Robert Wyatt

Wyatt was born in Bristol. His mother, Honor Wyatt, was a journalist with the BBC, and his father, George Ellidge, was an industrial psychologist. Honor Wyatt was a cousin of Woodrow Wyatt, whose political stance influenced Robert in joining the Communist Party of Great Britain.[6] Wyatt had two half-brothers from his parents' previous marriages, Honor Wyatt's son, actor Julian Glover,[7] and George Ellidge's son, press photographer Mark Ellidge.[8] His parents' friends were "quite bohemian", and his upbringing was "unconventional".[9] Wyatt said "It seemed perfectly normal to me. My father didn't join us until I was six, and he died ten years later, having retired early with multiple sclerosis, so I was brought up a lot by women."[9] Wyatt attended the Simon Langton Grammar School for Boys, Canterbury[10] and as a teenager lived with his parents in Lydden near Dover, where he was taught drums by visiting American jazz drummer George Neidorf. It was during this period that Wyatt met and became friends with expatriate Australian musician Daevid Allen, who rented a room in Wyatt's family home.

In 1962, Wyatt and Neidorf moved to Majorca, living near the poet Robert Graves. The following year, Wyatt returned to England and joined the Daevid Allen Trio with Allen and Hugh Hopper. Allen subsequently left for France, and Wyatt and Hopper formed the Wilde Flowers, with Kevin Ayers, Richard Sinclair and Brian Hopper. Wyatt was initially the drummer in the Wilde Flowers, but following the departure of Ayers, he also became lead singer.

Wyatt on VPRO-TV, September 1967

In 1966, the Wilde Flowers basically split into two bands - Caravan, and the Soft Machine, and Wyatt, along with Mike Ratledge, was invited to join Soft Machine by Kevin Ayers and Daevid Allen. Wyatt both drummed and shared vocals with Ayers, an unusual combination for a stage rock band.[1] In 1970, after chaotic touring, three albums and increasing internal conflicts in Soft Machine, Wyatt released his first solo album, The End of an Ear, which combined his vocal and multi-instrumental talents with tape effects.[1] A year later, after becoming increasingly unhappy about his musical ideas being rejected by the others, Wyatt left Soft Machine (basically being pushed out) and, besides participating in the fusion bigband Centipede and drumming at the JazzFest Berlin's New Violin Summit, a live concert with violinists Jean-Luc Ponty, Don "Sugarcane" Harris, Michał Urbaniak and Nipso Brantner, guitarist Terje Rypdal, keyboardist Wolfgang Dauner and bassist Neville Whitehead,[11] formed his own band Matching Mole (a pun, "machine molle" being French for 'Soft Machine'), a largely instrumental outfit that recorded two albums.

The injury led Wyatt to abandon the Matching Mole project, and his rock drumming (though he would continue to play drums and percussion in more of a "jazz" fashion, without the use of his feet). He promptly embarked on a solo career, and with musician friends (including Mike Oldfield, Ivor Cutler and Henry Cow guitarist Fred Frith) released his solo album Rock Bottom[1] on 26 July 1974. The album had been largely composed prior to Wyatt's accident, but during Wyatt's convalescence, he rethought the arrangements to adjust to his new circumstances, and many of the lyrics were completed during this period. The album was met with mostly positive reviews.[15][16][17][18]

Two months later Wyatt put out a single, a cover version of "I'm a Believer", which hit number 29 in the UK chart.[1] Both were produced by Pink Floyd drummer Nick Mason. There were strong arguments with the producer of Top of the Pops surrounding Wyatt's performance of "I'm a Believer", on the grounds that his use of a wheelchair "was not suitable for family viewing", the producer wanting Wyatt to appear on a normal chair. Wyatt won the day and "lost his rag but not the wheelchair". A contemporary issue of New Musical Express featured the band (a stand-in acting for Mason), all in wheelchairs, on its cover. Wyatt subsequently sang lead vocals on Mason's first solo album Fictitious Sports (1981), a suite of songs composed by American jazz musician Carla Bley.

