Rodgers and Hammerstein

Independently of each other, Rodgers and Hammerstein had been attracted to making a musical based on Lynn Riggs' stage play Green Grow the Lilacs. When Jerome Kern declined Hammerstein's offer to work on such a project and Hart refused Rodgers' offer to do the same, Rodgers and Hammerstein began their first collaboration. The result, Oklahoma! (1943), marked a revolution in musical drama. Although not the first musical to tell a story of emotional depth and psychological complexity, Oklahoma! introduced a number of new storytelling elements and techniques. These included its use of song and dance to convey and advance both plot and character rather than act as a diversion from the story and the firm integration of every song into the plot-line.

Oklahoma! was originally called Away We Go! and opened at the Shubert Theatre in New Haven in March 1943. Only a few changes were made before it opened on Broadway, but three would prove significant: the addition of a show-stopping number, "Oklahoma!"; the deletion of the musical number "Boys and Girls Like You and Me", which would soon after be replaced with a reprise of "People Will Say We're in Love"; and the decision to re-title the musical after the song.

The original Broadway production opened on March 31, 1943, at the St. James Theatre. Although the typical musical of the time was usually written around the talents of a specific performer, such as Ethel Merman or Fred Astaire, no stars were used in the production. Ultimately the original cast included Alfred Drake (Curly), Joan Roberts (Laurey), Celeste Holm (Ado Annie), Howard Da Silva (Jud Fry), Betty Garde (Aunt Eller), Lee Dixon (Will Parker) and Joseph Bulloff (Ali Hakim). Marc Platt danced the role of "Dream Curly", and Katharine Sergava danced the part of "Dream Laurey". In Oklahoma!, the story and the songs were considered more important than sheer star power. Nevertheless, the production ran for a then-unprecedented 2,212 performances, finally closing on May 29, 1948. Many enduring musical standards come from this show, among them "Oh, What a Beautiful Mornin'", "The Surrey with the Fringe on Top", "I Cain't Say No", the aforementioned "People Will Say We're in Love", and "Oklahoma!".

In 1955 it was made into an Academy Award-winning musical film, the first feature shot with the Todd-AO 70 mm widescreen process. The film starred Gordon MacRae and Shirley Jones, and its soundtrack was No. 1 on the 1956 album charts.[8][9]

After their initial success with Oklahoma!, the pair took a break from working together and Hammerstein concentrated on the musical Carmen Jones, a Broadway version of Bizet's Carmen with the characters changed to African Americans in the contemporary South, for which he wrote the book and lyrics. The musical was adapted to the screen in 1954, and scored a Best Actress Oscar nomination for leading lady Dorothy Dandridge. Rodgers and Hammerstein also received a special Pulitzer Prize in 1944 for Oklahoma!.[10]

The original production of Carousel was directed by Rouben Mamoulian and opened at Broadway's Majestic Theatre on April 19, 1945, running for 890 performances and closing on May 24, 1947. The cast included John Raitt, Jan Clayton, Jean Darling, Christine Johnson and Bambi Linn. From this show came the hit musical numbers "The Carousel Waltz" (an instrumental), "If I Loved You", "June Is Bustin' Out All Over", and "You'll Never Walk Alone".

Carousel was also revolutionary for its time – adapted from Ferenc Molnár's play Liliom, it was one of the first musicals to contain a tragic plot about an antihero;[11] it also contained an extended ballet that was crucial to the plot, and several extended musical scenes containing both sung and spoken material, as well as dance. The 1956 film version of Carousel, made in CinemaScope 55, again starred Gordon MacRae and Shirley Jones, the same leads as the film version of Oklahoma!

Carousel is also unique among the Rodgers and Hammerstein musicals for not having an overture; both the stage and film versions began with the familiar Carousel Waltz. This music was included in John Mauceri's Philips Records CD of the complete overtures of Rodgers and Hammerstein with the Hollywood Bowl Orchestra. It was also included in Rodgers' rare 1954 album for Columbia Records with the composer conducting the New York Philharmonic Orchestra.[12]

In 1945, a Technicolor musical film version of Phil Stong's novel State Fair, with songs and script by Rodgers and Hammerstein, was released. The film, a remake of a 1933 non-musical Will Rogers film of the same name, starred Jeanne Crain, Dana Andrews, Dick Haymes, and Vivian Blaine. This was the only time the pair ever wrote a score directly for film. It was a great success, winning Rodgers and Hammerstein their lone Oscar together, for the song "It Might as Well Be Spring",[13] but it was also unadventurous material for them, compared with several of their Broadway shows. In 1962, an unsuccessful remake of the musical film was released.

In 1969, the St. Louis Municipal Opera presented the world stage premiere of State Fair starring Ozzie and Harriet Nelson.[14] The production was directed by James Hammerstein, supervised by Richard Rodgers and choreographed by Tommy Tune. State Fair finally arrived on Broadway on March 27, 1996, with Donna McKechnie and Andrea McArdle, produced by David Merrick, and received five Tony Award nominations.

