensland heritage register" published by the State of Queensland under CC-BY 3.0 AU licence (accessed on 7 July 2014, archived on 8 October 2014). The geo-coordinates were computed from the "Queensland heritage register boundaries" published by the State of Queensland under CC-BY 3.0 AU licence (accessed on 5 September 2014, archived on 15 October 2014).