His follow-up single, a reggae ballad remake of Chris Andrews's hit "Yesterday Man", again produced by Mason, was eventually given a low-key release, "the boss at Virgin claiming that single was 'lugubrious', the delay and lack of promotion denting Wyatt's chances of a follow-up hit."[19]

Wyatt's next solo album, Ruth Is Stranger Than Richard (1975), produced by Wyatt apart from one track produced by Mason, was more jazz-led, with free jazz influences. Guest musicians included Brian Eno on guitar, synthesizer and "direct inject anti-jazz ray gun". Wyatt went on to appear on the fifth release of Eno's Obscure Records label, Jan Steele/John Cage: Voices and Instruments (1976), singing two Cage songs.[20]

Throughout the rest of the 1970s Wyatt guested with various acts, including Henry Cow (documented on their Concerts album), Hatfield and the North, Carla Bley, Eno, Michael Mantler, and Roxy Music guitarist Phil Manzanera, contributing lead vocals to lead track "Frontera", from Manzanera's 1975 solo debut Diamond Head. In 1976 he was featured vocalist on Mantler's settings of the poems of Edward Gorey, appearing alongside Terje Rypdal (guitar) Carla Bley (piano, clavinet, synthesizer), Steve Swallow (bass) and Jack DeJohnette (drums) on the album The Hapless Child and Other Stories.

His solo work during the early 1980s was increasingly politicised, and Wyatt became a member of the Communist Party of Great Britain. In 1983, his original version of Elvis Costello and Clive Langer's Falklands War-inspired song "Shipbuilding",[21] which followed a series of political cover-versions (collected as Nothing Can Stop Us), reached number 35 in the UK Singles Chart[22] and number 2 in John Peel's Festive Fifty for tracks from that year. In 1984 Wyatt provided guest vocals, along with Tracey Thorn and Claudia Figueroa, on "Venceremos (We Will Win)", a song expressing political solidarity with Chilean people suffering under Pinochet's military dictatorship, released as a single by UK soul-jazz dance band Working Week, also included on an album released the following year.

In 1985 Wyatt released Old Rottenhat, his first album of original songs since Rock Bottom. The album featured strongly political songs with relatively sparse arrangements played largely by Wyatt alone.

In the late 1980s, after collaborations with other acts such as News from Babel, Scritti Politti, and Japanese recording artist Ryuichi Sakamoto, he and his wife Alfreda Benge spent a sabbatical in Spain, before returning in 1991 with a comeback album Dondestan. His 1997 album Shleep was also praised.[1]

In 1999 he collaborated with the Italian singer Cristina Donà on her second album Nido. In the summer of 2000 her first EP Goccia was released and Wyatt made an appearance in the video of the title track.[1]

Wyatt contributed "Masters of the Field", as well as "The Highest Gander", "La Forêt Rouge" and "Hors Champ" to the soundtrack of the 2001 film Winged Migration. He can be seen in the DVD's Special Features section, and is praised by the film's composer Bruno Coulais as being a big influence in his younger days.

In June 2001, Wyatt was curator of the Meltdown festival, and sang "Comfortably Numb" with David Gilmour at the festival. It was recorded on Gilmour's DVD David Gilmour in Concert.

In January 2003, BBC Four broadcast Free Will and Testament, a programme featuring performance footage of Wyatt with musicians Ian Maidman, Liam Genockey, Annie Whitehead and Janette Mason, and interviews with John Peel, Brian Eno, Annie Whitehead, Alfie and Wyatt himself.[23] Later in 2003, the Mercury Music Prize nominated album Cuckooland was released.[24]

In 2004 Wyatt collaborated with Björk on the song "Submarine" which was released on her fifth album Medúlla. He sang and played cornet and percussion with David Gilmour on Gilmour's album On an Island, and read passages from the novels of Haruki Murakami for Max Richter's album Songs from Before. In 2006 Wyatt collaborated with Steve Nieve and Muriel Teodori on the opera Welcome to the Voice interpreting the character 'the Friend', both singing and playing pocket trumpet.