South Pacific opened on Broadway on April 7, 1949, and ran for over five years. Its songs "Bali Ha'i", "Younger Than Springtime", and "Some Enchanted Evening" have become standards. The play is based upon two short stories by James A. Michener from his book Tales of the South Pacific, which itself was the winner of the Pulitzer Prize for Fiction in 1948. For their adaptation, Rodgers and Hammerstein, along with co-writer Joshua Logan, won the Pulitzer Prize for Drama in 1950.

In the original production, Mary Martin starred as the heroine Nellie Forbush, and opera star Ezio Pinza starred as Emile de Becque, the French plantation owner. Also in the cast were Juanita Hall, Myron McCormick and Betta St. John. The 1958 film version, also directed by Logan, starred Mitzi Gaynor, Rossano Brazzi, John Kerr, Ray Walston, and Juanita Hall. Brazzi, Kerr, and Hall had their singing dubbed by others.

Based on Margaret Landon's Anna and the King of Siam—the story of Anna Leonowens, governess to the children of King Mongkut of Siam in the early 1860s—Rodgers and Hammerstein's musical The King and I opened on Broadway on March 29, 1951, starring Gertrude Lawrence as Anna and the mostly unknown Yul Brynner as the king. This musical featured the hit songs "I Whistle a Happy Tune", "Hello, Young Lovers", "Getting to Know You", "We Kiss in a Shadow", "Something Wonderful", "I Have Dreamed", and "Shall We Dance?"

It was adapted for film in 1956 with Brynner re-creating his role opposite Deborah Kerr (whose singing was largely dubbed by Marni Nixon). Brynner won an Oscar as Best Actor for his portrayal, and Kerr was nominated as Best Actress. Brynner reprised the role twice on Broadway in 1977 and 1985 and in a short-lived TV sitcom in 1972, Anna and the King.

Based on the fairytale character and story of Cinderella, Rodgers and Hammerstein created their only collaborative effort written for television. Cinderella aired on March 31, 1957, on CBS. More than 107 million viewers saw the broadcast, and Julie Andrews was nominated for an Emmy Award for her performance in the title role.[15][16][17] Rodgers and Hammerstein originally signed to work with NBC, but CBS approached them, offering the chance to work with Julie Andrews, and the two quickly agreed. Rodgers stated, "What won us over was the chance to work with Julie." Andrews played Cinderella, with Edith Adams as the Fairy Godmother, Kaye Ballard and Alice Ghostley as stepsisters Joy and Portia, and Jon Cypher as Prince Christopher. Though it was broadcast in color, and the major networks all had the new (B&W) videotape recorders from Ampex, a black and white kinescope is all that remains. It featured songs still treasured today, "In My Own Little Corner", "Ten Minutes Ago" and "Impossible: It's Possible." After the success of the 1957 production, another version was presented in 1965 and shown annually on CBS, starring Lesley Ann Warren, Celeste Holm and Walter Pidgeon, and yet another television version in 1997 on ABC, produced by Walt Disney Television, starring Brandy, Whitney Houston, Bernadette Peters, and Whoopi Goldberg. Stage versions were also presented in London and elsewhere, and the musical finally was given a Broadway production, with a revised book by Douglas Carter Beane, and incorporating four songs from the Rodgers and Hammerstein catalogue, in 2013.

Based on a 1957 novel by C. Y. Lee, Flower Drum Song takes place in San Francisco's Chinatown in the late 1950s. The original 1958 production was directed by dancer/singer/actor Gene Kelly. The story deals with a young Chinese woman who illegally comes to America in hopes of marrying a wealthy young Chinese-American man, who is already in love with a Chinatown nightclub dancer. The young man's parents are traditional Chinese and want him to marry the new Chinese immigrant, but he is hesitant until he falls in love with her. Though this musical did not achieve the popularity of the team's five most famous musicals, it was nevertheless a success and broke new ground by using a mostly Asian cast. The 1961 film adaptation was a lavish, but much criticized, Ross Hunter production released by Universal Studios.[18] A Broadway revival in 2002 starring Lea Salonga had a rewritten plot by playwright David Henry Hwang but retained the inter-generational and immigrant themes as well as most of the original songs.

The Sound of Music, Rodgers and Hammerstein's last work together, is based on the story of the Austrian Von Trapp Family. Starring Mary Martin as Maria and Theodore Bikel as Captain von Trapp, it opened on Broadway at the Lunt-Fontanne Theatre on November 16, 1959, garnering much praise and numerous awards. It has been frequently revived ever since. The show was made into a film in 1965 starring Julie Andrews as Maria and Christopher Plummer as the Captain. It won five Oscars, including Best Picture and Best Director, Robert Wise. Hammerstein died in August 1960, before the film was made, so when Rodgers was asked to create two new songs for the film ("I Have Confidence" and "Something Good"), he wrote the lyrics as well as the music.[19] The Sound of Music contains more hit songs than any other Rodgers and Hammerstein musical, and the film version was the most financially successful film adaptation of a Broadway musical ever made. The most enduring of these include the title song, "Do-Re-Mi", "My Favorite Things", "Climb Ev'ry Mountain", "So Long, Farewell" and "Sixteen Going on Seventeen". "Edelweiss" was the last song that Rodgers and Hammerstein wrote together.[20]