Wyatt released Comicopera in October 2007 on Domino Records, who went on to re-release Drury Lane, Rock Bottom, Ruth Is Stranger Than Richard, Nothing Can Stop Us, Old Rottenhat, Dondestan, Shleep, EPs and Cuckooland on CD and vinyl the following year. In 2009 he appeared on the album Around Robert Wyatt by the French Orchestre National de Jazz.[25]

Wyatt was one of the guest editors of BBC Radio 4's Today programme, working on the 1 January 2010 programme.[26] Among other things he advocated greater prominence for amateur choirs, and admitted to a preference for them over professional choirs "because there's a greater sense of commitment and meaning in their singing."[27][28]

October 2014 saw the release of Different Every Time: The Authorised Biography of Robert Wyatt by Marcus O'Dair. In promotion of the book Wyatt appeared at the Wire's "Off the Page" festival in Bristol on 26 September, and at the Queen Elizabeth Hall on 23 November. A companion compilation album, Different Every Time – Ex Machina / Benign Dictatorships was released on 18 November 2014.[29]

Wyatt performed the soundtrack to Jimmy McGovern's 2014 BBC production, Common.

In an interview with Uncut magazine in December 2014, Wyatt announced that he had "stopped" making music. He cited age and greater interest in politics as his reasons.[5]

In January 2015 Wyatt's biography Different Every Time was featured as BBC Radio 4's Book of the Week, abridged by Katrin Williams and read by Julian Rhind-Tutt.[30]

On 16 December 2016 Wyatt appeared at the Brighton Dome, with Paul Weller and Danny Thompson, in support of Labour Party leader Jeremy Corbyn, as the opening instalment of "People Powered: Concerts for Corbyn".[31][32] It was Wyatt's most recent public appearance.

The Tears for Fears song "I Believe" from their 1985 album Songs from the Big Chair was originally written by bandmember Roland Orzabal for Wyatt, and is dedicated to him. As a further tribute to Wyatt, on the B-side of the single, Orzabal performs a cover version of "Sea Song", from the Rock Bottom album. This recording later appeared on the compilation album Saturnine Martial & Lunatic and the remastered versions of Songs from the Big Chair.

"Sea Song" was also covered by Rachel Unthank and the Winterset on their 2007 album The Bairns, and The Guardian's David Peschek said of the cover: "That’s the best version of that I’ve ever heard".[33] In November 2011, The Unthanks released a live album, The Songs of Robert Wyatt and Antony & the Johnsons, and Wyatt is quoted on the cover of the album as saying "I love the idea. It makes me happy just thinking about it."

Dev Hynes credited Wyatt's album, Old Rottenhat as an influence on the song, "Take Your Time" from Hynes' 2018 album (as Blood Orange), Negro Swan.[34]

Wyatt is married to English painter and songwriter Alfreda Benge.[38][39]

Text by Robert Wyatt and illustrations by Jean-Michel Marchetti:

• 1997 MW, Æncrages & Co publishing
• 1998 M2W, Æncrages & Co publishing
• 2000 MW3, Æncrages & Co publishing
• 2003 M4W, Æncrages & Co publishing
• 2008 MBW (with Alfreda Benge), Æncrages & Co publishing

• King, Michael (1994). Robert Wyatt: Wrong Movements. SAF Publishing (Canada). ISBN 978-0-946719-10-5.
• O'Dair, Marcus (2014). Different Every Time: The Authorised Biography of Robert Wyatt. Serpent's Tail (UK). ISBN 978-1-846687-59-4.
• Arena, Leonardo V. (2014). La Filosofia di Robert Wyatt (in Italian). Mimesis Publishing. ISBN 978-88-5752-410-8.

• 2015: Romantic Warriors III: Canterbury Tales (DVD)

Wikimedia Commons has media related to Robert Wyatt.

• Robert Wyatt at myspace.com
• Strongcomet.com
• A Robert Wyatt discography
• "Different every time" by Daniel Trilling, 9 October 2008, New Statesman